In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.
In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.
Why do race relations appear to be getting worse instead of better since the election and reelection of the country’s first black president? David Ikard speaks directly to us, in the first person, as a professor and father and also as self-described working-class country boy from a small town in North Carolina, His lively account teems with anecdotes from gritty to elegant, sometimes scary, sometimes funny, sometimes endearing that show how parasitically white identity is bound up with black identity in America. Ikard thinks critically about the emotional tenacity, political utility, and bankability of willful white blindness in the 21st century. A key to his analytic reflections on race highlights the three tropes of white supremacy which help to perpetuate willful white blindness, tropes that remain alive and well today as cultural buffers which afford whites the luxury of ignoring their racial privilege and the cost that blacks incur as a result of them. The tropes are: lovable racists, magical negroes, and white messiahs. Ikard is definitely reformist: teachers, parents, students, professors can use such tropes to resist the social and psychological dangers presented by seemingly neutral terms and values which in fact wield white normative power. The lovable racist trope encourages whites to see racism as a minor character flaw (Ikard includes commentary on the ?good” slaveowner, William Ford, in Twelve Years a Slave, and offers up examples of the veneer of lovability that attaches to xenophobic, racist presidential candidate Donald Trump). The white messiah trope serves to conflate whiteness with goodness, godliness, and other virtues (extended discussion of Santa Claus or Bill Clinton makes for fun reading, as does Ikard’s teasing out of messiah patterns in movie scripts like The Green Mile and Avatar). The magical negro trope situates blacks as mascots or surrogates for affirmations of white humanity (Uncle Tom and Nigger Jim are just two examples, and President Obama employed the trope with subtlety in both of his campaigns). In general, this book investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Harriet Beecher Stowe’s Uncle Tom’s Cabin to Kathryn Stockett’s best-selling book (and movie blockbuster), The Help.
