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Latin American Music Reader: Views from the South [Kõva köide]

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  • Formaat: Hardback, 496 pages, kõrgus x laius x paksus: 235x156x33 mm, kaal: 853 g, 4 black and white photographs, 4 line drawings, 2 charts, 23 music examples, 2 tables
  • Ilmumisaeg: 31-Jul-2016
  • Kirjastus: University of Illinois Press
  • ISBN-10: 025204021X
  • ISBN-13: 9780252040214
Teised raamatud teemal:
Latin American Music Reader: Views from the SouthSuurem pilt
  • Formaat: Hardback, 496 pages, kõrgus x laius x paksus: 235x156x33 mm, kaal: 853 g, 4 black and white photographs, 4 line drawings, 2 charts, 23 music examples, 2 tables
  • Ilmumisaeg: 31-Jul-2016
  • Kirjastus: University of Illinois Press
  • ISBN-10: 025204021X
  • ISBN-13: 9780252040214
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780252040214.html
Märksõnad:
Javier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America.

Contributors include Marina Alonso Bolaños, Gonzalo Camacho Díaz, José Jorge de Carvalho, Claudio F. Díaz, Rodrigo Cantos Savelli Gomes, Juan Pablo González, Rubén López-Cano, Angela Lühning, Jorge Martínez Ulloa, Maria Ignêz Cruz Mello, Julio Mendívil, Carlos Miñana Blasco, Raúl R. Romero, Iñigo Sánchez Fuarros, Carlos Sandroni, Carolina Santamaría-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.

Arvustused

Bruno Nettl Prize, Society for Ethnomusicology, 2017

"Bravo! This critical gloss of Latin American music scholarship and compendium of works by Latin American scholars is much needed, long overdue, well-conceived, and well-informed."--Daniel Sheehy, Director and Curator, Smithsonian Folkways Recordings "I love this book. A major contribution to Latin American research--in both ethnomusicology and musicology--as well as related fields such as anthropology, sociology, political science, and gender studies."--Craig Russell, author of From Serra to Sancho: Music and Pageantry in the California Missions "This book fulfils the aims of the editors and it is an essential reading for those interested in the study of Latin American popular music."--Journal of the International Association for the Study of Popular Music

Muu info

Winner of
Bruno Nettl Prize, Society for Ethnomusicology, 2017
2017.
Preface ix
One Hundred Years of Latin American Music Scholarship: An Overview 1(68)
Helena Simonett
Michael Marcuzzi
PART ONE ACADEMIC LINEAGES, DISCIPLINARY CANONS, AND HISTORIOGRAPHIES
Introduction
69(6)
Javier F. Leon
1 Music Research in South America
75(19)
Raul R. Romero
2 Between Folklore and Ethnomusicology: Sixty Years of Folk and Vernacular Music Studies in Colombia
94(26)
Carlos Minana Blasco
3 Popular Musicology in Latin America: Synthesis of Its Accomplishments, Problems, and Challenges
120(26)
Juan Pablo Gonzalez
4 The Construction of History: The Charango in the Collective Memory of Mestizo Ayacucho
146(15)
Julio Mendivil
5 Decline or Progress? Eighteenth-Century Music and Nineteenth-Century Nationalism
161(33)
Alejandro Vera
6 The Bambuco, Hybrid Knowledges, and the Academy: A Historical Analysis of the Persistence of Coloniality in Latin American Musical Studies
194(21)
Carolina Santamaria-Delgado
PART TWO POPULAR MUSIC, STYLE, AND THE SOCIAL CONSTRUCTION OF GENRE
Introduction
215(6)
Javier F. Leon
7 Notes for a Prehistory of Mambo
221(29)
Ruben Lopez-Cano
8 "I Got Phrasing": Changes in Sambas Melodic Rhythm, 1917--1933
250(8)
Carlos Sandroni
9 Singing Difference: Violeta Parra and Chilean Song
258(21)
Rodrigo Torres Alvarado
10 The Nuevo Cancionero Movement: A Change of Paradigm in Argentine Folklore
279(24)
Claudio F. Diaz
11 Timba, Rumba, and "Appropriation from the Inside"
303(15)
Inigo Sanchez Fuarros
12 Gender and Brazilian Popular Music: A Study of Female Bands
318(13)
Rodrigo Cantos Savelli Gomes
Maria Ignez Cruz Mello
PART THREE ALTERNATE GENEALOGIES, MARGINAL ONTOLOGIES, AND APPLIED ETHNOMUSICOLOGY
Introduction
331(12)
Javier F. Leon
13 Myth, Music, and Dance: The Chicomexochitl
343(13)
Gonzalo Camacho Diaz
14 Indigenous Music and Identity: Musical Spaces of Urban Mapuche Communities
356(23)
Jorge Martinez Ulloa
15 Brazilian Ethnomusicology as Participatory Ethnomusicology: Anxieties Regarding Brazilian Musics
379(14)
Angela Luhning
16 Applied Ethnomusicology: A Critical History of Indigenous Music Studies in Mexico
393(13)
Marina Alonso Bolanos
17 Metamorphosis of Afro-Brazilian Performance Traditions: From Cultural Heritage to the Entertainment Industry
406(35)
Jose Jorge de Carvalho
Contributors
431(10)
Index 441
Javier F. LeÓn is the director of the Latin American Music Center at Indiana University's Jacobs School of Music and an adjunct professor in the Department of Folklore and Ethnomusicology. Helena Simonett is an assistant professor of Latin American studies, adjunct assistant professor of music history and literature, and associate director of the Center for Latin American Studies at Vanderbilt University. She is the author of Banda: Mexican Musical Life across Borders and the editor of The Accordion in the Americas: Klezmer, Polka, Tango, Zydeco, and More!