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Last Utopians: Four Late Nineteenth-Century Visionaries and Their Legacy [Kõva köide]

3.88/5 (45 hinnangut Goodreads-ist)
  • Formaat: Hardback, 336 pages, kõrgus x laius: 235x155 mm, 17 b/w illus.
  • Ilmumisaeg: 29-May-2018
  • Kirjastus: Princeton University Press
  • ISBN-10: 0691154163
  • ISBN-13: 9780691154169
Teised raamatud teemal:
Last Utopians: Four Late Nineteenth-Century Visionaries and Their LegacySuurem pilt
  • Formaat: Hardback, 336 pages, kõrgus x laius: 235x155 mm, 17 b/w illus.
  • Ilmumisaeg: 29-May-2018
  • Kirjastus: Princeton University Press
  • ISBN-10: 0691154163
  • ISBN-13: 9780691154169
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780691154169.html
Märksõnad:

The entertaining story of four utopian writers—Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman—and their continuing influence today

For readers reared on the dystopian visions of Nineteen Eighty-Four and The Handmaid's Tale, the idea of a perfect society may sound more sinister than enticing. In this lively literary history of a time before "Orwellian" entered the cultural lexicon, Michael Robertson reintroduces us to a vital strain of utopianism that seized the imaginations of late nineteenth-century American and British writers.

The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman—who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society.

These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.

Arvustused

"One of Choice Reviews' Outstanding Academic Titles of 2018" "[ I]nstructive and touching."---Adam Gopnik, New Yorker "An extremely reliable as well as accessible introduction to the ferment of utopian ideas and practical experiments that . . . made the politics of the late nineteenth century fizz with an almost unprecedented sense of political possibility."---Matthew Beaumont, Times Literary Supplement "In this timely analysis . . . Robertson leaves readers with nourishing food for thought from another era." * Publishers Weekly * "[ I]n their time, all four were culture heroes: best-selling authors, popular lecturers, public figures, and objects of veneration and pilgrimage. Michael Robertson, an English professor at the College of New Jersey, has undertaken to tell their story . . . with sympathy and insight."---George Scialabba, Arts Fuse "The Last Utopians is a message in a bottle from an era that looked to the future with optimism."---Robert Greer, History Today "One of the most engaging features of The Last Utopians is the authors determination to personally explore and report on the projects of the 'contemporary partial utopians' who understand that 'utopianism is essential to society, that without it, were reduced to a resigned acceptance of a morally intolerable status quo.'" * Town Topics * "[ Michael Robertson] has a commendably clear and enjoyable literary style. It is always welcome to read a book from an academic press that is written to be understood rather than to impress."---Richard Howells, Times Higher Education "Robertson sees the utopians of today as inheritors of the 'legacy' of his fouras a way, perhaps, of keeping fresh their relevance to our own times, which might otherwise appear to be obscure."---James Bowman, Weekly Standard "A fascinating book."---John Rimmer, Magonia Review of Books "The Last Utopians has arrived at the right time."---Steve Toase, Fortean Times "There is no doubt that Robertson is a talented writer."---Peter J. Maurits, Fantastika

Acknowledgments vii
Introduction 1(16)
Chapter 1 Locating Nowhere
17(20)
Chapter 2 Edward Bellamy's Orderly Utopia
37(41)
Chapter 3 William Morris's Artful Utopia
78(53)
Chapter 4 Edward Carpenter's Homogenic Utopia
131(41)
Chapter 5 Charlotte Perkins Gilman's Motherly Utopia
172(51)
Chapter 6 After the Last Utopians
223(50)
Notes 273(32)
Bibliographical Note 305(6)
Index 311
Michael Robertson is professor of English at The College of New Jersey and the author of two award-winning books, Worshipping Walt: The Whitman Disciples (Princeton) and Stephen Crane, Journalism, and the Making of Modern American Literature. A former freelance journalist, he has written for the New York Times, the Village Voice, Columbia Journalism Review, and many other publications.