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Light in Art: Perception and the Use of Light in the History of Art [Pehme köide]

  • Formaat: Paperback / softback, 200 pages, kõrgus x laius: 246x172 mm, 200 Illustrations, color
  • Ilmumisaeg: 05-May-2022
  • Kirjastus: Hoaki
  • ISBN-10: 8417656677
  • ISBN-13: 9788417656676
Teised raamatud teemal:
  • Formaat: Paperback / softback, 200 pages, kõrgus x laius: 246x172 mm, 200 Illustrations, color
  • Ilmumisaeg: 05-May-2022
  • Kirjastus: Hoaki
  • ISBN-10: 8417656677
  • ISBN-13: 9788417656676
Teised raamatud teemal:

This richly illustrated book takes readers on a tour through the history of art to learn how artists have used light (and its lack of it as shadow) to make a statement about their subject matter or create a specific mood, with examples by masters such as Giotto, Botticelli, Caravaggio, Vermeer, Courbet, Turner, Klimt, and many more, as well as theoretical approaches starting with Plato and Aristotle, moving on to Descartes, Newton, Goethe and Chevreul. 

Brimming with illustrations, this stunningly original book presents the role of light in art throughout history. Throughout history, artists have played with light, approaching it as both a subject and tool to create the desired atmosphere, convey ideas, and inspire emotions in the viewer. In medieval frescoes, rays of light stood for the presence of the divine, while 17th-century Dutch painters used light to indicate depth and construct an impactful setting. The Impressionists wanted to depict light itself and the way it plays upon the surfaces of objects in the form of color. Photography and film have used light, both natural and artificial, to make things visible in the first place. This volume delves into these and many more topics and constitutes a perfect reference book for artists, students, scholars, and art lovers.

Introduction 5(11)
The Scholars Of Light
16(38)
Plato and Aristotle
16(3)
Lucretius
19(3)
The Enneads of Plotinus
22(1)
Al-Kindi
23(3)
Alhazen
26(2)
Avicenna and Averroes
28(1)
Grosseteste's Theory
29(1)
Liber de Intelligentiis
30(3)
Roger Bacon
33(1)
Convex Lenses
34(3)
The Evolution of the Camera Obscura
37(2)
Francesco Maurolico
39(1)
The scientific revolution and the debate on the nature of light in the 17th century
40(5)
Rene Descartes
45(1)
Isaac Newton
46(2)
Thomas Young
48(1)
Wolfgang von Goethe
49(2)
Chevreul's Chromo-Luminist Theory
51(3)
The Luminous Visible Or The Conflict Between Light And Matter
54(38)
Traces of Light
79(13)
Light In Art
92(82)
Light becomes visible as an incident ray
92(25)
A Lesson from Maestro Merisi
117(8)
The Luminist Consequences of the Baroque
125(49)
The Luminous In Neo-Impressionism And Divisionism
174(10)
A Play Of Light
184(8)
Conclusion 192(2)
Bibliography 194
Massimo Mariani holds a degree in painting from the Accademia di Brera (Milan, Italy) and has exhibited in numerous galleries in Italy. He has published books on diverse topics, such as cinema, art, the representation of femininity, poetry, and Freud and the subconscious, and has written articles about the art world for Grafica & Disegno. His most recent publication is What Images Really Tell Us, a volume about visual rhetoric in advertising and graphic design.