Introduction |
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xix | |
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Setting Up Sibelius 5 for the First Time |
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1 | (30) |
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2 | (10) |
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Activating MIDI Input Devices |
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4 | (3) |
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Activating Sibelius Sounds Essentials |
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7 | (2) |
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Fine-Tuning Your Audio Settings |
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9 | (3) |
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Quick Start to a New Score |
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12 | (9) |
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13 | (1) |
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Adding Additional Instruments to Any Manuscript Paper |
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14 | (1) |
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15 | (2) |
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17 | (2) |
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19 | (1) |
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19 | (2) |
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21 | (10) |
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21 | (2) |
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23 | (2) |
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Onscreen Helpers (Tool Windows) |
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25 | (6) |
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31 | (45) |
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32 | (30) |
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33 | (14) |
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Computer (Alphabetic) Keyboard Input |
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47 | (2) |
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Stap-Time MIDI (Keyboard) Input |
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49 | (4) |
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53 | (9) |
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62 | (14) |
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62 | (3) |
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65 | (1) |
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65 | (11) |
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Creating Basic Score Elements |
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76 | (21) |
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68 | (20) |
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68 | (1) |
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69 | (3) |
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72 | (2) |
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Adding/Changing Key Signatures |
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74 | (3) |
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Removing/Hiding Key Signatures |
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77 | (1) |
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Adding/Changing the Time Signature |
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78 | (3) |
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81 | (1) |
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82 | (3) |
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85 | (3) |
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Changing Instruments/Staves |
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88 | (9) |
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89 | (3) |
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92 | (3) |
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95 | (2) |
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Creating More Score Elements |
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97 | (30) |
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Creating Expression Markings |
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98 | (13) |
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100 | (4) |
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104 | (1) |
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105 | (3) |
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Repositioning and Alignment |
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108 | (3) |
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Creating Technique Markings |
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111 | (3) |
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113 | (1) |
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114 | (2) |
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Other Ways to Select Notes |
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115 | (1) |
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116 | (1) |
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116 | (1) |
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116 | (4) |
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117 | (1) |
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118 | (2) |
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120 | (1) |
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Creating Rehearsal Markings |
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121 | (6) |
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Smart Markings and Moving |
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123 | (1) |
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124 | (3) |
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127 | (32) |
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128 | (18) |
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128 | (8) |
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136 | (8) |
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Importing Lyrics from a Text File |
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144 | (2) |
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146 | (3) |
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146 | (2) |
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148 | (1) |
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149 | (5) |
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Editing/Creating Your Own Frames |
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152 | (2) |
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Creating Bar Number Changes |
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154 | (1) |
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155 | (2) |
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157 | (2) |
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View and Printing Options |
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157 | (2) |
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Instrument-Specific Notation |
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159 | (36) |
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160 | (16) |
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160 | (1) |
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161 | (3) |
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164 | (1) |
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165 | (2) |
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Guitar Arpeggio Indications |
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167 | (1) |
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Guitar Barre Chord/Position Indications |
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168 | (1) |
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168 | (3) |
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171 | (2) |
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173 | (3) |
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176 | (9) |
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176 | (2) |
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178 | (2) |
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Percussion Staves and MIDI |
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180 | (3) |
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183 | (2) |
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185 | (3) |
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185 | (2) |
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187 | (1) |
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187 | (1) |
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188 | (3) |
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188 | (1) |
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189 | (2) |
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191 | (4) |
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193 | (2) |
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Properties, Editing, and Filtering |
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195 | (32) |
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196 | (4) |
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196 | (2) |
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Transposing by Interval or Key |
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198 | (2) |
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200 | (3) |
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200 | (1) |
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F11: Articulations and Fermati |
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201 | (1) |
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202 | (1) |
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203 | (9) |
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204 | (1) |
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205 | (1) |
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206 | (2) |
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208 | (1) |
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209 | (2) |
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211 | (1) |
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212 | (15) |
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212 | (2) |
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214 | (2) |
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216 | (1) |
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217 | (2) |
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219 | (6) |
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Other Uses: Advanced Filter |
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225 | (1) |
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225 | (2) |
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House Styles and Engraving Rules |
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227 | (24) |
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Where Do House Styles Live? |
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228 | (2) |
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229 | (1) |
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The Included House Styles |
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230 | (1) |
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231 | (8) |
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232 | (1) |
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233 | (1) |
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234 | (1) |
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235 | (1) |
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236 | (3) |
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239 | (1) |
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239 | (2) |
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241 | (2) |
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242 | (1) |
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243 | (1) |
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Text Styles Vertical Positions |
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244 | (1) |
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245 | (3) |
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Importing and Exporting House Styles |
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248 | (2) |
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250 | (1) |
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Document Layout and Formatting |
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251 | (36) |
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252 | (2) |
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254 | (15) |
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254 | (2) |
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256 | (1) |
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Glossary of Layout Markings |
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257 | (1) |
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258 | (2) |
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260 | (1) |
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261 | (1) |
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262 | (1) |
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262 | (1) |
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262 | (2) |
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264 | (1) |
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264 | (1) |
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265 | (4) |
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269 | (1) |
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When Bad Layouts Happen to Good Music |
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270 | (17) |
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Issue: Rehearsal Marks Are Crashing into Other Symbols |
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272 | (1) |
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Issue: Rehearsal Markings Are Not Needed above the Piano Part |
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272 | (2) |
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Issue: Chord Symbols Are Not Aligned |
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274 | (1) |
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Issue: Not Enough Room between Staves |
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274 | (3) |
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Issue: Note Spacing Isn't Right |
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277 | (1) |
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Issue: Too Many Measures on Each System |
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277 | (3) |
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Issue: Bar Numbers Are Present with Rehearsal Markings |
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280 | (1) |
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280 | (5) |
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285 | (2) |
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287 | (16) |
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288 | (6) |
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What a Part Is and What It Isn't |
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290 | (1) |
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290 | (1) |
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290 | (3) |
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293 | (1) |
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294 | (1) |
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294 | (6) |
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295 | (1) |
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295 | (1) |
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295 | (2) |
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297 | (1) |
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298 | (1) |
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299 | (1) |
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300 | (1) |
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301 | (2) |
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303 | (18) |
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304 | (3) |
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307 | (1) |
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308 | (3) |
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309 | (1) |
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310 | (1) |
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311 | (1) |
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312 | (3) |
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313 | (2) |
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315 | (1) |
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Getting Ideas into Your Score |
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315 | (1) |
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316 | (1) |
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317 | (1) |
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318 | (3) |
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Playback and Virtual Instruments |
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321 | (42) |
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The Three Levels of Playback |
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322 | (1) |
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323 | (11) |
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Sibelius Sounds Essentials |
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323 | (1) |
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324 | (1) |
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325 | (2) |
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Using Built-In Sounds (My Computer Isn't Fast Enough) |
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327 | (1) |
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What Will Sibelius Play Back? |
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328 | (2) |
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330 | (2) |
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332 | (1) |
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333 | (1) |
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334 | (14) |
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Understanding Virtual Instruments |
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334 | (3) |
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337 | (3) |
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340 | (1) |
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340 | (4) |
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344 | (4) |
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348 | (14) |
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348 | (1) |
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349 | (4) |
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Understanding Effects Buses |
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353 | (1) |
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353 | (6) |
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359 | (2) |
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361 | (1) |
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361 | (1) |
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362 | (1) |
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Composing to Video in Sibelius |
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363 | (16) |
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364 | (2) |
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366 | (1) |
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367 | (2) |
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369 | (3) |
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Creating a Hit Point Stave |
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372 | (1) |
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373 | (1) |
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373 | (1) |
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Adding Audio Instead of Video |
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374 | (1) |
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Syncing an Audio File to a Score |
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375 | (4) |
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Scanning and the Arrange Feature |
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379 | (40) |
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380 | (12) |
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380 | (1) |
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381 | (1) |
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381 | (2) |
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383 | (1) |
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384 | (3) |
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387 | (2) |
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389 | (1) |
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390 | (1) |
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When Your Scanned File Looks Bad |
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391 | (1) |
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392 | (1) |
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Getting Started with Arrange |
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392 | (9) |
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393 | (2) |
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395 | (4) |
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Some Points about Arrange |
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399 | (2) |
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Worksheets and the Worksheet Creator |
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401 | (1) |
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What is the Worksheet Creator? |
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402 | (2) |
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How Is the Material Organized? |
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404 | (9) |
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How Are Templates Different? |
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413 | (2) |
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Can I Add My Own Worksheets? |
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415 | (1) |
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How Do I Edit Worksheets? |
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415 | (2) |
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Where Can I Go to Find More? |
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417 | (1) |
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418 | (1) |
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419 | (18) |
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420 | (1) |
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When Should I Use a Plug-In? |
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420 | (1) |
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420 | (14) |
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Composing Tools: Add Simple Harmony |
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422 | (1) |
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Composing Tools: Explode/Reduce |
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423 | (3) |
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Composing Tools: Fit Selection to Time |
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426 | (1) |
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Notes and Rests: Add Slash Noteheads for Parts |
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427 | (1) |
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Other: Add Note Names to Noteheads |
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427 | (2) |
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Other: Set Metronome Mark |
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429 | (1) |
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Proof-reading: Check for Parallel 5ths/8ves |
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429 | (1) |
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Simplify Notation: Change Split Point |
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430 | (1) |
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Simplify Notation: Renotate Performance |
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431 | (2) |
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433 | (1) |
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434 | (1) |
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434 | (2) |
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Where to Request a Plug-In |
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436 | (1) |
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436 | (1) |
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437 | (18) |
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Saving Custom Manuscript Paper |
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438 | (1) |
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439 | (8) |
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439 | (1) |
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440 | (1) |
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441 | (1) |
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442 | (2) |
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444 | (1) |
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445 | (1) |
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446 | (1) |
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447 | (1) |
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447 | (1) |
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448 | (1) |
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448 | (1) |
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448 | (4) |
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452 | (3) |
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455 | (18) |
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456 | (4) |
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460 | (3) |
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460 | (1) |
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461 | (2) |
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463 | (1) |
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463 | (1) |
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464 | (1) |
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Copy and paste to Word (or Other Programs) |
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465 | (1) |
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466 | (2) |
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468 | (1) |
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469 | (4) |
Index |
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473 | |