| Introduction |
|
7 | (2) |
|
Light and Color in Artistic Expression |
|
|
9 | (12) |
|
Contrast as a Tool for Expression |
|
|
10 | (1) |
|
Light as the Subject of Art |
|
|
11 | (1) |
|
Light and Color in Classical Painting |
|
|
12 | (1) |
|
Light and Color in the Nineteenth Century |
|
|
13 | (1) |
|
Historical Avant-garde Movements |
|
|
13 | (1) |
|
Light and Color in the Still Life Genre |
|
|
14 | (1) |
|
|
|
15 | (1) |
|
Light and Color in Landscape |
|
|
16 | (1) |
|
Monet and the Discourse of Nature |
|
|
17 | (1) |
|
Light and Color in the Human Figure |
|
|
18 | (1) |
|
|
|
19 | (1) |
|
Light and Color in Abstraction |
|
|
20 | (1) |
|
Light and Visual Perception |
|
|
21 | (8) |
|
How We Perceive Visual Reality |
|
|
22 | (1) |
|
General Factors in Chiaroscuro |
|
|
23 | (1) |
|
Natural and Artificial Light |
|
|
24 | (1) |
|
Natural Positions of the Light Source |
|
|
25 | (1) |
|
|
|
26 | (1) |
|
|
|
27 | (1) |
|
|
|
28 | (1) |
|
|
|
29 | (8) |
|
|
|
30 | (1) |
|
|
|
31 | (1) |
|
Lightening and Darkening Color |
|
|
32 | (1) |
|
|
|
33 | (1) |
|
|
|
34 | (1) |
|
Monochrome and Dominant Tone Melodic Scales |
|
|
34 | (1) |
|
Harmonic Triads and Tetrads |
|
|
35 | (1) |
|
Thermal Color Scales: Warm and Cold |
|
|
35 | (1) |
|
Harmonization Between Complementary Colors |
|
|
36 | (1) |
|
|
|
36 | (1) |
|
Light Defines Shapes and Space |
|
|
37 | (10) |
|
Creating Shapes Through Chiaroscuro |
|
|
38 | (1) |
|
|
|
39 | (1) |
|
|
|
40 | (1) |
|
Highlights and Reflections |
|
|
41 | (1) |
|
|
|
42 | (1) |
|
|
|
43 | (1) |
|
Light and Linear Perspective |
|
|
44 | (1) |
|
|
|
45 | (1) |
|
Chiaroscuro and Composition |
|
|
46 | (1) |
|
Resources for Representing Light |
|
|
47 | (8) |
|
|
|
48 | (1) |
|
|
|
49 | (1) |
|
|
|
50 | (1) |
|
|
|
51 | (1) |
|
|
|
52 | (1) |
|
Oils, the Premier Technique |
|
|
53 | (1) |
|
Possibilities with Acrylics |
|
|
54 | (1) |
|
Procedures and Techniques for Chiaroscuro of Objects |
|
|
55 | (12) |
|
|
|
56 | (2) |
|
|
|
58 | (1) |
|
|
|
59 | (4) |
|
|
|
63 | (2) |
|
Direction and Intensity of Line |
|
|
65 | (2) |
|
Procedures and Techniques for the Human Figure |
|
|
67 | (12) |
|
Drawing a Torso Using Artificial Light |
|
|
68 | (3) |
|
|
|
71 | (4) |
|
A Self-portrait in Natural Light |
|
|
75 | (4) |
|
Procedures and Techniques Applied to Landscape |
|
|
79 | (17) |
|
An Expressionistic Sunset |
|
|
80 | (2) |
|
|
|
82 | (1) |
|
|
|
83 | (2) |
|
|
|
85 | (2) |
|
Light in an Urban Landscape |
|
|
87 | (3) |
|
A Triptych Using Mixed Techniques |
|
|
90 | (3) |
|
Finding a Personal Interpretation of the Subject |
|
|
93 | (3) |
| Other Books from the Publisher on Light and Color |
|
96 | |
