| Introduction |
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7 | (1) |
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| Interview |
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8 | (12) |
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Forgotten Streams 2017, London, United Kingdom |
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20 | (24) |
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Jane Rendell, Still Life: On Returning to the Theme of Deja Vu in the Work of Cristina Iglesias |
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44 | (10) |
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Brian Dillon, Flows and Affinities |
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54 | (8) |
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Andrea Schlieker, Site and Seclusion: Cristina Iglesias' `Towards the Sound of Wilderness' |
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62 | (6) |
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Michael Newman, World-making in an Age of Catastrophe: Water and Cast Foliage in the Sculpture of Cristina Iglesias In Discussion with: Iwona Blazwick Kirstin Dunne Dr Gaby Hartel Cristina Iglesias Stella loannou James Lingwood Ben Luke Farshid Moussavi Richard Noble |
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68 | (12) |
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Passatge de coure (Copper Passage) 2004, Barcelona International Conventions Center - CCIB, Barcelona, Spain |
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80 | (4) |
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Porton - Pasaje (Gates - Passage) 2006-07, Museo Nacional del Prado, Madrid, Spain |
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84 | (2) |
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Desde lo subterraneo (From the Underground) 2017, Centra Boti'n, Santander, Spain |
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86 | (2) |
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Inner Landscape (the Lithosphere, the Roots, the Water) 2020, The Museum of Fine Arts, Houston, United States |
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88 | (6) |
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Tres Aguas (Three Waters) 2014, Toledo, Spain |
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94 | (28) |
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Luis Fernandez-Galiano, Dark Waters: Ophelia in Toledo |
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122 | (4) |
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Richard Noble, Convivencia: Public Art, Toleration and History |
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126 | (8) |
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Estrella de Diego, Serial Planter: Cristina Iglesias' Strolling Toledo |
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134 | (6) |
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Jane Withers, Water Culture |
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140 | (8) |
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Joao Fernandes, All Art is a Form of Literature |
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148 | (10) |
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In Discussion with: Iwona Blazwick Lynne Cooke Cristina Iglesias James Lingwood Farshid Moussavi Michael Newman Andrea Schlieker Deep Fountain 1997-2006, Leopold de Waelplaats, Antwerp, Belgium |
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158 | (4) |
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Towards the Ground 2008, Castello di Ama, Gaiole in Chianti Siena, Italy |
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162 | (2) |
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A traves (Through) 2017, Bombas Gens Centre d'Art, Valencia, Spain |
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164 | (4) |
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The Ionosphere (A Place of Silent Storms) |
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168 | (2) |
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2017, Foster Foundation, Madrid, Spain Art/Wild Art/Wild Estancias Sumergidas (Submerged Chambers) 2010, Isla Espiritu Santo, La Paz, Baja California Sur, Mexico |
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170 | (28) |
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Octavio Aburto, Forgotten Reefs: Using Art to Recover and Protect Marine Environments |
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198 | (8) |
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Lynne Cooke..., or the ages' |
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206 | (10) |
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T.J. Demos, Drowned World/s: On Cristina Iglesias `Estancias Sumergidas' |
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216 | (8) |
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Exequiel Ezcurra, The Flow of Life: Reflections on a Submerged Sculpture |
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224 | (8) |
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Andrew Benjamin, Art of the End of the World: Notes on Recent Work by Cristina Iglesias |
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232 | (8) |
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Russell Ferguson, Historia Natural In Discussion with: Iwona Blazwick Mary Beebe Kathryn Kanjo Cristina Iglesias Richard Noble |
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240 | (10) |
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Untitled (Laurel Leaves) 1993-94, Moskenes, Lofoten Island, Norway |
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250 | (4) |
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Vegetation Room Inhotim 2010-12, Inhotim, Belo Horizonte, Brazil |
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254 | (4) |
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Towards the Sound of Wilderness 2011, Folkestone, United Kingdom |
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258 | (2) |
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Hondalea (Marine Abyss) 2020-21 Lighthouse at the Santa Clara Island, San Sebastian, Spain |
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260 | (6) |
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Interview Cristina Iglesias in Conversation with James Lingwood |
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266 | (6) |
| Biographies |
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272 | (3) |
| Bibliography |
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275 | (3) |
| Acknowledgements |
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278 | |
