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Locating Sol LeWitt [Kõva köide]

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  • Formaat: Hardback, 288 pages, kõrgus x laius: 254x191 mm, 98 color + 53 b-w illus.
  • Ilmumisaeg: 09-Mar-2021
  • Kirjastus: Yale University Press
  • ISBN-10: 0300246048
  • ISBN-13: 9780300246049
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  • Formaat: Hardback, 288 pages, kõrgus x laius: 254x191 mm, 98 color + 53 b-w illus.
  • Ilmumisaeg: 09-Mar-2021
  • Kirjastus: Yale University Press
  • ISBN-10: 0300246048
  • ISBN-13: 9780300246049
A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century

A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century

A pioneer of minimalism and conceptual art, Sol LeWitt (1928&;2007) is best known for his monumental wall drawings. LeWitt&;s broad artistic practice, however, also included photography, artist&;s books, sculpture, and printmaking. From the familiar to the underappreciated aspects of the artist&;s oeuvre, this book examines the ways that LeWitt&;s work was multidisciplinary, humorous, philosophical, and even religious.
 
Locating Sol LeWitt contains nine new essays that explore the artist&;s work across media and address topics such as LeWitt&;s formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan&;s Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist&;s practice, along with contingency in relation to site, space, and movement. Together, these studies shed light on the full scope of LeWitt&;s creativity and offer a multifaceted reassessment of this singular and influential artist.

Arvustused

Shedding new light on Sol LeWitts conceptual practice and his artworks, this book addresses some of the most interestingand previously underexploredaspects of LeWitts art.Gwen Allen, San Francisco State University

This rich volume dispels once and for all the presumption that Sol LeWitt's artistic practice is easily summarized. Readers will be repeatedly struck by the multifaceted, experimental, and often highly personal dimension to his work that emerges from these pages.Alistair Rider, University of St Andrews

Acknowledgments vii
Introduction: For a Plural LeWitt 1(10)
David S. Areford
1 Front Lines: LeWitt at Work at the Modern (1960-65)
11(24)
Veronica Roberts
2 The City in Pieces: Sol LeWitt's Manhattan
35(24)
Kirsten Swenson
3 When Systems Get Personal: Puzzling over Sol LeWitt's Photobooks
59(28)
John A. Tyson
4 LeWitt Moves: Choreographing the Printed Image
87(28)
David S. Areford
5 The Ideologue's Art: Sol LeWitt's Location Drawings
115(32)
James H. Miller
6 LeWitt's Locations, to a Point
147(30)
Erica DiBenedetto
7 LeWitt's Malfunctioning Machines
177(26)
Anna Lovatt
8 Long Live the Ephemeral: Cataloguing Sol LeWitt's Wall Drawings
203(28)
Lindsay Aveilhe
9 Voices beyond the Wall: On Sol LeWitt's Jewish Art
231(36)
David S. Areford
Contributors 267(1)
Illustration Credits 268(2)
Index 270
David S. Areford is associate professor and department chair of art at the University of Massachusetts Boston. He is the author of Strict Beauty: Sol LeWitt Prints.