| Additional Resources |
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xxxiii | |
| Preface |
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xxxv | |
| Acknowledgments |
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xli | |
| About the Editors |
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xlv | |
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Illustration. Laurence. Prior of Durham, depicted as a scribe |
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2 | (1) |
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The Middle Ages At A Glance |
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3 | (4) |
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7 | (1) |
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8 | (1) |
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9 | (4) |
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11 | (2) |
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Oral Poetry, Written Manuscripts |
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13 | (2) |
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Illustration. Saint John, from The Book of Kells |
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14 | (1) |
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15 | (2) |
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Illustration. The Three Living and the Three Dead, from The De Lisle Psalter |
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16 | (1) |
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Social and Religious Order |
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17 | (2) |
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Illustration. The Murder of Thomas Becket, from Historia Major |
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19 | (1) |
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Continental and Insular Cultures |
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19 | (3) |
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Women, Courtliness, and Courtly Love |
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22 | (3) |
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Illustration. Grotesques and a Courtly Scene, from the Ormesby Psalter |
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23 | (1) |
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Illustration. A Knight, early 14th-century rubbing |
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24 | (1) |
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25 | (1) |
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The Return of the English |
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25 | (2) |
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First page of the Gospel of Matthew, from the Lindisfarne Gospels |
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Gold buckle, from the Sutton Hoo ship-burial |
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Map of England, from Historia Major |
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Passion Scenes, from the Winchester Psalter |
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King Arthur and His Knights, from a manuscript of the Prose Lancelot |
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Two scenes from The Holkham Bible Picture Book |
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Richard II with His Regalia |
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Page with The Wife of Bath's Tale, from the Ellesmere Chaucer manuscript |
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Anne, Duchess of Bedford, Kneeling Before the Virgin Mary and Saint Anne, from the Bedford Hours |
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Politics and Society in the Fourteenth Century |
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27 | (3) |
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The Spread of Book Culture in the Fifteenth Century |
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30 | (2) |
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Before the Norman Conquest |
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32 | (1) |
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32 | (79) |
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Illustration. Peoples and places in Beowulf |
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33 | (2) |
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Illustration. Royal genealogies of the Northern European tribes according to the Beowulf text |
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35 | (9) |
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Illustration. Boar, from a bas-relief carving on St. Nicholas Church, Ipswich |
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44 | (63) |
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107 | (4) |
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from the Tain Bo Cauilnge |
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111 | (22) |
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133 | (9) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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136 | (1) |
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137 | (3) |
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Findabair Remembers Froech |
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140 | (1) |
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140 | (1) |
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from the Voyage of Mael Duin |
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141 | (1) |
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142 | (6) |
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148 | (20) |
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Illustration. The Ruthwell Cross |
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149 | (4) |
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Perspectives Ethnic and Religious Encounters |
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153 | (1) |
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154 | (6) |
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from An Ecclesiastical History of the English People |
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155 | (5) |
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160 | (2) |
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from the Life of King Alfred |
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160 | (2) |
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162 | (2) |
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Preface to Saint Gregory's Pastoral Care |
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162 | (2) |
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164 | (3) |
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Illustration. The Death of Harold, from the Bayeux Tapestry |
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166 | (1) |
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The Anglo-Saxon Chronicle |
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167 | (1) |
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Stamford Bridge and Hastings |
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167 | (1) |
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168 | (4) |
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169 | (1) |
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The Battle of Argoed Llwyfain |
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170 | (1) |
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170 | (2) |
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Lament for Owain Son of Urien |
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172 | (1) |
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172 | (4) |
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Wulf and Eadwacer and the Wife's Lament |
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176 | (2) |
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178 | (22) |
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Three Anglo-Latin Riddles by Aldhelm |
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179 | (1) |
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180 | (2) |
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After the Norman Conquest |
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182 | (1) |
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Perspectives Arthurian Myth in the History of Britain |
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182 | (1) |
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183 | (11) |
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from History of the Kings of Britain |
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184 | (10) |
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194 | (2) |
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from The Instruction of Princes |
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195 | (1) |
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196 | (4) |
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Letter sent to the Papal Court of Rome |
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197 | (1) |
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198 | (2) |
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200 | (1) |
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200 | (19) |
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201 | (18) |
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201 | (1) |
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Illustration. Marie de France Writing, from an illuminated manuscript of her works |
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202 | (1) |
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203 | (14) |
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Chevrefoil (The Honeysuckle) |
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217 | (2) |
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Sir Gawain and the Green Knight |
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219 | (58) |
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Illustration. Courtly Women Hunting, from the Taymouth Hours |
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244 | (33) |
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277 | (35) |
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279 | (1) |
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279 | (2) |
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281 | (7) |
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288 | (10) |
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298 | (14) |
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308 | (1) |
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scene from Monty Python and the Holy Grail |
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309 | (2) |
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Illustration. Still of Arthur and his servant Patsy from Monty Python and the Holy Grail |
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311 | (1) |
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312 | (130) |
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Illustration. Portrait of Geoffrey the Canterbury Pilgrim, from the Ellesmere Chaucer manuscript |
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314 | (2) |
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The Parliament of Fowls (Web) |
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316 | (2) |
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The General Prologue (Middle English and modern translation) |
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318 | (40) |
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358 | (17) |
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358 | (2) |
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360 | (15) |
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The Wife of Bath's Prologue |
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375 | (19) |
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394 | (9) |
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The Franklin's Tale (Web) |
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403 | (5) |
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408 | (12) |
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Illustration. Detail from a carved chest, showing scenes from The Pardoner's Tale |
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409 | (11) |
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420 | (16) |
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436 | (5) |
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436 | (2) |
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The Remedy for the Sin of Lechery |
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438 | (2) |
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440 | (1) |
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441 | (1) |
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442 | (1) |
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442 | (39) |
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445 | (35) |
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445 | (2) |
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447 | (2) |
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449 | (2) |
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451 | (1) |
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Illustration. Plowmen, from the Luttrell Psalter |
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452 | (4) |
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456 | (12) |
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``Piers Plowman'' and Its Time |
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468 | (1) |
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Illustration. Adam and Eve, detail of a misericord |
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469 | (1) |
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from The Anonimalle Chronicle [ Wat Tyler's Demands to Richard II, and His Death] |
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470 | (5) |
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Three Poems on the Rising of 1381: John Ball's First Letter |
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475 | (1) |
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John Ball's Second Letter |
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475 | (1) |
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476 | (1) |
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from The Voice of One Crying |
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477 | (3) |
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480 | (1) |
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481 | (21) |
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482 | (19) |
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[ Three Graces. Illness. The First Revelation] |
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482 | (4) |
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486 | (1) |
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[ Christ Draws Julian in through His Wound] |
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487 | (2) |
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[ The Necessity of Sin, and of Hating Sin] |
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489 | (2) |
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[ God as Father, Mother, Husband] |
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491 | (4) |
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[ The Soul as Christ's Citadel] |
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495 | (2) |
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[ The Meaning of the Visions is Lovel] |
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497 | (1) |
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498 | (1) |
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from The Cloud of Unknowing |
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499 | (2) |
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501 | (1) |
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The Second Play of the Shepherds |
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502 | (19) |
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The York Play of the Crucifixion |
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521 | (8) |
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529 | (21) |
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Illustration. Crucifixion Scene, from a manuscript of On the Passion of Our Lord, 1405 |
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530 | (1) |
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The Book of Margery Kempe |
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531 | (1) |
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531 | (19) |
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Early Life and Temptations, Revelation, Desire for Foreign Pilgrimage |
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532 | (7) |
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Meeting with Bishop of Lincoln and Archbishop of Canterbury |
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539 | (3) |
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Visit with Julian of Norwich |
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542 | (2) |
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544 | (2) |
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Arrest by Duke of Bedford's Men; Meeting with Archbishop of York |
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546 | (4) |
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550 | (16) |
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The Cuckoo Song (``Sumer is icumen in'') |
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551 | (1) |
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Spring (``Lenten is come with love to toune'') |
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551 | (2) |
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Illustration. Manuscript page with The Cuckoo Song |
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552 | (1) |
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Alisoun (``Bitwene Mersh and Averil'') |
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553 | (1) |
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554 | (1) |
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My Lefe is Faren in a Lond |
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554 | (1) |
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555 | (1) |
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Abuse of Women (``In every place ye may well see'') |
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555 | (1) |
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The Irish Dancer (``Gode sire, pray ich thee'') |
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556 | (1) |
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A Forsaken Maiden's Lament (``I lovede a child of this cuntree'') |
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557 | (1) |
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The Wily Clerk (``This enther day I mete a clerke'') |
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557 | (1) |
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Jolly Jankin (``As I went on YoI Day in our procession'') |
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558 | (1) |
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559 | (1) |
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560 | (1) |
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In Praise of Mary (``Edi be thu, Hevene Quene'') |
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560 | (2) |
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Mary is with Child (``Under a tree'') |
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562 | (1) |
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Sweet Jesus, King of Bliss |
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563 | (1) |
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564 | (1) |
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Jesus, My Sweet Lover (``Jesu Christ, my lemmon swete'') |
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564 | (1) |
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Contempt of the World (``Where beth they biforen us weren?'') |
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565 | (1) |
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566 | (8) |
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567 | (1) |
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568 | (2) |
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570 | (1) |
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571 | (1) |
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572 | (1) |
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573 | (1) |
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574 | (5) |
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574 | (3) |
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577 | (1) |
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In Secreit Place This Hyndir Nycht |
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578 | (1) |
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579 | (5) |
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580 | (3) |
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583 | (1) |
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584 | (3) |
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584 | (1) |
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585 | (1) |
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586 | (1) |
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587 | (26) |
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Illustration: Mankynde: A Postmodern Musical |
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587 | (26) |
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613 | (38) |
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Illustration. Illustration from Book of the City of Ladies, 1521 |
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614 | (1) |
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from Book of the City of Ladies |
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614 | (9) |
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Illustration. Frontispiece from Saxton's Atlas, 1579 |
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622 | (1) |
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The Early Modern Period At A Glance |
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623 | (4) |
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627 | (1) |
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627 | (1) |
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628 | (2) |
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The Humanist Renaissance And Early Modern Society |
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630 | (2) |
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Illustration. Albrecht Durer, Erasmus of Rotterdam, 1521 |
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631 | (1) |
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632 | (4) |
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Illustration. Jan van der Straet, called Stradanus, Impressio Librorum |
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635 | (1) |
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636 | (3) |
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639 | (3) |
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Illustration. Arend von Buchell, The Swan Theatre |
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641 | (1) |
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642 | (2) |
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Rowland Lockey, Sir Thomas More, 1478-1535, His Family and Descendants |
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Hans Holbein, The Younger, Lady with a Squirrel and a Starling |
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Nicholas Hilliard, The Young Man Amongst Roses |
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Inigo Jones, Fiery Spirit |
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Marcus Gheeraerts the Younger, Captain Thomas Lee |
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Daniel Mytens, Thomas Howard, second Earl of Arundel and Surrey |
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Jodocus Hondius, Sir Francis Drake's Map of the World |
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Sir Anthony Van Dyck, Charles I of England |
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Cornelius Johnson, Arthur Capel, 1st Baron Capel, 1604-1649, and His Family |
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Changing Social, Political, And Personal Roles |
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644 | (1) |
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The Business of Literature |
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645 | (1) |
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646 | (3) |
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Illustration. Wenceslaus Hollar, Parliamentarian soldiers in Yorkshire destroying ``Popish'' paintings, etc |
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648 | (1) |
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The War And The Modern Order Of Things |
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649 | (2) |
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651 | (50) |
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652 | (13) |
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Perspectives The English Sonnet and Sonnet Sequences in the Sixteenth Century |
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665 | (2) |
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667 | (3) |
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The Long Love, That in My Thought Doth Harbor |
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667 | (1) |
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Companion Reading Petrarch: Sonnet 140 |
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667 | (1) |
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668 | (1) |
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Companion Reading Petrarch: Sonnet 190 |
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668 | (1) |
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669 | (1) |
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Some Time I Fled the Fire |
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669 | (1) |
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Henry Howard, Earl Of Surrey |
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670 | (3) |
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Love That Doth Reign and Live within My Thought |
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670 | (1) |
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Th'Assyrians' King, in Peace with Foul Desire |
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670 | (1) |
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Set Me Whereas the Sun Doth Parch the Green |
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671 | (1) |
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671 | (1) |
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Alas, So All Things Now Do Hold Their Peace |
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671 | (1) |
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Companion Reading Petrarch: Sonnet 164 |
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672 | (1) |
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673 | (3) |
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Seven Sonnets to Alexander Neville |
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673 | (3) |
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676 | (4) |
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676 | (1) |
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``Happy ye leaves when as those lilly hands'' |
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676 | (1) |
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``New yeare forth looking out of Janus gate'' |
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677 | (1) |
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``In that proud port, which her so goodly graceth'' |
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677 | (1) |
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``This holy season fit to fast and pray'' |
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677 | (1) |
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``The weary yeare his race now having run'' |
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678 | (1) |
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``The doubt which ye misdeeme, fayre love, is vaine'' |
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678 | (1) |
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``To all those happy blessings which ye have'' |
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679 | (1) |
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``Most glorious Lord of lyfe that on this day'' |
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679 | (1) |
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``One day I wrote her name upon the strand'' |
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679 | (1) |
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680 | (17) |
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680 | (1) |
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``Loving in truth, and fain in verse my love to show'' |
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680 | (1) |
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``Let dainty wits cry on the sisters nine'' |
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681 | (1) |
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``When Nature made her chief work, Stella's eyes'' |
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681 | (1) |
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``Queen Virtue's court, which some call Stella's face'' |
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681 | (1) |
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``Reason, in faith thou art well served, that still'' |
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682 | (1) |
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``Alas, have I not pain enough, my friend'' |
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682 | (1) |
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``You that do search for every purling spring'' |
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683 | (1) |
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``The curious wits, seeing dull pensiveness'' |
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683 | (1) |
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``Rich fool there be whose base and filthy heart'' |
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683 | (1) |
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``With how sad steps, O Moon, thou climb'st the skies'' |
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684 | (1) |
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``My mouth doth water and my breast doth swell'' |
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684 | (1) |
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``Come sleep, O sleep, the certain knot of peace'' |
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684 | (1) |
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``Stella oft sees the very face of woe'' |
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685 | (1) |
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``What, have I thus betrayed my liberty?'' |
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685 | (1) |
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``A strife is grown between Virtue and Love'' |
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685 | (1) |
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``When my good Angel guides me to the place'' |
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686 | (1) |
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``O grammar-rules, O now your virtues show'' |
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686 | (1) |
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``No more, my dear, no more these counsels try'' |
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687 | (1) |
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``Stella, the only planet of my light'' |
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687 | (1) |
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``Who will in fairest book of Nature know'' |
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687 | (1) |
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Second song (``Have I caught my heavenly jewel'') |
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688 | (1) |
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``I never drank of Aganippe well'' |
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688 | (1) |
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Fourth song (``Only joy, now here you are'') |
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689 | (1) |
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``Alas, whence came this change of looks? If I...'' |
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690 | (1) |
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Eighth song (``In a grove most rich of shade'') |
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691 | (2) |
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Ninth song (``Go, my flock, go get you hence'') |
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693 | (1) |
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``Now that, of absence, the most irksome night'' |
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694 | (1) |
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``Stella, think not that I by verse seek fame'' |
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695 | (1) |
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``Stella, while now by honor's cruel might'' |
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695 | (1) |
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``Dian, that fain would cheer her friend the Night'' |
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695 | (1) |
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``Envious wits, what hath been mine offense'' |
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696 | (1) |
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``O absent presence, Stella is not here'' |
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696 | (1) |
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``Stella, since thou so right a princess art'' |
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697 | (1) |
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``When sorrow (using mine own fire's might)'' |
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697 | (1) |
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697 | (3) |
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698 | (1) |
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``Sporting at fancy, setting light by love'' |
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698 | (1) |
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``It is reported of fair Thetis' son'' |
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698 | (1) |
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``Diana (on a time) walking the wood'' |
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699 | (1) |
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``Sighing, and sadly sitting by my love'' |
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699 | (1) |
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``Speak, Echo, tell; how may I call my love?'' |
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699 | (1) |
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``Ah no; nor I myself: though my pure love'' |
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700 | (1) |
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700 | (1) |
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Sonnet 12 (``To nothing fitter can I thee compare'') |
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700 | (1) |
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Sonnet 61 (``Since there's no help, come let us kiss and part'') |
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701 | (1) |
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701 | (8) |
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702 | (1) |
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703 | (1) |
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704 | (1) |
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704 | (1) |
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704 | (1) |
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Lucks, My Fair Falcon, and Your Fellows All |
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705 | (1) |
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706 | (1) |
|
|
|
706 | (3) |
|
Henry Howrad, Earl Of Surrey |
|
|
709 | (5) |
|
|
|
709 | (2) |
|
London, Hast Thou Accused Me |
|
|
711 | (1) |
|
|
|
712 | (1) |
|
My Radcliffe, When Thy Reckless Youth Offends |
|
|
713 | (1) |
|
|
|
714 | (76) |
|
Illustration. Sir Thomas More |
|
|
714 | (1) |
|
|
|
715 | (75) |
|
|
|
785 | (5) |
|
|
|
|
|
790 | (32) |
|
|
|
790 | (32) |
|
|
|
822 | (176) |
|
Illustration. H. W. Smith, Edmund Spenser |
|
|
825 | |
|
|
|
|
|
|
824 | (1) |
|
The Faerie Queene, A Letter of the Authors (Web) |
|
|
|
The First Booke of the Faerie Queen (Web) |
|
|
|
The Second Booke of the Faire Queene, Canto 12 (Web) |
|
|
|
The Sixte Booke of the Faerie Queene |
|
|
825 | (141) |
|
The Cantos of Mutabilitie |
|
|
966 | (32) |
|
|
|
998 | (43) |
|
|
|
|
|
|
999 | (33) |
|
``The Apology'' And Its Time |
|
|
|
|
|
1032 | (9) |
|
|
|
1033 | (2) |
|
|
|
from The Art of English Poesie |
|
|
1035 | (2) |
|
|
|
from Certain Notes of Instruction |
|
|
1037 | (2) |
|
|
|
|
|
1039 | (2) |
|
|
|
|
|
1041 | (13) |
|
The Admonition by the Author |
|
|
1041 | (3) |
|
A Careful Complaint by the Unfortunate Author |
|
|
1044 | (2) |
|
|
|
1046 | (8) |
|
Mary Herbert, Countess of Pembroke |
|
|
1054 | (19) |
|
Psalm 71: In Te Domini Speravi (``On thee my trust is grounded'') |
|
|
1055 | (2) |
|
Psalm 121: Levavi Oculos (``Unto the hills, I now will bend'') |
|
|
1057 | (1) |
|
The Doleful Lay of Clorinda |
|
|
1058 | (3) |
|
Perspectives Early Modern Books |
|
|
1061 | (1) |
|
|
|
1062 | (1) |
|
|
|
1062 | (1) |
|
|
|
1063 | (1) |
|
from Actes and Monuments of These Latter and Perilous Days |
|
|
1063 | (1) |
|
|
|
1064 | (1) |
|
|
|
1065 | (1) |
|
from The True Pictures and Fashions of the People in That Part of America Now Called Virginia |
|
|
1065 | (1) |
|
|
|
1066 | (1) |
|
from The Herball or Generall historie of plantes |
|
|
1066 | (1) |
|
|
|
1066 | (2) |
|
|
|
1066 | (2) |
|
|
|
1068 | (1) |
|
from Utriusque cosmic, maioris scilicet et minoris, metaphysica atque technica historia |
|
|
1068 | (1) |
|
|
|
1069 | (1) |
|
from Advancement of Learning |
|
|
1069 | (1) |
|
|
|
1070 | (1) |
|
Vpon the death of Hobson the Carrier of Cambridge |
|
|
1070 | (1) |
|
|
|
1071 | (1) |
|
|
|
1071 | (1) |
|
Frontispiece To A Certain Relation Of the Hog-Faced Gentlewoman |
|
|
1072 | (1) |
|
|
|
1073 | (12) |
|
Illustration. Robert Peake, Queen Elizabeth Going in Procession to Blackfriars in 1600 |
|
|
1074 | (1) |
|
Written with a Diamond on Her Window at Woodstock |
|
|
1075 | (1) |
|
Written on a Wall at Woodstock |
|
|
1075 | (1) |
|
|
|
1075 | (1) |
|
|
|
1076 | (1) |
|
|
|
1076 | (1) |
|
|
|
1077 | (1) |
|
|
|
1078 | (3) |
|
|
|
1081 | (2) |
|
To the English Troops at Tilbury, Facing the Spanish Armada |
|
|
1083 | (1) |
|
|
|
1083 | (2) |
|
|
|
1085 | (6) |
|
The Description of Cookham |
|
|
1086 | (5) |
|
|
|
|
The Affectionate Shepherd (Web) |
|
|
|
|
|
1091 | (72) |
|
The Passionate Shepherd to His Love (Web) |
|
|
|
The Nymph's Reply to the Shepherd (Web) |
|
|
|
|
|
|
|
1092 | (18) |
|
The Tragical History of Dr. Faustus |
|
|
1110 | (53) |
|
Illustration. Title page, 1620 edition of Marlowe's The Tragical History of Dr. Faustus |
|
|
1112 | (49) |
|
from The Screwtape Letters |
|
|
1161 | (2) |
|
|
|
|
|
1163 | (36) |
|
Nature That Washed Her Hands in Milk |
|
|
1164 | (1) |
|
|
|
1165 | (1) |
|
|
|
1166 | (1) |
|
The Author's Epitaph, Made by Himself |
|
|
1166 | (1) |
|
As You Came from the Holy Land |
|
|
1166 | (1) |
|
from The 21st and Last Book of the Ocean to Cynthia |
|
|
1167 | (6) |
|
from The Discovery of the Large, Rich and Beautiful Empire of Guina (Web) |
|
|
|
Perspectives England, Britain, and The World |
|
|
1173 | (1) |
|
|
|
1174 | (13) |
|
|
|
1175 | (1) |
|
|
|
1175 | (3) |
|
Illustration. Fynes Moryson's representation of Rome |
|
|
1178 | (1) |
|
Observations on the Ottoman Empire |
|
|
1179 | (6) |
|
Illustration. Fynes Moryson's representation of Constantinople |
|
|
1185 | (2) |
|
|
|
1187 | (4) |
|
from A View of the [ Present] State of Ireland |
|
|
1187 | (4) |
|
|
|
1191 | (3) |
|
from A Brief and True Report of the Newfound Land of Virginia |
|
|
1191 | (3) |
|
|
|
1194 | (5) |
|
from General History of Virginia and the Summer Isles |
|
|
1194 | (5) |
|
|
|
1199 | (267) |
|
Illustration. Attributed to John Taylor, Portrait of William Shakespeare |
|
|
1200 | (3) |
|
|
|
1203 | (1) |
|
``From fairest creatures we desire increase'' |
|
|
1203 | (1) |
|
``When I do count the clock that tells the time'' |
|
|
1203 | (1) |
|
``When I consider every thing that grows'' |
|
|
1204 | (1) |
|
``Shall I compare thee to a summer's day'' |
|
|
1204 | (1) |
|
``A woman's face with Nature's own hand painted'' |
|
|
1204 | (1) |
|
``When, in disgrace with fortune and men's eyes'' |
|
|
1205 | (1) |
|
``When to the sessions of sweet silent thought'' |
|
|
1205 | (1) |
|
``Thy bosom is endeared with all hearts'' |
|
|
1206 | (1) |
|
``Full many a glorious morning have I seen'' |
|
|
1206 | (1) |
|
``No more be grieved at that which thou hast done'' |
|
|
1206 | (1) |
|
``Not marble nor the gilded monuments'' |
|
|
1207 | (1) |
|
``Like as the waves make towards the pebbled shore'' |
|
|
1207 | (1) |
|
``No longer mourn for me when I am dead'' |
|
|
1207 | (1) |
|
``That time of year thou mayst in me behold'' |
|
|
1208 | (1) |
|
``O, how I faint when I of you do write'' |
|
|
1208 | (1) |
|
``Was it the proud full sail of his great verse'' |
|
|
1208 | (1) |
|
``Farewell! Thou art too dear for my possessing'' |
|
|
1209 | (1) |
|
``So shall I live, supposing thou art true'' |
|
|
1209 | (1) |
|
``They that have pow'r to hurt, and will do none'' |
|
|
1209 | (1) |
|
``To me, fair friend, you never can be old'' |
|
|
1210 | (1) |
|
``When in the chronicle of wasted time'' |
|
|
1210 | (1) |
|
``Not mine own fears nor the prophetic soul'' |
|
|
1211 | (1) |
|
``Let me not to the marriage of true minds'' |
|
|
1211 | (1) |
|
``No, Time, thou shalt not boast that I do change'' |
|
|
1211 | (1) |
|
``If my dear love were but the child of state'' |
|
|
1212 | (1) |
|
``O thou, my lovely boy, who in thy power'' |
|
|
1212 | (1) |
|
``How oft, when thou my music play'st'' |
|
|
1213 | (1) |
|
``The expense of spirit in a waste of shame'' |
|
|
1213 | (1) |
|
``My mistress' eyes are nothing like the sun'' |
|
|
1213 | (1) |
|
``When my love swears that she is made of truth'' |
|
|
1214 | (1) |
|
``Two loves I have, of comfort and despair'' |
|
|
1214 | (1) |
|
``In loving thee thou know'st I am forsworn'' |
|
|
1214 | (1) |
|
Twelfth Night; or, What You Will |
|
|
1215 | (57) |
|
|
|
1272 | (87) |
|
|
|
1359 | (86) |
|
Thomas Dekker and Thomas Middleton (Web) |
|
|
|
The Roaring Girl; or, Moll Cut-Purse (Web) |
|
|
|
Perspectives Tracts on Women and Gender |
|
|
1445 | (1) |
|
Illustration. Title page from The English Gentlewoman |
|
|
1446 | (1) |
|
|
|
1446 | (3) |
|
from The Arraignment of Lewd, Idle, Froward, and Unconstant Women |
|
|
1447 | (2) |
|
|
|
1449 | (6) |
|
from a Muzzle for Melastomus |
|
|
1450 | (5) |
|
|
|
1455 | (3) |
|
from Ester Hath Hanged Haman |
|
|
1455 | (3) |
|
|
|
1458 | (3) |
|
from Hic Mulier; or, The Man-Woman |
|
|
1459 | (2) |
|
from Haec-Vir; or, The Womanish-Man |
|
|
1461 | (5) |
|
|
|
1466 | (120) |
|
|
|
1468 | (99) |
|
|
|
|
On Something, That Walks Somewhere |
|
|
1567 | (1) |
|
|
|
1567 | (1) |
|
|
|
1568 | (1) |
|
|
|
1568 | (1) |
|
Inviting a Friend to Supper |
|
|
1568 | (1) |
|
|
|
1569 | (3) |
|
|
|
1572 | (1) |
|
|
|
1572 | (1) |
|
To the Memory of My Beloved, the Author, Mr. William Shakespeare, and What He Hath Left Us |
|
|
1573 | (2) |
|
To the Immortal Memory, and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison |
|
|
1575 | (3) |
|
Pleasure Reconciled to Virtue |
|
|
1578 | (8) |
|
|
|
1586 | (23) |
|
Illustration. a. Duncan, engraved portrait of John Donne |
|
|
1586 | (2) |
|
|
|
1588 | (1) |
|
Song (``Go, and catch a falling star'') |
|
|
1588 | (1) |
|
|
|
1589 | (1) |
|
|
|
1590 | (1) |
|
|
|
1591 | (1) |
|
|
|
1591 | (1) |
|
|
|
1592 | (1) |
|
|
|
1593 | (1) |
|
|
|
1594 | (1) |
|
A Valediction: of Weeping |
|
|
1594 | (1) |
|
|
|
1595 | (1) |
|
|
|
1596 | (1) |
|
|
|
1596 | (1) |
|
|
|
1597 | (1) |
|
A Valediction: Forbidding Mourning |
|
|
1598 | (1) |
|
|
|
1599 | (2) |
|
|
|
1601 | (1) |
|
|
|
1601 | (1) |
|
Elegy 19: To His Mistress Going to Bed |
|
|
1602 | (1) |
|
|
|
1603 | (1) |
|
(``As due by many titles I resign'') |
|
|
1603 | (1) |
|
(``Oh my black soul! Now thou art summoned'') |
|
|
1604 | (1) |
|
(``This is my play's last scene, here heavens appoint'') |
|
|
1604 | (1) |
|
(``At the round earth's imagined corners, blow'') |
|
|
1604 | (1) |
|
(``If poisonous minerals, and if that tree'') |
|
|
1605 | (1) |
|
(``Death be not proud, though some have called thee'') |
|
|
1605 | (1) |
|
(``Spit in my face ye Jews, and pierce my side'') |
|
|
1606 | (1) |
|
(``Why are we by all creatures waited on?'') |
|
|
1606 | (1) |
|
(``What if this present were the world's last night?'') |
|
|
1606 | (1) |
|
(``Batter my heart, three-personed God; for, you'') |
|
|
1607 | (1) |
|
(``Wilt thou love God, as he thee? Then digest'') |
|
|
1607 | (1) |
|
(``Father, part of his double interest'') |
|
|
1607 | (1) |
|
Devotions Upon Emergent Occasions |
|
|
1608 | (1) |
|
[ ``For whom the bell tolls''] |
|
|
1608 | (1) |
|
The King James Bible (Web) |
|
|
|
|
|
|
|
|
1609 | (9) |
|
from Countess of Montgomery's Urania (Web) |
|
|
|
Pamphilia to Amphilanthus |
|
|
1611 | (7) |
|
(``When night's black mantle could most darkness prove'') |
|
|
1611 | (1) |
|
(``Can pleasing sight misfortune ever bring?'') |
|
|
1611 | (1) |
|
(``Am I thus conquered? Have I lost the powers'') |
|
|
1611 | (1) |
|
(``Truly poor Night thou welcome art to me'') |
|
|
1612 | (1) |
|
(``Like to the Indians, scorched with the sun'') |
|
|
1612 | (1) |
|
(``When everyone to pleasing pastime hies'') |
|
|
1612 | (1) |
|
Song (``Sweetest love, return again'') |
|
|
1613 | (1) |
|
(``Take heed mine eyes, how you your looks do cast'') |
|
|
1613 | (1) |
|
(``False hope which feeds but to destroy, and spill'') |
|
|
1614 | (1) |
|
(``If ever Love had force in human breast?'') |
|
|
1614 | (1) |
|
(``How like a fire doth love increase in me'') |
|
|
1614 | (1) |
|
(``My pain, still smothered in my grieved breast'') |
|
|
1615 | (1) |
|
Song (``Love a child is ever crying'') |
|
|
1615 | (1) |
|
A Crown of Sonnets Dedicated to Love |
|
|
1616 | (1) |
|
(``In this strange labyrinth how shall I turn?'') |
|
|
1616 | (1) |
|
(``He may our profit and our tutor prove'') |
|
|
1616 | (1) |
|
(``How blessed be they then, who his favors prove'') |
|
|
1616 | (1) |
|
(``He that shuns love does love himself the less'') |
|
|
1617 | (1) |
|
(``My muse now happy, lay thyself to rest'') |
|
|
1617 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
|
Pseuddodoxia Epidemica (Web) |
|
|
|
Hydriotaphia, Urn Burial (Web) |
|
|
|
|
|
|
from the Anatomy of Melancholy (Web) |
|
|
|
|
|
1618 | (8) |
|
|
|
1618 | (1) |
|
|
|
1618 | (1) |
|
|
|
1619 | (1) |
|
Another (``To read my book the virgin shy'') |
|
|
1619 | (1) |
|
Another (``Who with thy leaves shall wipe at need'') |
|
|
1619 | (1) |
|
|
|
1619 | (1) |
|
When He Would Have His Verses Read |
|
|
1619 | (1) |
|
|
|
1620 | (1) |
|
|
|
1620 | (2) |
|
To the Virgins, to Make Much of Time |
|
|
1622 | (1) |
|
The Hock-Cart, or Harvest Home |
|
|
1622 | (2) |
|
|
|
1624 | (1) |
|
|
|
1624 | (1) |
|
|
|
1624 | (1) |
|
To Dean-Bourn, a Rude River in Devon |
|
|
1624 | (1) |
|
|
|
1625 | (1) |
|
His Prayer for Absolution |
|
|
1625 | (1) |
|
|
|
1625 | (1) |
|
|
|
1625 | (1) |
|
|
|
1626 | (13) |
|
Illustration, Engraved portrait of George Herbert |
|
|
1626 | (1) |
|
|
|
1627 | (1) |
|
|
|
1627 | (1) |
|
|
|
1628 | (1) |
|
|
|
1629 | (1) |
|
|
|
1629 | (2) |
|
|
|
1631 | (1) |
|
|
|
1631 | (1) |
|
|
|
1632 | (1) |
|
|
|
1632 | (1) |
|
|
|
1633 | (1) |
|
|
|
1633 | (1) |
|
|
|
1634 | (1) |
|
|
|
1635 | (1) |
|
|
|
1636 | (1) |
|
|
|
1636 | (1) |
|
|
|
1637 | (1) |
|
|
|
1638 | (1) |
|
|
|
1639 | (1) |
|
|
|
1639 | (5) |
|
To Lucasta, Going to the Wars |
|
|
1640 | (1) |
|
|
|
1641 | (1) |
|
|
|
1642 | (1) |
|
Love Made in the First Age: To Chloris |
|
|
1643 | (1) |
|
|
|
1644 | (9) |
|
|
|
1645 | (2) |
|
|
|
1647 | (1) |
|
Silence, and Stealth of Days |
|
|
1648 | (1) |
|
|
|
1649 | (2) |
|
They are All Gone into the World of Light! |
|
|
1651 | (1) |
|
|
|
1652 | (1) |
|
|
|
1653 | (15) |
|
|
|
1655 | (1) |
|
|
|
1655 | (1) |
|
The Nymph Complaining for the Death of Her Fawn |
|
|
1656 | (3) |
|
|
|
1659 | (1) |
|
|
|
1660 | (1) |
|
The Mower Against Gardens |
|
|
1661 | (1) |
|
|
|
1662 | (1) |
|
|
|
1663 | (2) |
|
An Horatian Ode Upon Cromwell's Return from Ireland |
|
|
1665 | (3) |
|
|
|
1668 | (30) |
|
Friendship in Emblem, or the Seal |
|
|
1669 | (2) |
|
Upon the Double Murder of King Charles |
|
|
1671 | (1) |
|
On the Third of September, 1651 |
|
|
1671 | (1) |
|
To the Truly Noble, and Obliging Mrs. Anne Owen |
|
|
1672 | (1) |
|
To Mrs. Mary Awbrey at Parting |
|
|
1673 | (1) |
|
To My Excellent Lucasia, on Our Friendship |
|
|
1674 | (1) |
|
|
|
1675 | (3) |
|
Perspectives The Civil War, or the Wars of Three Kingdoms |
|
|
1678 | (2) |
|
Illustration. The Execution of Charles I |
|
|
1678 | (2) |
|
|
|
1680 | (4) |
|
|
|
1681 | (3) |
|
|
|
1684 | (6) |
|
|
|
1684 | (6) |
|
|
|
1690 | (5) |
|
from Letters from Ireland |
|
|
1691 | (4) |
|
John O'Dwyer of the Glenn |
|
|
1695 | (2) |
|
The Story of Alexander Agnew; or, Jock of Broad Scotland |
|
|
1697 | (1) |
|
|
|
1698 | (312) |
|
Illustration. John Milton Surrounded by Muses |
|
|
1698 | (3) |
|
|
|
1701 | (3) |
|
|
|
1704 | (5) |
|
|
|
1709 | (4) |
|
|
|
1713 | (1) |
|
On the New Forcers of Conscience Under the Long Parliament |
|
|
1714 | (1) |
|
To the Lord General Cromwell |
|
|
1715 | (1) |
|
On the Late Massacre in Piedmont |
|
|
1715 | (1) |
|
When I Consider How My Light is Spent |
|
|
1716 | (1) |
|
Methought I Saw My Late Espoused Saint |
|
|
1716 | (1) |
|
|
|
1716 | (10) |
|
|
|
1726 | (1) |
|
|
|
1727 | (21) |
|
|
|
1748 | (24) |
|
|
|
1772 | (19) |
|
|
|
1791 | (23) |
|
|
|
1814 | (21) |
|
|
|
1835 | (21) |
|
|
|
1856 | (15) |
|
|
|
1871 | (15) |
|
|
|
1886 | (27) |
|
|
|
1913 | (26) |
|
|
|
1939 | (21) |
|
|
|
1960 | (20) |
|
from A Vindication of the Rights of Woman |
|
|
1976 | (2) |
|
|
|
|
|
1978 | (2) |
|
|
|
|
|
|
The Restoration and the Eighteenth Century |
|
|
|
Illustration. Thomas Bowles, The Bubblers' Medley, or a Sketch of the Times, 1720 |
|
|
1980 | (1) |
|
The Restoration and the Eighteenth Century At A Glance |
|
|
1981 | (4) |
|
|
|
1985 | (1) |
|
Monarchs, Ministers, Empire |
|
|
1986 | (5) |
|
Money, Manners, and Theatrics |
|
|
1991 | (8) |
|
Sir Peter Lely, Barbara Villiers, Countess of Castlemaine |
|
|
|
Johann Zoffany, Queen Charlotte with Her Two Eldest Sons |
|
|
|
Joshua Reynolds, Mrs. Abington as ``Miss Prue'' |
|
|
|
Marcellus Laroon, Charles II as President of the Royal Society |
|
|
|
Joseph Wright, A Philosopher Giving That Lecture on the Orrery |
|
|
|
Joseph Wright, An Experiment on a Bird in the Air Pump |
|
|
|
William Hogarth, The Beggar's Opera, Act 3, Scene 11 |
|
|
|
William Hogarth, Hogarth's Servants |
|
|
|
Thomas Gainsborough, Cottage Door with Children Playing |
|
|
|
Faith and Knowledge, Thought and Feeling |
|
|
1999 | (2) |
|
Writers, Readers, Conversations |
|
|
2001 | (7) |
|
|
|
2008 | (2) |
|
Illustration, Joshua Reynolds, Mrs. Abington as ``Miss Prue,'' 1771 |
|
|
2009 | (1) |
|
|
|
2010 | (48) |
|
Illustration. John Hayls, Samuel Pepys, 1666 |
|
|
2010 | (1) |
|
|
|
2011 | (28) |
|
|
|
2011 | (2) |
|
[ The Coronation of Charles II] |
|
|
2013 | (2) |
|
|
|
2015 | (6) |
|
|
|
2021 | (4) |
|
Pepys's Diary and Its Time |
|
|
|
John Evelyn from Kalendarium |
|
|
2025 | (2) |
|
|
|
2027 | (4) |
|
|
|
2031 | (1) |
|
[ Elizabeth Pepys and Deborah Willett] |
|
|
2032 | (5) |
|
|
|
2037 | (2) |
|
|
|
Perspectives The Royal Society and the New Science |
|
|
2039 | (1) |
|
|
|
2040 | (3) |
|
from The History of the Royal Society of London |
|
|
2041 | (2) |
|
Philosophical Transactions |
|
|
2043 | (3) |
|
from Philosophical Transactions |
|
|
2043 | (3) |
|
|
|
2046 | (7) |
|
|
|
2047 | (3) |
|
Illustration. Robert Hooke, Schema ii: Needle Point and Period, from Micrographia |
|
|
2050 | (3) |
|
Illustration. Robert Hooke, Schema xxxiv: a Flea, from Micrographia |
|
|
2053 | (1) |
|
|
|
2053 | (5) |
|
|
|
2054 | (4) |
|
Margaret Cavendish, Duchess of New Castle |
|
|
2058 | (16) |
|
|
|
2059 | (1) |
|
The Poetress's Hasty Resolution |
|
|
2059 | (1) |
|
|
|
2060 | (1) |
|
An Apology for Writing So Much upon This Book |
|
|
2060 | (1) |
|
|
|
2060 | (3) |
|
from A True Relation of My Birth, Breeding, and Life |
|
|
2063 | (5) |
|
Observations upon Experimental Philosophy |
|
|
2068 | (2) |
|
Of Micrography, and of Magnifying and Multiplying Glasses |
|
|
2068 | (2) |
|
The Description of a New Blazing World |
|
|
2070 | (4) |
|
|
|
2070 | (1) |
|
|
|
2071 | (1) |
|
[ Empress, Duchess, Duke] |
|
|
2072 | (1) |
|
|
|
2073 | (1) |
|
|
|
2074 | (51) |
|
Illustration. Godfrey Kneller, John Dryden |
|
|
2074 | (3) |
|
Absalom and Achitophel: A Poem |
|
|
2077 | (25) |
|
Absalom and Achitophel and Its Time (Web) |
|
|
|
|
|
2102 | (6) |
|
To the Memory of Mr. Oldham |
|
|
2108 | (1) |
|
To the Pious Memory of the Accomplished Young Lady Mrs. Anne Killigrew (Web) |
|
|
|
|
|
2109 | (4) |
|
Fables Ancient and Modern |
|
|
2113 | (9) |
|
|
|
2113 | (9) |
|
|
|
2122 | (3) |
|
|
|
2125 | (77) |
|
Illustration. Robert White, line engraving of Aphra Behn |
|
|
2125 | (1) |
|
|
|
2126 | (4) |
|
To Lysander, on Some Verses He Writ |
|
|
2130 | (1) |
|
To Lysander at the Music-Meeting |
|
|
2131 | (1) |
|
A Letter to Mr. Creech at Oxford |
|
|
2132 | (3) |
|
To the Fair Clarinda, Who Made Love to Me, Imagined More than Woman |
|
|
2135 | (2) |
|
|
|
2137 | (47) |
|
|
|
2178 | (6) |
|
|
|
Perspectives Coterie Writing |
|
|
2184 | (1) |
|
|
|
2184 | (2) |
|
|
|
2184 | (1) |
|
|
|
2185 | (1) |
|
Anne Finch, Countess of Winchilsea |
|
|
2186 | (6) |
|
|
|
2187 | (1) |
|
Friendship Between Ephelia and Ardelia |
|
|
2188 | (1) |
|
|
|
2189 | (1) |
|
A Ballad to Mrs. Catherine Fleming in London from Malshanger Farm in Hampshire |
|
|
2190 | (2) |
|
|
|
2192 | (10) |
|
|
|
2192 | (2) |
|
|
|
2194 | (1) |
|
An Epistle to Artemisia. On Fame |
|
|
2195 | (5) |
|
|
|
2200 | (1) |
|
The Epistle of Deborah Dough |
|
|
2201 | (1) |
|
John Wilmot, Earl of Rochester |
|
|
2202 | (11) |
|
|
|
2203 | (1) |
|
|
|
2204 | (1) |
|
Song (``Love a woman? You're an ass!'') |
|
|
2205 | (1) |
|
|
|
2205 | (2) |
|
|
|
2207 | (1) |
|
A Satyr Against Reason and Mankind |
|
|
2208 | (5) |
|
|
|
2213 | (70) |
|
|
|
2215 | (68) |
|
|
|
2283 | (10) |
|
from Some Reflections upon Marriage |
|
|
2284 | (9) |
|
|
|
2293 | (44) |
|
A True Relation of the Apparition of One Mrs. Veal |
|
|
2296 | (6) |
|
A Journal of the Plague Year |
|
|
2302 | (8) |
|
|
|
2302 | (3) |
|
Illustration. John Dunstall, Scenes from the Plague in London, 1665 2304 |
|
|
2305 | (1) |
|
[ Encounter with a Waterman] |
|
|
2306 | (4) |
|
Perspectives Reading Papers |
|
|
2310 | (1) |
|
|
|
2311 | (5) |
|
from Mercurius Publicus [ Anniversary of the Regicide] |
|
|
2311 | (1) |
|
from the London Gazette [ The Fire of London] |
|
|
2312 | (1) |
|
from the Daily Courant No. 1 [ Editorial Policy] |
|
|
2313 | (1) |
|
from A Review of the State of the British Nation, Vol. 4, No. 21 [ The New Union] |
|
|
2314 | (2) |
|
|
|
|
|
2316 | (12) |
|
from Tatler No. 1 [ Introducing Mr. Bickerstaff] |
|
|
2317 | (2) |
|
|
|
from Spectator No. 1 [ Introducing Mr. Spectator] |
|
|
2319 | (3) |
|
|
|
from the Female Spectator, Vol. 1, No. 1 [ The Author's Intent] |
|
|
2322 | (2) |
|
from Tatler No. 18 [ The News Writers in Danger] |
|
|
2324 | (1) |
|
|
|
from Tatler No. 155 [ The Political Upholsterer] |
|
|
2324 | (2) |
|
|
|
from Spectator No. 10 [ The Spectator and Its Readers] |
|
|
2326 | (2) |
|
|
|
Getting, Spending, Speculating |
|
|
2328 | (9) |
|
Illustration. The Gentleman's Magazine |
|
|
2329 | (1) |
|
Spectator No. 69 [ Royal Exchange] |
|
|
2330 | (1) |
|
|
|
Illustration. Sutton Nicholls, The Royal Exchange |
|
|
2331 | (2) |
|
Spectator No. 11 [ Inkle and Yarico] |
|
|
2333 | (2) |
|
|
|
from a Review of the State of the British Nation, Vol. 1, No. 43 [ Weak Foundations] |
|
|
2335 | (2) |
|
|
|
Advertisements from the Spectator |
|
|
2337 | (1) |
|
Women and Men, Manners, and Marriage (Web) |
|
|
|
|
|
2337 | (101) |
|
Illustration. Charles Jervas, Jonathan Swift |
|
|
2337 | (3) |
|
A Description of the Morning |
|
|
2340 | (1) |
|
A Description of a City Shower |
|
|
2341 | (2) |
|
|
|
2343 | (1) |
|
|
|
2344 | (2) |
|
|
|
2346 | (6) |
|
The Reasons that Induced Dr. S. to write a Poem called the Lady's Dressing Room |
|
|
2350 | (2) |
|
Lady Mary Wortley Montagu |
|
|
Verses on the Death of Dr. Swift, D.S.P.D |
|
|
2352 | (14) |
|
|
|
2366 | (4) |
|
|
|
2366 | (4) |
|
|
|
2370 | (61) |
|
from Part
3. A Voyage to Laputa |
|
|
2371 | (10) |
|
A Voyage to the Country of the Houyhnhnms |
|
|
2381 | (45) |
|
Gulliver's Travels and Its Time |
|
|
2426 | (1) |
|
from Letters on Gulliver's Travels Jonathan Swift to Alexander Pope |
|
|
2427 | (1) |
|
Alexander Pope to Jonathan Swift |
|
|
2427 | (1) |
|
John Gay to Jonathan Swift |
|
|
2428 | (1) |
|
Jonathan Swift to Alexander Pope |
|
|
2429 | (1) |
|
``The Prince of Lilliput'' to Stella |
|
|
2430 | (1) |
|
|
|
2431 | (7) |
|
A Modest Proposal and Its Time |
|
|
2437 | (1) |
|
from Political Arithmetic |
|
|
2437 | (1) |
|
|
|
|
|
2438 | (105) |
|
Illustration. William Hoare, Sketch of Alexander pope |
|
|
2438 | (2) |
|
|
|
2440 | (18) |
|
|
|
2458 | (12) |
|
|
|
2470 | (21) |
|
|
|
2491 | (1) |
|
from Book 12 [ Sarpedon's Speech] |
|
|
2491 | (1) |
|
|
|
2492 | (9) |
|
|
|
2501 | (8) |
|
|
|
2501 | (1) |
|
|
|
2501 | (1) |
|
|
|
2502 | (7) |
|
An Epistle from Mr. Pope, to Dr. Arbuthnot |
|
|
2509 | (12) |
|
An Epistle To a Lady: of the Characters of Women |
|
|
2521 | (1) |
|
Epistle
2. to a Lady: of the Characters of Women |
|
|
2521 | (10) |
|
|
|
2528 | (3) |
|
|
|
from the Dunciad in Four Books |
|
|
2531 | (12) |
|
|
|
2531 | (11) |
|
|
|
2542 | (1) |
|
Lady Mary Wortley Montagu |
|
|
2543 | (12) |
|
from the Turkish Embassy Letters |
|
|
2544 | (4) |
|
To Lady---[ On the Turkish Baths] |
|
|
2544 | (2) |
|
To Lady Mar [ On Turkish Dress] |
|
|
2546 | (2) |
|
Letter to Lady Bute [ On Her Granddaughter] |
|
|
2548 | (3) |
|
Epistle from Mrs. Yonge to Her Husband |
|
|
2551 | (2) |
|
|
|
2553 | (2) |
|
|
|
2555 | (48) |
|
|
|
2557 | (46) |
|
``The Beggar's Opera'' and Its Time |
|
|
|
Influences and Impact (Web) |
|
|
|
|
|
2603 | (42) |
|
|
|
2605 | (8) |
|
Perspectives Mind and God |
|
|
2613 | (1) |
|
|
|
2614 | (3) |
|
from Letter to Richard Bentley |
|
|
2615 | (2) |
|
|
|
2617 | (5) |
|
from an Essay Concerning Human Understanding |
|
|
2618 | (4) |
|
|
|
2622 | (5) |
|
A Prospect of Heaven Makes Death Easy |
|
|
2623 | (1) |
|
The Hurry of the Spirits, in a Fever and Nervous Disorders |
|
|
2623 | (2) |
|
Against Idleness and Mischief |
|
|
2625 | (1) |
|
Man Frail, and God Eternal |
|
|
2625 | (1) |
|
Miracles Attending Israel's Journey |
|
|
2626 | (1) |
|
|
|
2627 | (2) |
|
|
|
2627 | (2) |
|
|
|
2629 | (2) |
|
from Three Dialogues Between Hylas and Philonous |
|
|
2629 | (2) |
|
|
|
2631 | (6) |
|
from A Treatise of Human Nature |
|
|
2632 | (3) |
|
from An Enquiry Concerning Human Understanding |
|
|
2635 | (2) |
|
|
|
2637 | (4) |
|
|
|
2638 | (3) |
|
|
|
2641 | (4) |
|
Light Shining out of Darkness |
|
|
2642 | (1) |
|
|
|
2642 | (1) |
|
|
|
2643 | (2) |
|
|
|
2645 | (20) |
|
|
|
2646 | (4) |
|
[ Autumn Evening and Night] |
|
|
2646 | (3) |
|
|
|
2649 | (1) |
|
|
|
2650 | (5) |
|
|
|
2650 | (5) |
|
|
|
2655 | (10) |
|
``The Seasons'' and its Time |
|
|
|
Poems of Nightfall and Night |
|
|
2656 | (1) |
|
|
|
2656 | (3) |
|
|
|
William Collins Ode to Evening |
|
|
2659 | (1) |
|
Ode Occasioned by the Death of Mr. Thomson |
|
|
2660 | (2) |
|
|
|
2662 | (3) |
|
|
|
|
|
2665 | (9) |
|
Sonnet on the Death of Mr. Richard West |
|
|
2666 | (1) |
|
Ode on a Distant Prospect of Eton College |
|
|
2667 | (2) |
|
Ode on the Death of a Favorite Cat, Drowned in a Tub of Gold Fishes |
|
|
2669 | (1) |
|
Elegy Written in a Country Churchyard |
|
|
2670 | (4) |
|
|
|
2674 | (74) |
|
Illustration. James Barry, Samuel Johnson |
|
|
2674 | (3) |
|
The Vanity of Human Wishes |
|
|
2677 | (9) |
|
A Short Song of Congratulation |
|
|
2686 | (1) |
|
On the Death of Dr. Robert Levet |
|
|
2686 | (1) |
|
|
|
2687 | (1) |
|
|
|
2688 | (3) |
|
|
|
2691 | (3) |
|
|
|
2694 | (3) |
|
(On Misella, a Prostitute) (Web) |
|
|
|
(Misella Continues) (Web) |
|
|
|
(Beginnings, Middles, and Ends) (Web) |
|
|
|
|
|
2697 | (1) |
|
|
|
2697 | (1) |
|
|
|
2698 | (2) |
|
|
|
2700 | (2) |
|
|
|
2702 | (1) |
|
A Dictionary of the English Language |
|
|
2703 | (15) |
|
|
|
2704 | (6) |
|
|
|
2710 | (8) |
|
from the History of Rasselas, Prince of Abyssinia |
|
|
2718 | (9) |
|
|
|
2719 | (1) |
|
The History of Imlac Continued |
|
|
2720 | (2) |
|
Imlac's History Continued. A Dissertation upon Poetry |
|
|
2722 | (1) |
|
Imlac's Narrative Continued. A Hint on Pilgrimage |
|
|
2723 | (2) |
|
The Story of Imlac Continued |
|
|
2725 | (2) |
|
from the Plays of William Shakespeare |
|
|
2727 | (11) |
|
|
|
2727 | (1) |
|
[ ``Just Representations of General Nature''] |
|
|
2727 | (3) |
|
|
|
2730 | (6) |
|
[ Selected Notes on Othello] |
|
|
2736 | (2) |
|
|
|
2738 | (6) |
|
|
|
2739 | (2) |
|
|
|
2741 | (3) |
|
|
|
2744 | (1) |
|
To Lord Chesterfield (7 February 1755) |
|
|
2744 | (1) |
|
To Hester Thrale (19 June 1783) |
|
|
2745 | (2) |
|
To Hester Thrale Piozzi (2 July 1784) |
|
|
2747 | (1) |
|
To Hester Thrale Piozzi (8 July 1784) |
|
|
2747 | (1) |
|
|
|
2748 | (29) |
|
|
|
2750 | (8) |
|
|
|
2750 | (3) |
|
|
|
2753 | (4) |
|
[ First Meeting with Johnson] |
|
|
2757 | (1) |
|
An Account of My Last Interview with David Hume, Esq |
|
|
2758 | (3) |
|
from the Life of Samuel Johnson, LL.D |
|
|
2761 | (16) |
|
[ Introduction; Boswell's Method] |
|
|
2761 | (2) |
|
[ Conversations about Hume] |
|
|
2763 | (2) |
|
|
|
2765 | (6) |
|
[ Conversations at Streatham and the Club] |
|
|
2771 | (6) |
|
|
|
2777 | (62) |
|
|
|
2778 | (13) |
|
|
|
2788 | (2) |
|
|
|
|
|
2790 | (1) |
|
|
|
Richard Brinsley Sheridan (Web) |
|
|
|
The School for Scandal (Web) |
|
|
|
Perspectives Novel Guises |
|
|
2791 | (1) |
|
|
|
|
from the Case of Madam Mary Carleton (Web) |
|
|
|
|
|
2792 | (4) |
|
from the Life and Strange Surprizing Adventures of Robinson Crusoe |
|
|
2793 | (3) |
|
from the Fortunate Mistress: or, a History of the Life and Vast Variety of Fortunes of Mademoiselle de Beleau, Afterwards Called the Countess de Wintselsheim, in Germany, Being the Person Known by the Name of the Lady Roxana, in the Time of King Charles II (Web) |
|
|
|
|
|
2796 | (17) |
|
Fantomina: Or, Love in a Maze |
|
|
2796 | (17) |
|
|
|
2813 | (7) |
|
from Pamela; or, Virtue Rewarded |
|
|
2814 | (5) |
|
from the Preface to Clarissa. Or, the History of a Young Lady |
|
|
2819 | (1) |
|
from the Preface to the History of Sir Charles Grandison, Baronet |
|
|
2819 | (1) |
|
|
|
2820 | (8) |
|
from an Apology for the Life of Mrs. Shamela Andrews |
|
|
2821 | (2) |
|
from the Preface to the History of the Adventures of Joseph Andrews |
|
|
2823 | (3) |
|
from the History of Tom Jones, a Foundling |
|
|
2826 | (2) |
|
|
|
2828 | (3) |
|
from the Life and Opinions of Tristram Shandy, Gentleman |
|
|
2829 | (2) |
|
|
|
2831 | (8) |
|
|
|
2831 | (3) |
|
from Evelina; or, the History of a Young Lady's Entrance into the World Evelina to the Reverend Mr. Villars |
|
|
2834 | (3) |
|
from the Wanderer; or, Female Difficulties |
|
|
2837 | (2) |
| Credits |
|
2839 | (6) |
| Index |
|
2845 | |
