| The Ernst Strungmann Forum |
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| Preface |
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xi | |
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Part 1 An Expanded Perspective |
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1 Five Terms in Search of a Synthesis |
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3 | (42) |
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2 A Cross-Cultural Perspective on the Significance of Music and Dance to Culture and Society: Insight from Ba Yaka Pygmies |
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45 | (22) |
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3 Cross-Cultural Universals and Communication Structures |
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67 | (16) |
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Part 2 Action, Emotion, and the Semantics |
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4 Shared Meaning, Mirroring, and Joint Action |
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83 | (24) |
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5 Emotion in Action, Interaction, Music, and Speech |
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107 | (34) |
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6 Neural Correlates of Music Perception |
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141 | (32) |
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7 Film Music and the Unfolding Narrative |
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173 | (30) |
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8 Semantics of Internal and External Worlds |
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203 | (30) |
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9 The Infrastructure of the Language-Ready Brain |
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233 | (24) |
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10 Musical Syntax and Its Relation to Linguistic Syntax |
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257 | (16) |
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11 An Integrated View of Phonetics, Phonology, and Prosody |
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273 | (16) |
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12 Multiple Levels of Structure in Language and Music |
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289 | (18) |
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13 Neural Mechanisms of Music, Singing, and Dancing |
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307 | (22) |
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14 Sharing and Nonsharing of Brain Resources for Language and Music |
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329 | (28) |
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15 Action, Language, and Music: Events in Time and Models of the Brain |
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357 | (36) |
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16 Computational Modeling of Mind and Music |
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393 | (24) |
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17 The Neurobiology of Language, Speech, and Music |
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417 | (46) |
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Part 5 Development, Evolution, and Culture |
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18 Communication, Music, and Language in Infancy |
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463 | (18) |
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19 Evolving the Language- and Music-Ready Brain |
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481 | (18) |
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20 Birdsong and Other Animal Models for Human Speech, Song, and Vocal Learning |
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499 | (42) |
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541 | (22) |
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| Bibliography |
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563 | (88) |
| Subject Index |
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651 | |
