A contemporary guide to creating beautiful, translucent ceramics.
Porcelain and bone china are known and prized for their fineness, delicacy, and translucence, but can be difficult to use and pose particular problems for the potters and ceramic artists using it.
In Luminous Clay, bone china expert Angela Mellor aims to demystify these clays, encouraging more ceramists to explore these exciting mediums. The book explains a new way of working with bone china, a clay body created by the addition of bone ash to porcelain. With the introduction of paper pulp the clay is transformed, allowing freedom of expression through hand-building that was previously impossible and allowing the potter to take full advantage of its whiteness and translucency. Gorgeous photography throughout demonstrates how ceramicists around the world are able to create extraordinary pieces that ripple and bend light.
Mellor covers the main methods of working with bone china, including mould-making and slipcasting, along with techniques that have allowed her to play with the transparency and surface of clay. Decorating methods, firing procedures and electrical lighting to maximise translucency are also explored along with stunning images and methods used by other ceramists.
A contemporary guide to creating beautiful, translucent ceramics.Arvustused
This book is an excellent source of guidance and reference for those wishing to push their limits. -- Jackie Harrop * Chiltern Potters Guild * [ Angela Mellor] has become the foremost expert in translucent bone china and paperclay, and in this book she shares all that knowledge with the reader. * Anglian Potters *
Muu info
A contemporary guide to creating beautiful, translucent ceramics.
Foreword by Peter Lane
Introduction
1. A brief history of porcelain
2. Early work and research
3. Methodology
4. Paperclay
5. Inspiration and design
6. Lighting
7. My work since 2006
Bibliography
Glossary
Acknowledgements
Index
Angela Mellor started working in bone china in 1991. Moving to Australia in 1995, she conducted research at the University of Tasmania, Hobart, and completed an MA at Monash University, Melbourne in 2000. During this time she pioneered the use of bone china paperclay, gaining honourable mentions in Japan and Korea. Angela set up a studio in Perth in 2000 and was awarded a Crafts Council Grant to work with a lighting designer, culminating in a solo exhibition at Craftwest. She returned to the UK in 2006 to work in her studio in Cambridgeshire.
