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Literature and the Writing Process Plus Mylab Literature Without Pearson Etext -- Access Card Package 11th ed. [Multiple-component retail product]

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  • ISBN-10: 0134272544
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  • Formaat: Multiple-component retail product, 1104 pages, kõrgus x laius x paksus: 234x175x25 mm, kaal: 726 g, Contains 1 Book
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  • ISBN-10: 0134272544
  • ISBN-13: 9780134272542
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For courses in Literature for Composition, Writing About Literature, and Introduction to Literature.

This package includes MyLiteratureLab®.

 

Great literature as a path to learning writing and critical-thinking skills

Great literature is always thought provoking, always new – why not use it to improve your writing skills and sharpen critical thinking?

 

Literature and the Writing Process combines an introductory anthology with detailed instruction in the writing process. By seamlessly integrating literature and composition into one multi-purpose text, the authors enable you to enjoy, understand, and learn from imaginative literature – and to write clearly and intelligently about what you’ve learned.

 

Text writing assignments use literature as a tool of critical thought, a method for analysis, and a way of communicating ideas. Careful integration of rhetorical instruction with the critical study of literature guides you through the allied processes of analytical reading and argumentative writing.  As a result, readers learn how to write essays about the major features that are involved in interpreting short stories, poems, and plays.

 

Personalize Learning with MyLiteratureLab ®
MyLiteratureLab is an online resource that works with our literature anthologies to provide engaging experiences to instructors and students.
 
Students can access new content that fosters an understanding of literary elements, which provides a foundation for stimulating class discussions. This simple and powerful tool offers state-of-the-art audio and video resources along with practical tools and flexible assessment. 

0134272544 / 9780134272542  Literature and the Writing Process Plus MyLiteratureLab without Pearson eText – Access Card Package, 11/e

Package consists of:

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  • 0134117905 / 9780134117904  Literature and the Writing Process
Preface xxxix
Part I Composing: An Overview 1(98)
1 The Prewriting Process
2(15)
Reading for Writing
2(4)
James Joyce, Eveline
3(3)
Who Are My Readers?
6(1)
Analyze the Audience
6(1)
Why Am I Writing?
7(1)
Reasons for Writing
7(1)
What Ideas Should I Use?
8(1)
Reading and Thinking Critically
8(1)
Discovering and Developing Ideas
9(3)
Self-Questioning
10(1)
Directed Freewriting
11(1)
Problem Solving
11(1)
Sample Student Prewriting: Directed Freewriting
12(1)
Clustering
13(1)
What Point Should I Make?
13(1)
Sample Student Prewriting: Clustering
14(3)
Relating a Part to the Whole
15(1)
Finding the Theme
15(1)
Stating the Thesis
16(1)
2 The Writing Process
17(13)
How Should I Organize My Ideas?
17(1)
Arguing Your Interpretation
17(4)
The Elements of Good Argument
18(1)
Building an Effective Argument
19(1)
Arranging the Ideas
20(1)
Developing with Details
21(1)
Questions for Consideration
21(1)
Maintaining a Critical Focus
22(1)
Distinguishing Critical Comments from Plot Details
22(1)
How Should I Begin?
23(1)
Postpone If Nothing Comes
23(1)
Write an Appealing Opening
23(1)
State the Thesis
23(1)
How Should I End?
24(1)
Relate the Discussion to Theme
24(1)
Postpone or Write Ahead
24(1)
Write an Emphatic Final Sentence
25(1)
Composing the First Draft
25(1)
Pausing to Rescan
25(1)
Quoting from Your Sources
26(1)
Sample Student Paper: First Draft
26(4)
3 Writing a Convincing Argument
30(16)
Interpreting and Arguing
30(6)
Identifying Issues
31(1)
Making Claims
32(1)
Using Evidence
33(1)
Using Reasoning
34(1)
Answering Opposing Views
35(1)
Organizing Your Argument
36(4)
Using the Inductive Approach
36(2)
Making a Counterargument
38(1)
Arguing through Comparison
38(2)
Sample Student Paper: An Argument
40(3)
Dagoberto Gilb, Love in L.A.
43(3)
4 The Rewriting Process
46(22)
What Is Revision?
46(1)
Getting Feedback: Peer Review
47(2)
Revising in Peer Groups
47(2)
What Should I Add or Take Out?
49(1)
Outlining After the First Draft
49(1)
Making the Outline
49(1)
Checking the Outline
50(1)
Sample Student Work: After-Writing Outline
50(2)
Examining the Sample Outline
51(1)
What Should I Rearrange?
52(1)
Does It Flow?
53(2)
What Is Editing?
55(2)
Combining for Conciseness
56(1)
Rearranging for Emphasis and Variety
57(1)
Varying the Pattern
57(1)
Which Words Should I Change?
58(4)
Check Your Verbs
58(1)
Use Active Voice Most of the Time
59(1)
Use Passive Voice If Appropriate
59(1)
Feel the Words
60(1)
Attend to Tone
61(1)
Use Formal Language
61(1)
What Is Proofreading?
62(2)
Try Reading It Backward
62(1)
Look for Your Typical Errors
63(1)
Read the Paper Aloud
63(1)
Find a Friend to Help
63(1)
Sample Student Paper: Final Draft
64(4)
5 Researched Writing
68(31)
Using Library Sources in Your Writing
68(1)
Conducting Your Research
69(4)
Locating Sources
70(1)
Using the Online Catalog
70(1)
Using Indexes and Databases
70(1)
Using the Internet
71(1)
Evaluating Online Sources
72(1)
Using Reference Works in Print
73(1)
Working with Sources
73(2)
Taking Notes
73(1)
Using a Research Notebook
74(1)
Using the Printout/Photocopy Option
74(1)
Summarizing, Paraphrasing, and Quoting
74(1)
Sample Student Entry in a Divided-Page Notebook
75(2)
Devising a Working Outline
76(1)
Writing a First Draft
77(5)
Organizing Your Notes
77(1)
Using Quotations and Paraphrases
78(1)
Integrating Sources
78(1)
Block Quotations
79(1)
Quoting from Primary Sources
80(1)
Avoiding Plagiarism
81(1)
Rewriting and Editing
82(1)
Documenting Your Sources
82(1)
Revising the Draft
82(1)
Formatting Your Paper
82(1)
Sample Student Paper in MLA Style
83(4)
Sample Published Article
87(3)
Explanation of the MLA Documentation Style
90(2)
In-Text Citations
90(1)
Preparing the List of Works Cited
91(1)
Sample Entries for a List of Works Cited
92(8)
Citing Print Publications
92(3)
Citing Online Publications
95(1)
Citing Other Common Sources
96(3)
Part II Writing About Short Fiction 99(294)
6 How Do I Read Short Fiction?
100(6)
Notice the Structure
100(1)
Consider Point of View and Setting
101(1)
Study the Characters
102(1)
Foils
102(1)
Look for Specialized Literary Techniques
103(1)
Examine the Title
103(1)
Investigate the Author's Life and Times
103(1)
Continue Questioning to Discover Theme
104(2)
7 Writing About Structure
106(18)
What Is Structure?
106(1)
How Do I Discover Structure?
107(1)
Looking at Structure
107(13)
Tim O'Brien, The Things They Carried
108(12)
The Writing Process
120(4)
Prewriting
120(1)
Writing
120(1)
Relating Details to Theme
121(1)
Ideas for Writing
121(1)
Ideas for Reflective Writing
121(1)
Ideas for Critical Writing
121(1)
Ideas for Researched Writing
122(1)
MultiModal Project
122(1)
Rewriting
122(3)
Integrating Quotations Gracefully
122(2)
8 Writing About Imagery and Symbolism
124(22)
What Are Images?
124(1)
What Are Symbols?
125(1)
Archetypal Symbols
125(1)
Phallic and Yonic Symbols
125(1)
How Will I Recognize Symbols?
126(1)
Reference Works on Symbols
126(1)
Looking at Images and Symbols
126(7)
Shirley Jackson, The Lottery
127(6)
The Writing Process
133(4)
Prewriting
133(1)
Interpreting Symbols
133(1)
Writing
134(1)
Producing a Workable Thesis
134(1)
Ideas for Writing
134(2)
Ideas for Reflective Writing
134(1)
Ideas for Critical Writing
135(1)
Ideas for Researched Writing
135(1)
MultiModal Project
135(1)
Rewriting
136(10)
Sharpening the Introduction
136(1)
Sample Student Paper on Symbolism: Second and Final Drafts
137(9)
9 Writing About Point of View
146(13)
What Is Point of View?
146(2)
Describing Point of View
147(1)
Looking at Point of View
148(8)
Alice Walker, Everyday Use
148(8)
The Writing Process
156(3)
Prewriting
156(1)
Writing
156(1)
Relating Point of View to Theme
156(1)
Ideas for Writing
157(1)
Ideas for Reflective Writing
157(1)
Ideas for Critical Writing
157(1)
Ideas for Researched Writing
157(1)
MultiModal Project
158(1)
Rewriting
158(2)
Techniques for Sharpening the Conclusion
158(1)
10 Writing About Setting and Atmosphere
159(17)
What Are Setting and Atmosphere?
159(1)
Looking at Setting and Atmosphere
160(11)
Tobias Wolff, Hunters in the Snow
160(11)
The Writing Process
171(5)
Prewriting
171(1)
Writing
171(1)
Discovering an Organization
172(1)
Ideas for Writing
172(1)
Ideas for Reflective Writing
172(1)
Ideas for Critical Writing
172(1)
Ideas for Researched Writing
173(1)
MultiModal Project
173(1)
Rewriting
173(4)
Checking Your Organization
173(1)
Improving the Style: Balanced Sentences
174(2)
11 Writing About Theme
176(17)
What Is Theme?
176(1)
Looking at Theme
177(11)
Flannery O'Connor, A Good Man Is Hard to Find
177(11)
The Writing Process
188(5)
Prewriting
188(1)
Writing
189(1)
Choosing Supporting Details
189(1)
Ideas for Writing
189(2)
Ideas for Reflective Writing
189(1)
Ideas for Critical Writing
190(1)
Ideas for Researched Writing
190(1)
MultiModal Project
190(1)
Rewriting
191(1)
Achieving Coherence
191(1)
Editing
191(2)
Repeat Words and Synonyms
191(1)
Try Parallel Structure
192(1)
12 Critical Casebook: Joyce Carol Oates's "Where Are You Going, Where Have You Been?"
193(17)
Joyce Carol Oates, Where Are You Going, Where Have You Been?
193(12)
The Story's Origins
205(1)
Four Critical Interpretations
205(5)
Topics for Discussion and Writing
208(1)
Ideas for Researched Writing
208(1)
MultiModal Project
209(1)
13 Anthology of Short Fiction
210(121)
Nathaniel Hawthorne, The Birthmark
210(11)
Edgar Allan Poe, The Cask of Amontillado
221(6)
Sarah Orne Jewett, A White Heron
227(7)
Kate Chopin, The Story of an Hour
234(2)
Charlotte Perkins Gilman, The Yellow Wallpaper
236(12)
James Joyce, Araby
248(4)
Katherine Anne Porter, The Grave
252(4)
Zora Neale Hurston, "Spunk
256(5)
William Faulkner, Barn Burning
261(13)
Ernest Hemingway, Hills Like White Elephants
274(4)
Arna Bontemps, A Summer Tragedy
278(6)
Tillie Olsen, I Stand Here Ironing
284(6)
Hisaye Yamamoto, Seventeen Syllables
290(10)
Rosario Morales, The Day It Happened
300(3)
Raymond Carver, What We Talk About When We Talk About Love
303(9)
T. Coraghessan Boyle, The Love of My Lift
312(12)
Louise Erdrich, The Red Convertible
324(7)
14 A Portfolio of Science Fiction Stories
331(24)
Ray Bradbury, There Will Come Soft Rains
332(4)
Ursula K. Le GuM, The Ones Who Walk Away from Omelas
336(5)
Octavia E. Ruder, Speech Sounds
341(10)
MultiModal Project
351(1)
Sample Student Paper: Comparing Dystopias
351(4)
15 A Portfolio of Humorous and Satirical Stories
355(16)
H.H. Munro ("Said"), The Open Window
355(3)
John Updike, A & P
358(5)
Margaret Atwood, Happy Endings
363(3)
Ron Hansen, My Kid's Dog
366(5)
MultiModal Project
370(1)
16 A Portfolio of Stories about Singular Women
371(22)
Katherine Mansfield, Miss Brill
371(4)
John Steinbeck, The Chrysanthemums
375(9)
Eudora Welty, A Worn Path
384(6)
Katherine MM, Secondhand World
390(4)
MultiModal Project
392(1)
Part III Writing About Poetry 393(232)
17 How Do I Read Poetry?
394(4)
Get the Literal Meaning First: Paraphrase
394(1)
Make Associations for Meaning
395(3)
18 Writing About Persona and Tone
398(17)
Who Is Speaking?
398(1)
What Is Tone?
399(1)
Recognizing Verbal Irony
399(1)
Describing Tone
399(1)
Looking at Persona and Tone
400(5)
Theodore Roethke, My Papa's Waltz
400(1)
W.D. Ehrhart, Sins of the Father
401(1)
Thomas Hardy, The Ruined Maid
402(1)
W.H. Auden, The Unknown Citizen
403(1)
Edmund Waller, Go, Lovely Rose
404(1)
The Writing Process
405(7)
Prewriting
405(4)
Asking Questions About the Speaker in "My Papa's Waltz"
405(1)
Devising a Thesis
406(2)
Developing a Thesis
408(1)
Formulating a Thesis
408(1)
Writing
409(1)
Explicating and Analyzing
409(1)
Ideas for Writing
410(1)
Ideas for Reflective Writing
410(1)
Ideas for Critical Writing
410(1)
Ideas for Researched Writing
411(1)
MultiModal Project
411(1)
Editing
411(1)
Quoting Poetry in Essays
411(1)
Sample Student Paper: Persona and Tone
412(3)
Analyzing the Student's Reflection
414(1)
19 Writing About Poetic Language
415(17)
What Do the Words Suggest?
415(3)
Connotation and Denotation
415(1)
Figures of Speech
416(1)
Metaphor and Simile
416(1)
Personification
417(1)
Imagery
417(1)
Symbol
417(1)
Paradox
418(1)
Oxymoron
418(1)
Looking at Poetic Language
418(5)
Mary Oliver, August
418(1)
Walt Whitman, A Noiseless Patient Spider
419(1)
William Shakespeare, Shall I Compare Thee to a Summer's Day?
420(1)
Kay Ryan, Turtle
420(1)
Hayden Carruth, In the Long Hall
421(1)
Donald Hall, My Son My Executioner
422(1)
The Writing Process
423(2)
Prewriting
423(1)
Writing
423(1)
Comparing and Contrasting
423(1)
Ideas for Writing
424(1)
Ideas for Reflective Writing
424(1)
Ideas for Critical Writing
424(1)
Ideas for Researched Writing
424(1)
MultiModal Project
425(1)
Rewriting: Style
425(7)
Choosing Vivid, Descriptive Terms
425(1)
Sample Student Paper: Persona and Tone
425(7)
20 Writing About Poetic Form
432(23)
What Are the Forms of Poetry?
432(4)
Rhythm and Rhyme
432(2)
Alliteration, Assonance, and Consonance
434(1)
Stanzas: Closed and Open Form
434(2)
Poetic Syntax
436(1)
Visual Poetry
436(1)
Looking at the Forms of Poetry
436(6)
Gwendolyn Brooks, We Real Cool
437(1)
A.E. Housman, Eight O'Clock
438(1)
E.E. Cummings, anyone lived in a pretty how town
438(1)
Robert Frost, The Silken Tent
439(1)
Billy Collins, Sonnet
440(1)
David Shumate, A Hundred Years from Now
440(1)
Roger McGough, 40 Love
441(1)
The Writing Process
442(5)
Prewriting
442(1)
Writing
443(1)
Relating Form to Meaning
443(1)
Ideas for Writing
443(2)
Ideas for Expressive Writing
443(1)
Ideas for Critical Writing
444(1)
Ideas for Researched Writing
445(1)
MultiModal Project
445(1)
Rewriting: Style
445(12)
Finding the Exact Word
445(2)
Sample Student Paper: Poetic Form
447(4)
Sample Published Essay: Poetic Form
451(4)
21 Critical Casebook: The Poetry of Langston Hughes
455(12)
Langston Hughes: A Brief Biography
455(2)
Langston Hughes
457(5)
The Negro Speaks of Rivers
457(1)
Mother to Son
458(1)
The Weary Blues
458(1)
Saturday Night
459(1)
Harlem (A Dream Deferred)
460(1)
Theme for English B
460(2)
Critical Commentaries
462(4)
Arnold Rampersad, On the Persona in "The Negro Speaks of Rivers"
462(1)
Margaret Larkin, A Poet for the People
463(1)
Karen Jackson Ford, Do Right to Write Right: Langston Hughes's Aesthetics of Simplicity
463(1)
Peter Townsend, Jazz and Langston Hughes's Poetry
464(1)
Langston Hughes, Harlem Rent Parties
465(1)
Ideas for Writing About Langston Hughes
466(1)
Ideas for Researched Writing
466(1)
MultiModal Project
466(1)
22 The Art of Poetry
467(18)
Poetic Interpretations of Art
467(2)
Lisel Mueller, American Literature
467(2)
Edward Hopper, Nighthawks
469(2)
Samuel Yellen, Nighthawks
469(1)
Susan Ludvigson, Inventing My Parents
470(1)
Peter Brueghel the Elder, Landscape with the Fall of Icarus
471(1)
W.H. Auden, Musee des Beaux Arts
471(1)
Paolo Uccello, St. George and the Dragon
472(1)
U.A. Fanthorpe, Not My Best Side
472(1)
Vincent Van Gogh, The Starry Night
473(1)
Anne Sexton, The Starry Night
473(1)
Henri Matisse, The Red Studio
474(2)
W.D. Snodgrass, Matisse: The Red Studio'
474(2)
Kitagawa Utamaro, Two Women Fixing Their Hair
476(1)
Cathy Song, Beauty and Sadness
476(1)
The Art of Poetry
477(4)
Questions for Discussion
477(4)
Poetry and Art: Ideas for Writing
481(1)
MultiModal Project
482(1)
Sample Student Paper: Reflection on Poetry and Art
482(3)
Making Connections
484(1)
23 Anthology of Poetry
485(86)
Thomas Wyatt, They Flee from Me
485(1)
William Shakespeare
486(3)
When in Disgrace with Fortune and Men's Eyes
486(1)
Let Me Not to the Marriage of True Minds
487(1)
That Time of Year Thou Mayst in Me Behold
488(1)
My Mistress' Eyes Are Nothing Like the Sun
488(1)
John Donne
489(3)
Death, Be Not Proud
489(1)
The Flea
490(1)
A Valediction: Forbidding Mourning
491(1)
Andrew Marvell, To His Coy Mistress
492(2)
William Blake
494(3)
The Lamb
494(1)
The Tyger
495(1)
The Sick Rose
496(1)
William Wordsworth
497(2)
The World Is Too Much with Us
497(1)
I Wandered Lonely as a Cloud
498(1)
George Gordon, Lord Byron, She Walks in Beauty
499(1)
Percy Bysshe Shelley, Ozymandias
500(1)
John Keats, Ode on a Grecian Urn
501(1)
Alfred, Lord Tennyson, Ulysses
502(3)
Walt Whitman
505(1)
When I Heard the Learn'd Astronomer
505(1)
Song of Myself (Section 11)
505(1)
Matthew Arnold, Dover Beach
506(2)
Emily Dickinson
508(4)
Faith Is a Fine Invention
508(1)
I'm Nobody! Who Are You?
508(1)
Much Madness Is Divinest Sense
509(1)
Because I Could Not Stop for Death
510(1)
Some Keep the Sabbath Going to Church
511(1)
Wild Nights—Wild Nights!
511(1)
Christina Rossetti, In an Artist's Studio
512(1)
Gerard Manley Hopkins
513(2)
Pied Beauty
513(1)
Spring and Fall
514(1)
A.E. Housman
515(1)
To an Athlete Dying Young
515(1)
Loveliest of Trees
516(1)
William Butler Yeats
516(3)
The Second Coming
517(1)
Sailing to Byzantium
518(1)
Edgar Lee Masters
519(2)
Lucinda Matlock
519(1)
Margaret Fuller Slack
520(1)
Paul Laurence Dunbar, We Wear the Mask
521(1)
Robert Frost
522(5)
Mending Wall
522(1)
Birches
523(2)
"Out, Out—"
525(1)
Fire and Ice
526(1)
Design
527(1)
Carl Sandburg
527(2)
Fog
527(1)
Chicago
528(1)
Mina Loy, Moreover, the Moon
529(1)
William Carlos Williams
530(2)
Danse Russe
530(1)
The Red Wheelbarrow
531(1)
D.H. Lawrence, Piano
532(1)
T.S. Eliot, The Love Song of j. Alfred Prufrock
533(4)
Edna St. Vincent Millay
537(1)
Oh, Oh, You Will Be Sorry for That Word
537(1)
First Fig
537(1)
E.E. Cummings
538(2)
in just-
538(1)
pity this busy monster, manunkind
539(1)
Stevie Smith, Not Waving but Drowning
540(1)
W.H. Auden, Funeral Blues
541(1)
Elizabeth Bishop, One Art
542(1)
Karl Shapiro, Auto Wreck
543(1)
Octavio Paz, The Street
544(1)
Dudley Randall
545(2)
Ballad of Birmingham
546(1)
To the Mercy Killers
547(1)
William Stafford, Traveling Through the Dark
547(1)
Dylan Thomas, Do Not Go Gentle into That Good Night
548(2)
James Dickey, The Leap
550(1)
Lisel Mueller, Losing My Sight
551(1)
Maxine Kumin, Woodchucks
552(2)
Frank O'Hara, Having a Coke with You
554(1)
David Wagoner, The Escaped Gorilla
555(1)
Anne Sexton, You All Know the Story of the Other Woman
556(1)
Adrienne Rich, Aunt Jennifer's Tigers
557(1)
Ruth Fainlight, Flower Feet
558(2)
Marge Piercy, Barbie Doll
560(1)
Sharon Olds
561(2)
Sex Without Love
561(1)
The Death of Marilyn Monroe
562(1)
Edward Hirsch, Execution
563(1)
Jimmy Santiago Baca, There Are Black
564(2)
Judith Ortiz Cofer, Latin Women Pray
566(1)
Cornelius Eady, The Supremes
567(2)
Martin Espada, Bully
569(2)
24 Paired Poems for Comparison
571(19)
Christopher Marlowe, The Passionate Shepherd to His Love
571(1)
Sir Walter Raleigh, The Nymph's Reply to the Shepherd
572(2)
Robert Browning, My Last Duchess
574(1)
Gabriel Spera, My Ex-Husband
575(3)
Walt Whitman, Of the Terrible Doubt of Appearances
578(1)
Tony Hoagland, Romantic Moment
579(2)
Edwin Arlington Robinson, Richard Cory
581(1)
Paul Simon, Richard Cory
582(2)
Robert Hayden, Those Winter Sundays
584(1)
George Bilgere, Like Riding a Bicycle
585(2)
Gwendolyn Brooks, The Bean Eaters
587(1)
Katha Pollitt, The Old Neighbors
587(3)
25 A Portfolio of Poems About Work
590(11)
Jean Toomer, Reapers
590(1)
John Updike, Ex-Basketball Player
591(2)
Marge Piercy, To Be of Use
593(1)
Alberto Rios, In Second Grade Miss Lee I Promised Never to Forget You and I Never Did
594(1)
Dorianne Laux, What I Wouldn't Do
595(1)
Lynn Powell, Acceptance Speech
596(2)
Stephen Cushman, Beside the Point
598(1)
Nancy A. Henry, People Who Take Care
599(2)
MultiModal Project
600(1)
26 A Portfolio of War Poetry
601(13)
Richard Lovelace, To Lucasta, on Going to the Wars
601(1)
Stephen Crane, War Is Kind
602(1)
Amy Lowell, Patterns
603(3)
Wilfred Owen, Duke et Decorum Est
606(1)
Mitsuye Yamada, To the Lady
607(2)
Peg Lauber, Six National Guardsmen Blown Up Together
609(2)
Yusef Komunyakaa, Facing It
611(3)
MultiModal Project
613(1)
27 A Portfolio of Humorous and Satirical Poetry
614(11)
Linda Pastan, Marks
614(1)
Ron Koertge, Cinderella's Diary
615(1)
Billy Collins, Introduction to Poetry
616(1)
Andrea Carlisle, Emily Dickinson's To-Do List
617(2)
Craig Raine, A Martian Sends a Postcard Home
619(1)
Jan Beatty, A Waitress's Instructions on Tipping or Get the Cash Up and Don't Waste My Time
620(1)
Jeanne Marie Beaumont, Afraid So
621(2)
Peter Pereira, Reconsidering the Seven
623(3)
MultiModal Project
624(1)
Part IV Writing About Drama 625(268)
28 How Do I Read a Play?
626(5)
Listen to the Lines
626(1)
Visualize the Scene
627(1)
Envision the Action
628(1)
Drama on Film
629(2)
29 Writing About Dramatic Structure
631(44)
What Is Dramatic Structure?
631(1)
Looking at Dramatic Structure
632(32)
Sophocles, Antigone
633(31)
The Writing Process
664(6)
Prewriting
664(1)
Writing
665(2)
Discovering a Workable Argumentative Thesis
665(1)
Quoting from a Play
666(1)
Ideas for Writing
667(1)
Ideas for Reflective Writing
667(1)
Ideas for Critical Writing
668(1)
Ideas for Researched Writing
668(1)
MultiModal Project
668(1)
Rewriting
668(7)
Avoiding Unclear Language
669(1)
Sample Student Paper
670(5)
30 Writing About Character
675(47)
What Is the Modern Hero?
675(1)
The Classical Tragic Hero
675(1)
The Modern Tragic Hero
676(1)
Looking at the Modern Hero
676(42)
Tennessee Williams, The Glass Menagerie
676(42)
The Writing Process
718(4)
Prewriting
718(1)
Writing
718(1)
Choosing a Structure
718(1)
Ideas for Writing
719(1)
Ideas for Reflective Writing
719(1)
Ideas for Critical Writing
719(1)
Ideas for Researched Writing
720(1)
MultiModal Project
720(1)
Rewriting
720(2)
Developing Paragraphs Specifically
721(1)
31 Critical Casebook: The Glass Menagerie: Interpreting Amanda
722(8)
Eight Critical Interpretations
722(5)
Burton Rasco, Review of The Glass Menagerie
722(2)
Durant Da Ponte, Tennessee Williams' Gallery of Feminine Characters
724(1)
Joseph K. Davis, Landscapes of the Dislocated Mind
724(1)
Marc Robinson, Amanda
725(1)
C.W.E. Bigsby, Entering The Glass Menagerie
726(1)
Chris Jones, A Domestic Drama of Dashed Dreams
726(1)
Charles Isherwood, Gritty Polish for a Tennessee Williams Jewel
726(1)
Ben Brantley, The Shape of Memory, Both Fragile and Fierce
727(1)
Responding to the Critics
727(1)
Ideas for Researched Writing
728(2)
MultiModal Project
729(1)
32 Anthology of Drama
730(148)
William Shakespeare, Othello, the Moor of Venice
730(86)
Susan Glaspell, Trifles
816(11)
Henrik Ibsen, A Doll's House
827(51)
33 A Portfolio of Humorous and Satirical Plays
878(15)
Jane Martin, Beauty
878(5)
David Ives, Sure Thing
883(11)
MultiModal Project
892(1)
Part V Critical Approaches to Literature 893(78)
34 Critical Approaches for Interpreting Literature
894(7)
Literary Criticism
894(1)
Formalism
895(1)
Historical Approaches
895(2)
Biographical
896(1)
Cultural
896(1)
Marxist
896(1)
Psychological Approaches
897(1)
Mythological and Archetypal Approaches
897(1)
Gender Focus
898(1)
Reader Response
898(1)
Deconstruction
899(1)
Intertextual Approaches
899(2)
Where Do You Stand?
900(1)
35 Critical Casebook: Writing About Culture and Identity
901(70)
What Is Cultural Analysis?
901(1)
Short Stories
Kate Chopin, Desiree's Baby
902(4)
Sherwood Anderson, Hands
906(4)
Chinua Achebe, Dead Men's Path
910(4)
Andre Dubus, The Fat Girl
914(10)
Toni Cade Bambara, The Lesson
924(6)
Sandra Cisneros, Geraldo No Last Name
930(1)
Celeste Ng, How To Be Chinese
931(5)
Poetry
William Blake, London
936(1)
Claude McKay, America
937(1)
Countee Cullen, Incident
937(1)
James Wright, Autumn Begins in Martins Ferry, Ohio
938(1)
Audre Lorde, Hanging Fire
939(2)
Gina Valdes, My Mother Sews Blouses
941(1)
Gregory Djanikian, Immigrant Picnic
942(2)
Essex Hemphill, Commitments
944(1)
Richard Blanco, America
945(3)
Drama
Alice Childress, Florence
948(10)
Luis Valdez, Los Vendidos
958(9)
The Writing Process
967(4)
Prewriting: Exploring Cultural Themes
967(1)
Ideas for Writing: Making Connections
968(3)
MultiModal Projects
969(2)
Glossary of Literary and Rhetorical Terms 971(11)
Credits 982(6)
Index of Authors, Titles, and First Lines of Poems 988(8)
Subject Index 996