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Manga's Cultural Crossroads [Pehme köide]

Edited by (Kyoto Seika University, Japan), Edited by (University of Tübingen, Germany)
  • Formaat: Paperback / softback, 270 pages, kõrgus x laius: 229x152 mm, kaal: 408 g, 10 Tables, black and white; 36 Halftones, black and white; 36 Illustrations, black and white
  • Sari: Routledge Advances in Art and Visual Studies
  • Ilmumisaeg: 08-Nov-2016
  • Kirjastus: Routledge
  • ISBN-10: 1138243337
  • ISBN-13: 9781138243330
Teised raamatud teemal:
  • Formaat: Paperback / softback, 270 pages, kõrgus x laius: 229x152 mm, kaal: 408 g, 10 Tables, black and white; 36 Halftones, black and white; 36 Illustrations, black and white
  • Sari: Routledge Advances in Art and Visual Studies
  • Ilmumisaeg: 08-Nov-2016
  • Kirjastus: Routledge
  • ISBN-10: 1138243337
  • ISBN-13: 9781138243330
Teised raamatud teemal:

Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.

Arvustused

'This is a timely collection that explores a burgeoning area of enquiry in an interesting and original manner. The chapters address a range of relevant topics for anyone interested in the study and history of manga, as well as addressing the adaptation of manga in different media.' - Matthew Green, Associate Professor, University of Nottingham

'Focusing on intercultural and transcultural issues, this collection presents a relatively unified picture despite the varying complexity of the essays. The second half of the volume is particularly cohesive: it offers analyses of the popular manga and anime Naruto. Though most of the contributions offer at least some literary or media theory suitable only for specialists, a few of the essays are approachable by nonspecialists: these include the preeminent Frederik Schodt's contribution on North America, Yamanaka Chie's discussion of Korea, and essays that offer novel but basic treatments of a variety of issues. And Bettina Kummerling-Meibauer contributes an intriguing chapter on the influence of comics and manga on picture books. The contributors are faculty or hold postdoctoral positions in academic or cultural institutions throughout the world. Overall the collection makes a great argument for further studies of manga. Those interested in Asian studies, media studies, and advanced literary studies will benefit most from this book. Summing Up: Recommended.' J.J. Meier, CHOICE

List of Figures
vii
List of Tables
ix
Acknowledgments xi
Introduction: Studying Manga across Cultures 1(18)
Jaqueline Berndt
Bettina Kummerling-Meibauer
PART 1 Cross-Cultural Perspectives on Manga
1 The View from North America: Manga as Late-Twentieth-Century Japonisme?
19(8)
Frederik L. Schodt
2 Manga as Schism: Kitazawa Rakuten's Resistance to "Old-Fashioned" Japan
27(23)
Ronald Stewart
3 Tatsumi Yoshihiro's Gekiga and the Global Sixties: Aspiring for an Alternative
50(15)
Shige (Cj) Suzuki
4 The Intercultural Challenge of the "Mangaesque": Reorienting Manga Studies after 3/11
65(20)
Jaqueline Berndt
5 Manhwa in Korea: (Re-)Nationalizing Comics Culture
85(15)
Yamanaka Chie
6 Manga/Comics Hybrids in Picturebooks
100(21)
Bettina Kummerling-Meibauer
7 Tentacles, Lolitas, and Pencil Strokes: The Parodist Body in European and Japanese Erotic Comics
121(22)
Elisabeth Klar
8 Social Networking Services as Platforms for Transcultural Fannish Interactions: DeviantART and Pixiv
143(20)
Nele Noppe
PART 2 "Naruto" as Cultural Crossroads
9 "Naruto" as a Typical Weekly Magazine Manga
163(9)
Omote Tomoyuki
10 Women in "Naruto", Women Reading "Naruto"
172(20)
Fujimoto Yukari
11 Fanboys and "Naruto" Epics: Exploring New Ground in Fanfiction Studies
192(17)
Jessica Bauwens-Sugimoto
Nora Renka
12 The Traditional Naruto (Maelstrom) Motif in Japanese Culture
209(11)
Franziska Ehmcke
13 Auteur and Anime as Seen in the Naruto TV Series: An Intercultural Dialogue between Film Studies and Anime Research
220(23)
Gan Sheuo Hui
14 Playing "Naruto": Between Metanarrative Characters, Unit Operations, and Objects
243(16)
Martin Roth
Editors and Contributors 259(6)
Index 265
Jaqueline Berndt is Full Professor in Comics Theory at the Graduate School of Manga Studies, Kyoto Seika University, Japan.

Bettina Kümmerling-Meibauer is Professor in the German Department at the University of Tübingen, Germany.