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Marking Time: Objects, People, and Their Lives, 1500-1800 [Kõva köide]

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  • Formaat: Hardback, 512 pages, kõrgus x laius: 264x200 mm, 460 color + b-w illus.
  • Ilmumisaeg: 10-Nov-2020
  • Kirjastus: Yale University Press
  • ISBN-10: 0300254105
  • ISBN-13: 9780300254105
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  • Formaat: Hardback, 512 pages, kõrgus x laius: 264x200 mm, 460 color + b-w illus.
  • Ilmumisaeg: 10-Nov-2020
  • Kirjastus: Yale University Press
  • ISBN-10: 0300254105
  • ISBN-13: 9780300254105
"How do we measure the days of our lives? Marking Time considers that profound question in the context of early modern Britain. The period from 1500 to 1800 was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded.

An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects

The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment&;for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects&;and the stories they tell&;offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain.


An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects

Arvustused

"A change of focus reveals the design, the beauty, the meaning, and often the life stories, of this collection of bric-a-brac."Historic House

The attention to detail, both in the archival research and the aesthetic presentation, make it a beautiful object and an impressive resource, one that at the present time, especially, stands as a fitting testament to the ongoing human determination to create, to mark time, and to endure.Christina J. Faraday, Apollo Magazine  

"The editors and authors are to be commended for the wonderful book they have written, and for the dedication, sensitivity, and nuance with which they have approached the humble yet delightful objects in their care.Francesca Kaes, Journal 18

. . . an ambitious exploration of a subject that has rarelyperhaps neverbeen addressed by design historians.Ellenor Alcorn, Magazine Antiques

Director's Foreword 6(3)
Courtney J. Martin
Preface 9(10)
Edward Town
Maps & Key To Places
15(4)
Introduction: Past Times Temporalities in Early Modem England 19(16)
Keith Wrightson
Running Like Clockwork? Objects and "Early Modern" Time
35(8)
Glenn Adamson
Marking Transatlantic Time Accounting for Slavery in Britain and the Caribbean
43(14)
Justin M. Brown
Narrative Time The Intersecting Lives of Early Modern Objects
57(12)
Gavi Levy Haskell
Time, Measurement, and Authority Regulating Early Modern Society with Dated Objects
69(14)
Angela McShane
Artisanal Time Cumulative, Partially Invisible, Nonlinear, and Episodic
83(8)
Edward S. Cooke Jr.
Stopping Time The Material Culture of Death and Commemoration
91(15)
Nathan Flis
Catalogue Of Objects
Introduction To The Catalogue
106(5)
I Childhood & Youth
111(40)
II Courtship & Marriage
151(40)
III Hearth & Household
191(60)
IV Fashion & Friendship
251(98)
V Crown & Church
349(34)
VI Power & Dominion
383(36)
VII Measurement & Law
419(46)
VIII Death & Legacy
465(26)
Afterword: A Reflection On The Collector 491(3)
Jenny Saunt
Chronology Of Objects & Historical Timeline 494(16)
Index Of Objects 510(4)
Index Of Known Makers, Skills & Trades 514(2)
Acknowledgments 516(2)
Photography & Illustration Credits 518
Edward Town is head of collections information and access and assistant curator of early modern art at the Yale Center for British Art. Angela McShane is head of research development, theWellcome Collection, London.