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11 | (28) |
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11 | (3) |
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An introduction to the corpus of examples |
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14 | (4) |
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Alan Paton and his context |
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18 | (2) |
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Description of the context of culture of the novels |
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20 | (2) |
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Description of the context of situation of the novels |
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22 | (2) |
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Approaching the variables of field, tenor and mode |
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24 | (3) |
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Synopsis of the novel Cry, the Beloved Country (1948) |
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27 | (3) |
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Synopsis of the novel Too Late the Phalarope (1955) |
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30 | (4) |
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Synopsis of the novel Ah, But Your Land Is Beautiful (1981) |
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34 | (5) |
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Syntactic Processes of Thematization in English |
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39 | (100) |
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39 | (35) |
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Definition. Formal aspects |
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39 | (9) |
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The Focus or highlighted element |
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48 | (3) |
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Functional aspects. Aspects of use |
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51 | (11) |
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Use of the structure at climactic moments |
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62 | (2) |
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Use of the structure to talk about feelings |
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64 | (2) |
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Use of the structure to emphasize and contrast |
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66 | (6) |
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72 | (2) |
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Reversed pseudo-cleft sentence |
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74 | (11) |
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Definition. Formal aspects |
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74 | (6) |
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Functional aspects. Aspects of use |
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80 | (4) |
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84 | (1) |
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85 | (34) |
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Definition. Formal aspects |
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85 | (8) |
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Functional aspects. Aspects of use |
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93 | (5) |
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Use of the structure at climatic moments |
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98 | (1) |
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Use of the structure to talk about feelings |
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99 | (5) |
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Use of the structure to emphasize, to contrast and to establish a frame of reference |
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104 | (4) |
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108 | (3) |
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Functional aspects. Aspects of use |
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111 | (5) |
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Use of the structure at climatic moments |
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116 | (2) |
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118 | (1) |
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119 | (11) |
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Definition. Formal aspects |
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119 | (3) |
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Functional aspects. Aspects of use |
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122 | (5) |
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Use of the structure to express feelings |
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127 | (1) |
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128 | (1) |
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129 | (1) |
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130 | (9) |
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Definition. Formal aspects |
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130 | (3) |
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133 | (2) |
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Functional aspects. Aspects of use |
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135 | (2) |
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137 | (2) |
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Syntactic Processes of Postposition in English |
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139 | (124) |
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139 | (28) |
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Definition. Formal aspects |
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139 | (6) |
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Functional aspects. Aspects of use |
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145 | (8) |
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Use of the structure at climactic moments |
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153 | (5) |
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Use of the structure to talk about feelings and to refer to reality with emotion |
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158 | (2) |
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Ways of alternating and corresponding, and restrictions between the active and the passive constructions |
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160 | (6) |
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166 | (1) |
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167 | (15) |
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Definition. Formal aspects |
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167 | (3) |
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170 | (5) |
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Functional aspects. Aspects of use. Selecting between extraposition or non-extraposition |
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175 | (4) |
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Use of the structure at climactic moments |
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179 | (2) |
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181 | (1) |
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182 | (37) |
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Definition. Formal aspects |
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182 | (5) |
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187 | (1) |
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187 | (5) |
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The verb in the existential sentence |
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192 | (2) |
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The nominal group in the existential sentence |
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194 | (7) |
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Functional aspects. Aspects of use |
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201 | (8) |
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Use of the structure at climactic moments |
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209 | (4) |
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Use of the structure to talk about feelings |
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213 | (2) |
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Use of the structure to talk about religious ideas |
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215 | (2) |
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217 | (2) |
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219 | (25) |
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Definition. Formal aspects |
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219 | (13) |
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Functional aspects. Aspects of use |
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232 | (10) |
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242 | (2) |
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244 | (7) |
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Definition. Formal aspects |
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244 | (5) |
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Functional aspects. Aspects of use |
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249 | (1) |
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250 | (1) |
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251 | (12) |
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Definition. Formal aspects |
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251 | (4) |
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Functional aspects. Aspects of use |
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255 | (5) |
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260 | (3) |
Concusions |
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263 | (10) |
Bibliography |
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273 | |