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Landscapes of Taste: The Art of Humphry Repton's Red Books [Kõva köide]

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Humphry Reptons Red Books have long been the subject of scholarly interest for their unique contribution to British landscape discourse around 1800. Lavishly illustrated with Reptons own watercolours, the notorious Red Book manuscripts were used to suggest improvements to family estates all over England, Scotland and Wales.



Through detailed analysis of Reptons working practices, André Rogger argues that the landscape gardeners main artistic achievement is in the text-and-image concept of his Red Books, rather than in his grounds as finally executed. He presents the Red Books as artefacts in their own right, examining their creative potential as an entirely new genre of landscape appraisal.



Assembling a comprehensive and descriptive catalogue of 123 original volumes, Landscapes of Taste: The Art of Humphry Reptons Red Books guides the reader through a fascinating part of the rich texture and legacy of Georgian landscape aesthetics.
Acknowledgements ix
Foreword xi
Introduction 1(6)
Humphry Repton in his times
7(28)
The Life
7(6)
Works
13(19)
Afterlife
32(3)
Humphry Repton's position in the history of English gardening
35(30)
The View from Literature
35(5)
The Historic Reconstruction
40(19)
Repton's Novel Working Tool
59(6)
The Red Book as a genre: form and argument
65(20)
The Corpus
65(6)
The Inner Structure
71(14)
The Red Books in context: sources and models
85(38)
The Red Books and Modern Gardening
85(5)
The Red Books and Travel
90(13)
The Red Books and Drawing
103(20)
Reading landscape between drawing and topography: Repton's key principle of appropriation
123(26)
An Early Manifesto: Tendring Hall in Suffolk(1791)
123(8)
Repton's Appropriation Strategies
131(7)
The Red Books' Defence of Property
138(11)
Paintings recollected: the fate of the picturesque in the Red Books
149(26)
A Practical Refutation: Attingham in Shropshire(1791)
149(7)
Seen from a Distance: The Workings of Picturesque Beauty
156(8)
With a Painter's Brush: A Morphology of the Picturesque
164(11)
The rule of taste in Repton's work
175(22)
Maintaining Standards: Report Concerning the Gardens at Ashridge(1813)
176(12)
Taste as the Touchstone for Judgement
188(3)
The Return of Art to Gardening
191(6)
Appendix 1 Catalogue of 123 Red Books 197(14)
Appendix 2 Transcripts of selected Red Books 211(26)
Notes 237(28)
Bibliography 265(9)
Index 274(10)
Illustration credits 284


André Rogger is Lecturer in History of Art at the Academy of Art and Design, Lucerne (Switzerland).