Introduction |
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xiii | |
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Chapter 1 Setting Up Sibelius 6 for the First Time |
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1 | (30) |
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2 | (9) |
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Activating MIDI Input Devices |
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4 | (3) |
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Activating Sibelius Sounds Essentials |
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7 | (2) |
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Fine-Tuning Your Audio Settings |
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9 | (2) |
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Quick Start to a New Score |
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11 | (8) |
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12 | (1) |
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Adding Additional Instruments to Any Manuscript Paper |
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13 | (2) |
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15 | (1) |
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15 | (3) |
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18 | (1) |
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19 | (1) |
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19 | (12) |
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20 | (2) |
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22 | (3) |
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Onscreen Helpers (Tool Windows) |
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25 | (6) |
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31 | (36) |
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32 | (30) |
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33 | (13) |
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Computer (Alphabetic) Keyboard Input |
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46 | (2) |
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48 | (2) |
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50 | (1) |
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Step-Time MIDI (Keyboard) Input |
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50 | (3) |
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53 | (9) |
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62 | (5) |
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62 | (1) |
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63 | (1) |
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64 | (1) |
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65 | (2) |
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Chapter 3 Creating Basic Score Elements |
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67 | (30) |
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68 | (19) |
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68 | (1) |
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69 | (3) |
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72 | (2) |
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Adding/Changing Key Signatures |
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74 | (3) |
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Removing/Hiding Key Signatures |
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77 | (1) |
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Adding/Changing the Time Signature |
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77 | (3) |
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80 | (1) |
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81 | (3) |
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84 | (3) |
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Changing Instruments/Staves |
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87 | (10) |
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87 | (4) |
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91 | (2) |
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93 | (4) |
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Chapter 4 Creating More Score Elements |
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97 | (26) |
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Creating Expression Markings |
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98 | (9) |
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100 | (1) |
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100 | (1) |
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101 | (3) |
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Repositioning and Alignment |
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104 | (3) |
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Creating Technique Markings |
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107 | (3) |
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108 | (2) |
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110 | (2) |
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Other Ways to Select Notes |
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112 | (1) |
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112 | (1) |
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113 | (1) |
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113 | (3) |
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114 | (1) |
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115 | (1) |
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116 | (2) |
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Creating Rehearsal Markings |
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118 | (5) |
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Smart Markings and Moving |
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120 | (1) |
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120 | (3) |
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Chapter 5 Creating Everything Else |
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123 | (24) |
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124 | (14) |
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124 | (6) |
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130 | (6) |
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Importing Lyrics from a Text File |
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136 | (2) |
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138 | (3) |
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138 | (2) |
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140 | (1) |
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Creating Bar Number Changes |
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141 | (2) |
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143 | (1) |
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144 | (3) |
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View and Printing Options |
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145 | (2) |
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Chapter 6 Instrument-Specific Notation |
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147 | (30) |
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148 | (12) |
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148 | (1) |
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149 | (2) |
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151 | (1) |
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152 | (1) |
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Guitar Arpeggio Indications |
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153 | (1) |
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Guitar Barre Chord/Position Indications |
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153 | (1) |
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154 | (2) |
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156 | (2) |
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158 | (2) |
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160 | (7) |
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161 | (1) |
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162 | (2) |
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Percussion Staves and MIDI |
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164 | (2) |
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166 | (1) |
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167 | (3) |
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168 | (1) |
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169 | (1) |
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169 | (1) |
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170 | (2) |
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170 | (1) |
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171 | (1) |
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172 | (5) |
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174 | (3) |
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Chapter 7 Properties, Editing, and Filtering |
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177 | (32) |
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178 | (3) |
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178 | (2) |
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Transposing by Interval or Key |
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180 | (1) |
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181 | (4) |
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181 | (1) |
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F10: Articulations and Fermati |
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182 | (1) |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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185 | (9) |
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186 | (1) |
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187 | (1) |
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187 | (2) |
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189 | (2) |
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191 | (1) |
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192 | (2) |
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194 | (15) |
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194 | (1) |
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195 | (2) |
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197 | (1) |
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198 | (2) |
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200 | (5) |
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Other Uses: Advanced Filter |
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205 | (1) |
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206 | (3) |
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Chapter 8 House Styles and Engraving Rules |
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209 | (20) |
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Where Do House Styles Live? |
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210 | (2) |
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211 | (1) |
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The Included House Styles |
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212 | (1) |
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213 | (5) |
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213 | (1) |
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214 | (1) |
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214 | (1) |
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215 | (1) |
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215 | (3) |
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218 | (1) |
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218 | (2) |
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220 | (2) |
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221 | (1) |
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222 | (1) |
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Text Styles Vertical Positions |
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222 | (1) |
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223 | (2) |
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Importing and Exporting House Styles |
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225 | (2) |
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227 | (2) |
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Chapter 9 Document Layout and Formatting |
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229 | (16) |
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230 | (2) |
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232 | (10) |
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232 | (2) |
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234 | (1) |
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235 | (1) |
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236 | (1) |
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Glossary of Layout Markings |
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236 | (1) |
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236 | (2) |
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238 | (1) |
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238 | (1) |
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238 | (1) |
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239 | (1) |
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240 | (1) |
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241 | (1) |
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242 | (3) |
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245 | (14) |
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246 | (6) |
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What a Part Is and What It Isn't |
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248 | (1) |
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248 | (1) |
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249 | (1) |
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250 | (1) |
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250 | (2) |
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252 | (5) |
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252 | (1) |
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253 | (1) |
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253 | (1) |
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254 | (1) |
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255 | (1) |
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256 | (1) |
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257 | (1) |
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258 | (1) |
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Chapter 11 Versions and Comments |
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259 | (12) |
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260 | (1) |
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260 | (2) |
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262 | (2) |
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264 | (3) |
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267 | (4) |
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268 | (1) |
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268 | (1) |
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269 | (1) |
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269 | (1) |
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Changing the Username Displayed in a Comment |
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269 | (2) |
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Chapter 12 Playback and Virtual Instruments |
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271 | (48) |
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The Three Levels of Playback |
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273 | (1) |
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273 | (15) |
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Sibelius Sounds Essentials |
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273 | (1) |
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274 | (2) |
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276 | (2) |
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Using Built-in Sounds (My Computer Isn't Fast Enough) |
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278 | (1) |
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What Will Sibelius Play Back? |
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279 | (1) |
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Repeat Symbols and Arpeggio Keypad Layout |
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280 | (1) |
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281 | (2) |
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283 | (3) |
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286 | (1) |
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287 | (1) |
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288 | (13) |
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Understanding Virtual Instruments |
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288 | (2) |
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290 | (3) |
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293 | (1) |
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294 | (3) |
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297 | (4) |
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301 | (18) |
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302 | (1) |
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303 | (4) |
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Additional Sound Sets Available |
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307 | (1) |
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Understanding Effects Buses |
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307 | (1) |
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308 | (5) |
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313 | (2) |
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315 | (1) |
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316 | (1) |
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316 | (3) |
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Chapter 13 Composing to Video in Sibelius |
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319 | (12) |
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320 | (2) |
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322 | (1) |
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323 | (2) |
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325 | (2) |
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Creating a Hit Point Stave |
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327 | (1) |
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328 | (1) |
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329 | (1) |
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Adding Audio Instead of Video |
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330 | (1) |
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Chapter 14 PhotoScore, AudioScore, and Arrange |
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331 | (22) |
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332 | (6) |
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332 | (1) |
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333 | (1) |
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333 | (1) |
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334 | (1) |
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334 | (1) |
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335 | (1) |
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336 | (1) |
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337 | (1) |
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When Your Scanned File Looks Bad |
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338 | (1) |
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338 | (1) |
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Getting Started with Arrange |
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339 | (7) |
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339 | (4) |
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343 | (2) |
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Some Points about Arrange |
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345 | (1) |
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346 | (7) |
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346 | (1) |
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Getting Music into AudioScore |
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347 | (1) |
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347 | (2) |
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349 | (1) |
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Inserting Music into an Existing Track |
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349 | (1) |
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Creating a New Track from an Audio File |
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350 | (1) |
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350 | (1) |
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350 | (1) |
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351 | (1) |
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Staff Display and Piano Roll Display |
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351 | (1) |
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352 | (1) |
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Chapter 15 Worksheets and the Worksheet Creator |
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353 | (18) |
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What Is the Worksheet Creator? |
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355 | (3) |
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How Is the Material Organized? |
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358 | (7) |
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How Are Templates Different? |
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365 | (2) |
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Can I Add My Own Worksheets? |
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367 | (1) |
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How Do I Edit Worksheets? |
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368 | (1) |
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Where Can I Go to Find More? |
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369 | (1) |
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370 | (1) |
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Chapter 16 Using Plug-Ins |
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371 | (14) |
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372 | (1) |
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When Should I Use a Plug-In? |
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372 | (1) |
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372 | (10) |
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Composing Tools: Add Simple Harmony |
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374 | (1) |
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Composing Tools: Explode/Reduce |
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375 | (2) |
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Composing Tools: Fit Selection to Time |
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377 | (1) |
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Other: Add Note Names to Noteheads |
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377 | (1) |
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Other: Set Metronome Mark |
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378 | (1) |
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Proof-Reading: Check for Parallel 5ths/8ves |
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379 | (1) |
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Simplify Notation: Change Split Point |
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379 | (1) |
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Simplify Notation: Renotate Performance |
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380 | (1) |
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381 | (1) |
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382 | (1) |
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383 | (1) |
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Where to Request a Plug-In |
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384 | (1) |
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384 | (1) |
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Chapter 17 Customizing Sibelius |
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385 | (18) |
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Saving Custom Manuscript Paper |
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386 | (1) |
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387 | (8) |
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387 | (1) |
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388 | (1) |
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389 | (1) |
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390 | (2) |
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392 | (1) |
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393 | (1) |
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393 | (2) |
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395 | (2) |
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395 | (1) |
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396 | (1) |
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396 | (1) |
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396 | (1) |
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397 | (3) |
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400 | (3) |
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Chapter 18 Importing and Exporting |
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403 | (16) |
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404 | (3) |
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407 | (3) |
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408 | (1) |
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408 | (1) |
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409 | (1) |
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410 | (1) |
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411 | (1) |
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Copy and Paste to Word (or Other Programs) |
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411 | (2) |
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413 | (2) |
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415 | (1) |
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416 | (3) |
Index |
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