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Macro Photography: From Snapshots to Great Shots [Pehme köide]

  • Formaat: Paperback / softback, 240 pages, kõrgus x laius x paksus: 233x191x11 mm, kaal: 484 g
  • Ilmumisaeg: 02-Apr-2015
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0134057414
  • ISBN-13: 9780134057415
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  • Formaat: Paperback / softback, 240 pages, kõrgus x laius x paksus: 233x191x11 mm, kaal: 484 g
  • Ilmumisaeg: 02-Apr-2015
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0134057414
  • ISBN-13: 9780134057415
Teised raamatud teemal:
Close-up and macro photography is one of the most popular types of photography among digital photographers today. After the big-range zoom,  a macro lens is typically one of the next purchases considered by serious outdoor photographers and amateur photographers looking for close-up capability in all zoom lenses.

Yet hobbyist photographers struggle. Many macro shots just dont make itnot sharp, confusing backgrounds, muddled compositions, misplaced sharpness, and distracting light. Even more advanced photographers find challenges working with depth of field, dealing with light, and using different focal lengths up close.

You need a book that goes beyond the camera manuals to teach you how to select and use various lenses to take great macro shots. This guide by pro photographer Rob Sheppard will help you conquer the fundamentals and capture stunning pictures.

Sheppard starts with the basics. He discusses factors such as depth of field, perspective, and compression and which types of lenses are right for your style of shooting. You will have a better understanding of your equipment and understand your choices for investing in lenses.

Beautifully illustrated with large, compelling photos, this book teaches you how to take control of your photography to get the image you want every time you pick up the camera.
Introduction ix
Welcome to a Special World
Chapter 1 Exploring New Worlds 1(20)
Photography and discovery
Poring Over the Picture
2(2)
World of the Small
4(6)
Sometimes You Just Gotta Get the Close-Up
10(2)
Close-Up and Macro Defined
12(1)
Close-Ups Have Impact
13(2)
Small Cautions
15(3)
Chapter Assignments
18(3)
Chapter 2 How To Get Close 21(24)
The macro lens and beyond
Poring Over the Picture
22(2)
Close-Up Gear
24(1)
Using the Gear You Have
25(2)
Achromatic Close-Up Lenses
27(3)
Extension Tubes
30(3)
Other Options
33(1)
My Gear
34(7)
Shooting Macro in B&W
41(2)
Chapter Assignments
43(2)
Chapter 3 Mastering Macro Sharpness 45(18)
Sharp photos up close require special attention
Poring Over the Picture
46(2)
The Camera Movement Challenge
48(13)
Assignments
61(2)
Chapter 4 Optimal Focusing 63(18)
Focus point, depth of field, and sharpness
Poring Over the Picture
64(2)
The Focusing Challenge
66(5)
The Depth of Field Challenge
71(8)
Chapter Assignments
79(2)
Chapter 5 The Environmental Lens 81(16)
Using wide focal lengths up close
Poring Over the Picture
82(3)
Surroundings and Environment
85(1)
Depth of Field for the Wide Shot
86(2)
Challenging Compositions
88(3)
Depth and Space
91(2)
Watch Your Light
93(2)
Chapter Assignments
95(2)
Chapter 6 Isolation Focal Lengths 97(18)
Using telephoto focal lengths for macro shooting
Poring Over the Picture
98(2)
Macro and Close
100(1)
Flower Portraits
101(2)
Shallow Depth of Field
103(1)
Parallel Focus
104(2)
Pick Your Background
106(2)
Isolation and Emphasis
108(2)
Perspective
110(1)
Working Distance
111(2)
Chapter Assignments
113(2)
Chapter 7 Light On The Close-Up 115(20)
Great possibilities for light up close
Poring Over the Picture
116(2)
We Don't Always See the Light
118(2)
Light Interactions
120(13)
Chapter Assignments
133(2)
Chapter 8 Adding Light On The Close-Up 135(20)
Sometimes you need to bring your own light
Poring Over the Picture
136(2)
Why Use Added Light
138(5)
The Off-Camera Light
143(1)
Working With Flash
144(4)
Flash Exposure
148(1)
Balancing Backgrounds
149(2)
Not Just Flash
151(2)
Chapter Assignments
153(2)
Chapter 9 The Importance Of Backgrounds 155(20)
Pay attention to both your subject and background
Poring Over the Picture
156(2)
Background Is a Choice
158(2)
The Simplified Background
160(2)
The Complex Background
162(4)
Background Distractions
166(3)
The Simple White Background
169(4)
Chapter Assignments
173(2)
Chapter 10 Flowers, Bugs, And Other Subjects 175(43)
Tips and techniques for specific subjects
Poring Over the Picture
176(2)
Flowers
178(8)
Insects
186(8)
Spiders
194(7)
Mosses and Lichens
201(6)
Details and Abstracts
207(7)
Combining the Landscape With the Close-Up
214(2)
Conclusion
216(1)
Chapter Assignments
217(1)
Index 218
Rob Sheppard is a naturalist, nature photographer, and videographer. He lives in Southern California and has created over 40 books related to photography, including Landscape Photography: From Snapshot to Great Shot, The Magic of Digital Landscape Photography, The Magic of Digital Nature Photography, and the National Geographic Field Guide to Digital Photography. He is a speaker and workshop leader, and a Fellow with the North American Nature Photography Association. He was the long-time editor of the prestigious Outdoor Photographer magazine and presently is a contributing editor. Visit his website at robsheppardphoto.com and read his blog at natureandphotography.com.