"[ Cappello's] excellent new book-length essay, Lecture... at once defends the lecture and calls for holistic and creative improvements to the form."The Atlantic
With its fragments and digressions, its considerable self-reflection, and its significant moral and political heft[ Lecture] serves as its own well-earned justification.Los Angeles Review of Books
After reading this eloquent book, anyone will agree that the lecture is not archaic, but rather waiting for a vital new mode.Publishers Weekly
"A lively and playful challenge to resuscitate a form that has been considered all but dead."Kirkus Reviews
Praise for Mary Cappello
In these captivating essays, which meld memoir, philosophical meditations, and reports from excursions, far, deeply interior and wide, Cappello explores the abstract, amorphous notion of moodCappellos fresh inquisitiveness and surprising trains of thought may well remind readers of the ruminative writings of Adam Phillips or Alain de Botton. An illuminating celebration of enveloping moments of being.Kirkus Review, Starred Review
Im tempted to begin by comparing Mary Cappello to other contemporary literary nonfiction writers who meld memory and lyric impression with intellectual passion. Writers who come to mindRebecca Solnit, Maggie Nelson, Wayne Koestenbaum, bell hookscertainly share borderlines and affinities, but none of their works really resemble the books that come of Cappellos singular voice and lens. Cappellos compositions are at once sonic memoir, embodied criticism, and narrative cultural observation, drawing the attentive reader into what we might call the queer corporeal idea Cappellos new book, Life Breaks In, is at once rhapsodic, sensate, and intellectually captivating Reading Life Breaks In is, indeed, a kind of listening. It is time spent in a language-made listening room, a stroll into shifting human emotive time, a resounding of memory, imagination, story, and thought.Los Angeles Review of Books
The infinite play of non-knowledge, of knowing that she doesnt know, continues to write with her and for her, with a suspenseful, tumultuous virtuosityIm convinced that Montaigne would have liked it very much.The Yale Review
Life Breaks In makes me think of the workings of big minds like Anne Carsons, Carole Masos, or Susan Howes (e.g. My Emily Dickinson), all relentlessly curious and similarly fearless, all four writers irrepressible masters at their craft, creating full-immersion experiences for any reader willing to go on the journey. The pleasures for me were both aesthetic, in how original and fine the writing, and esoteric, in how much I learned. Mary Cappello is a brilliant and exuberant original.Catherine Reid, author of Falling into Place
