| Preface |
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xxiii | |
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3 | (2) |
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By His Appearance in San Diego, Gerald Ford Recalls the Bringing Together of Father and Son |
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5 | (1) |
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5 | (2) |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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11 | (2) |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (2) |
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18 | (1) |
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18 | (2) |
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20 | (1) |
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21 | (1) |
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22 | (1) |
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22 | (1) |
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23 | (1) |
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``I had a terror---since September'' |
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24 | (1) |
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24 | (1) |
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25 | (1) |
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25 | (2) |
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27 | (1) |
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The Wild Horses of Assateague Island |
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28 | (1) |
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Watching TV, the Elk Bones Up on Metaphysics |
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29 | (1) |
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30 | (1) |
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The Elk Uncovers the Heavens |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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33 | (1) |
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34 | (1) |
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35 | (1) |
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The Boy Shepherds' Simile |
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36 | (1) |
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Sign for My Father, Who Stressed the Bunt |
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37 | (1) |
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38 | (2) |
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40 | (1) |
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41 | (1) |
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42 | (2) |
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44 | (1) |
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45 | (1) |
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45 | (1) |
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46 | (2) |
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48 | (1) |
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49 | (2) |
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51 | (1) |
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51 | (1) |
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52 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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U-24 Anchors off New Orleans (1938) |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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Berlin-to-Bagdad (Constantinople, 1876) |
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61 | (1) |
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My Grandmother Washes Her Feet |
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62 | (4) |
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66 | (3) |
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My Grandmother Washes Her Vessels |
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69 | (2) |
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71 | (4) |
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My Mother Shoots the Breeze |
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75 | (2) |
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My Father Washes His Hands |
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77 | (2) |
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79 | (1) |
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80 | (1) |
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For the Spreading Laurel Tree |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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84 | (1) |
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85 | (2) |
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87 | (2) |
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89 | (1) |
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90 | (3) |
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93 | (2) |
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95 | (2) |
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97 | (5) |
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False Youth: Autumn: Clothes of the Age |
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102 | (1) |
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103 | (2) |
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Meditation for a Pickle Suite |
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105 | (1) |
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Mr. Turnbill to the Loggerheads |
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106 | (2) |
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108 | (1) |
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109 | (1) |
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110 | (1) |
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111 | (1) |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
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117 | (2) |
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Approaching a Significant Birthday, He Peruses The Norton Anthology of Poetry |
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119 | (1) |
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120 | (2) |
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122 | (1) |
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123 | (1) |
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Maybe Dats Your Pwoblem Too |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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127 | (1) |
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Where the River Jordan Ends |
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128 | (1) |
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The Southern Crescent Was On Time |
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129 | (2) |
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131 | (2) |
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133 | (2) |
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Heat Lightning in a Time of Drought |
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135 | (3) |
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138 | (2) |
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140 | (1) |
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What Shines in Winter Burns |
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141 | (2) |
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Where You Go When She Sleeps |
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143 | (1) |
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144 | (1) |
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145 | (2) |
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147 | (1) |
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148 | (1) |
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Questions for Ecclesiastes |
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148 | (3) |
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151 | (1) |
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152 | (2) |
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154 | (1) |
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155 | (1) |
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156 | (1) |
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157 | (2) |
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Sonnet: The Poet at Seven |
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159 | (1) |
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160 | (1) |
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160 | (1) |
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161 | (1) |
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162 | (2) |
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164 | (2) |
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There Is a Gold Light in Certain Old Paintings |
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166 | (1) |
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167 | (1) |
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168 | (1) |
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The Warden Said to Me the Other Day |
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169 | (1) |
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170 | (1) |
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171 | (1) |
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172 | (1) |
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173 | (1) |
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174 | (1) |
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The Apple Pickers' Children |
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175 | (2) |
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177 | (1) |
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178 | (1) |
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179 | (2) |
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Man Arrested in Hacking Death Tells Police He Mistook Mother-in-Law for Raccoon |
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181 | (1) |
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182 | (1) |
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183 | (1) |
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184 | (1) |
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The Great Man's Death: An Anecdote |
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185 | (1) |
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186 | (1) |
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186 | (1) |
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187 | (1) |
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188 | (1) |
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189 | (1) |
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190 | (6) |
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196 | (2) |
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Hauling Over Wolf Creek Pass in Winter |
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198 | (1) |
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199 | (2) |
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201 | (1) |
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202 | (1) |
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203 | (1) |
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203 | (1) |
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204 | (1) |
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Twila Jo and the Wrestler |
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205 | (2) |
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207 | (1) |
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208 | (1) |
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208 | (1) |
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209 | (1) |
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210 | (1) |
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211 | (1) |
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211 | (1) |
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from Love's Bitten Tongue |
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``Lord, hush this ego as one stops a bell'' |
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212 | (1) |
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``Of praying may (in mercy become prayer)'' |
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212 | (1) |
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213 | (1) |
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214 | (1) |
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Rituals Along the Arkansas |
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214 | (2) |
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216 | (1) |
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217 | (1) |
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218 | (1) |
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In the Kingdom of the Air |
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219 | (1) |
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220 | (1) |
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221 | (1) |
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222 | (1) |
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223 | (1) |
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224 | (1) |
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225 | (1) |
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226 | (1) |
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227 | (2) |
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Eulogy for a Snake Handler Killed By a Canebrake |
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229 | (3) |
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232 | (1) |
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233 | (2) |
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235 | (1) |
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235 | (2) |
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Going for Peaches, Fredericksburg, Texas |
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237 | (2) |
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239 | (2) |
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241 | (1) |
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``In These Houses of Swift Easy Women'' |
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242 | (1) |
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242 | (5) |
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247 | (1) |
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248 | (1) |
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249 | (2) |
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Concepts and Their Bodies (The Boy in the Field Alone) |
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251 | (1) |
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A Giant Has Swallowed the Earth |
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252 | (1) |
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The Possible Salvation of Continuous Motion |
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253 | (1) |
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254 | (1) |
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255 | (1) |
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Finding the Tattooed Lady in the Garden |
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256 | (1) |
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Rolling Naked in the Morning Dew |
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257 | (2) |
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259 | (1) |
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260 | (1) |
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Lost Letter to James Wright, With Thanks for a Map of Fano |
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260 | (2) |
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262 | (1) |
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For a Suicide, a Little Early Morning Music |
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262 | (2) |
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264 | (1) |
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264 | (2) |
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266 | (1) |
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267 | (1) |
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Dinner at the Mongoloid's |
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267 | (1) |
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It All Comes Together Outside the Restroom in Hogansville |
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268 | (1) |
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When Our Voices Broke Off |
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269 | (2) |
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271 | (1) |
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272 | (2) |
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274 | (1) |
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275 | (1) |
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276 | (1) |
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277 | (3) |
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280 | (1) |
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281 | (1) |
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An Antipastoral Memory of One Summer |
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282 | (1) |
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283 | (1) |
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284 | (1) |
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Watching the News After the Tornados |
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285 | (1) |
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A Lament for the Dead Pets of Our Childhood |
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286 | (1) |
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287 | (1) |
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288 | (2) |
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290 | (1) |
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291 | (1) |
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292 | (1) |
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Allegory of Death and Night |
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292 | (1) |
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293 | (2) |
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295 | (4) |
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To Laura Phelan: 1880--1906 |
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299 | (1) |
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Day Begins at Governor's Square Mall |
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300 | (2) |
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Senor Wences and the Man in the Box |
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302 | (2) |
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304 | (1) |
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305 | (1) |
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306 | (1) |
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306 | (2) |
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308 | (3) |
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311 | (1) |
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At the Grave of E. A. Robinson |
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312 | (1) |
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312 | (1) |
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313 | (2) |
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In Memory of Brother Dave Gardner |
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315 | (1) |
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316 | (1) |
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We Kept Missing Each Other |
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317 | (2) |
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319 | (1) |
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320 | (1) |
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321 | (1) |
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322 | (1) |
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323 | (1) |
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323 | (1) |
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Landscape, Dense with Trees |
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324 | (1) |
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325 | (2) |
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327 | (1) |
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328 | (2) |
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330 | (1) |
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331 | (1) |
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332 | (1) |
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333 | (1) |
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334 | (1) |
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335 | (1) |
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336 | (1) |
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337 | (1) |
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338 | (2) |
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340 | (1) |
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341 | (1) |
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342 | (1) |
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Dr. Ezekiel MacAllister, Missionary to the Heathen, Delivers A Film Lecture at the Sunday Night Service of the First Methodist Church, Selma, Alabama |
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343 | (2) |
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A Local Man Goes to the Killing Ground |
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345 | (1) |
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A Local Man Remembers Betty Fuller |
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346 | (1) |
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A Local Contractor Flees His Winter Trouble and Saves Some Lives in a Knoxville Motel Room |
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346 | (1) |
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Long Tour: the Country Music Star Explains Why He Put off the Bus and Fired a Good Lead Guitar in West Texas |
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347 | (1) |
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348 | (1) |
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348 | (2) |
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350 | (1) |
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351 | (2) |
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Why God Permits Evil: For Answers to This Question of Interest to Many Write Bible Answers Dept. E--7 |
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353 | (2) |
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355 | (1) |
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On a Photograph of My Mother at Seventeen |
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356 | (1) |
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357 | (1) |
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The Aging Actress Sees Herself a Starlet on the Late Show |
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358 | (1) |
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359 | (2) |
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Jonathan Confronts the Question |
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361 | (1) |
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362 | (1) |
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363 | (1) |
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363 | (1) |
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364 | (1) |
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More Blues and the Abstract Truth |
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364 | (2) |
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366 | (1) |
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367 | (1) |
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367 | (1) |
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368 | (1) |
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368 | (3) |
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The Other Side of the River |
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371 | (3) |
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374 | (1) |
| Index of Titles |
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375 | |