|
|
xxii | |
Preface |
|
xxvi | |
Acknowledgments |
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xxxi | |
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The Romantics and Their Contemporaries |
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3 | (75) |
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28 | (12) |
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The Mouse's Petition to Dr. Priestley |
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29 | (1) |
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30 | (1) |
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Inscription for an Ice-House |
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30 | (1) |
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To a Little Invisible Being Who Is Expected Soon to Become Visible |
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31 | (1) |
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Eighteen Hundred and Eleven |
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32 | (8) |
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40 | (8) |
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From Elegiac Sonnets and Other Poems |
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41 | (1) |
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41 | (2) |
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``Sighing I see you little troop at play'' |
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43 | (1) |
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To melancholy. Written on the banks of the Arun October, 1785 |
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43 | (1) |
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43 | (1) |
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44 | (1) |
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45 | (3) |
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48 | (30) |
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50 | (3) |
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Songs of Innocence and of Experience |
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53 | (1) |
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53 | (9) |
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53 | (1) |
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54 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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56 | (1) |
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57 | (1) |
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57 | (1) |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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60 | (1) |
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61 | (1) |
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61 | (1) |
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62 | (16) |
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62 | (1) |
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63 | (1) |
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63 | (1) |
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64 | (1) |
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64 | (2) |
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66 | (1) |
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67 | (1) |
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67 | (2) |
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69 | (1) |
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70 | (1) |
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70 | (1) |
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70 | (1) |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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73 | (1) |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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76 | (1) |
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77 | (1) |
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Perspectives The Abolition of Slavery and the Slave Trade |
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78 | (91) |
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79 | (9) |
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from The Interesting Narrative of the Life of Olaudah Equiano |
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80 | (8) |
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88 | (5) |
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from The History of Mary Prince, a West Indian Slave |
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89 | (4) |
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93 | (6) |
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93 | (6) |
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99 | (1) |
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100 | (1) |
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100 | (5) |
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from a Poem on the Inhumanity of the Slave-Trade |
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101 | (4) |
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105 | (3) |
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Sweet Meat Has Sour Sauce |
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106 | (1) |
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107 | (1) |
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Hannah More and Eaglesfield Smith |
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108 | (77) |
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109 | (76) |
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185 | |
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from Poems Concerning the Slave-Trade |
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114 | (5) |
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119 | (1) |
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from The Grasmere Journals |
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119 | (1) |
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119 | (9) |
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from The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade by the British Parliament |
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120 | (8) |
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128 | (3) |
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128 | (1) |
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129 | (1) |
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129 | (1) |
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130 | (1) |
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Letter to Mary Ann Rawson (C. May 1833) |
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131 | (1) |
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131 | (3) |
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from Abstract of the Information laid on the Table of the House of Commons, on the Subject of the Slave Trade |
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132 | (2) |
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George Gordon, Lord Byron |
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134 | (1) |
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134 | (1) |
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135 | (9) |
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136 | (1) |
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137 | (1) |
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from Sappho and Phaon, in a Series of Legitimate Sonnets |
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138 | (4) |
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139 | (1) |
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Sappho discovers her Passion |
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139 | (1) |
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139 | (1) |
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Rejects the influence of Reason |
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140 | (1) |
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Previous to her Interview with Phaon |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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141 | (1) |
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142 | (2) |
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144 | (18) |
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A Vindication of the Rights of Woman |
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146 | (16) |
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from To M. Talleyrand-Perigord, Late Bishop of Autun |
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146 | (2) |
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148 | (3) |
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from Chapter 1. The Rights and Involved Duties of Mankind Considered |
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151 | (2) |
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from Chapter 2. The Prevailing Opinion of a Sexual Character Discussed |
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153 | (9) |
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162 | (7) |
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162 | (2) |
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A Mother to Her Waking Infant |
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164 | (1) |
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A Child to His Sick Grandfather |
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165 | (1) |
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166 | (2) |
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Song: Woo'd and Married and A' |
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168 | (1) |
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169 | (398) |
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Reliques of Ancient English Poetry |
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170 | (2) |
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171 | (1) |
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172 | (8) |
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173 | (1) |
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174 | (1) |
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175 | (1) |
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176 | (1) |
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176 | (1) |
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177 | (1) |
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178 | (1) |
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178 | (1) |
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The Fornicator. A New Song |
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179 | (1) |
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180 | (1) |
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181 | (1) |
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181 | (2) |
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The harp that once through Tara's halls |
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182 | (1) |
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Believe me, if all those endearing young charms |
|
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182 | (1) |
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The time I've lost in wooing |
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182 | (1) |
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183 | (13) |
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186 | (1) |
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186 | (2) |
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188 | (2) |
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190 | (2) |
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192 | (1) |
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Lines written a few miles above Tintern Abbey |
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193 | (3) |
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Lyrical Ballads (1800, 1802) |
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196 | (83) |
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196 | (12) |
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[ The Principal Object of the Poems. Humble and Rustic Life] |
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198 | (1) |
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[ ``The Spontaneous Overflow of Powerful Feelings''] |
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198 | (2) |
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[ The Language of Poetry] |
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200 | (2) |
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202 | (4) |
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[ ``Emotion Recollected in Tranquillity''] |
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206 | (2) |
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``Strange fits of passion have I known'' |
|
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208 | (1) |
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Song (``She dwelt among th' untrodden ways'') |
|
|
209 | (1) |
|
``A slumber did my spirit seal'' |
|
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209 | (1) |
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|
209 | (2) |
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211 | (1) |
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212 | (2) |
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214 | (16) |
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|
|
Francis Jeffrey: [ ``the new poetry''] |
|
|
225 | (3) |
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Charles Lamb: from a letter to William Wordsworth |
|
|
228 | (1) |
|
Charles Lamb: from a letter to Thomas Manning |
|
|
229 | (1) |
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|
230 | (1) |
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Prefatory Sonnet (``Nuns fret not at their Convent's narrow room'') |
|
|
230 | (1) |
|
Composed upon Westminster Bridge, Sept. 3, 1802 |
|
|
231 | (1) |
|
``The world is too much with us'' |
|
|
231 | (1) |
|
``It is a beauteous Evening'' |
|
|
232 | (1) |
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|
232 | (2) |
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from The Prelude, or Growth of a Poet's Mind |
|
|
234 | (1) |
|
Book First. Introduction, Childhood, and School time |
|
|
234 | (15) |
|
from Book Second. School time continued |
|
|
249 | (2) |
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|
249 | (1) |
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|
249 | (2) |
|
from Book Sixth. Cambridge, and the Alps |
|
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251 | (6) |
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251 | (2) |
|
[ Travelling in the Alps. Simplon Pass] |
|
|
253 | (4) |
|
from Book Ninth. Residence in France |
|
|
257 | (2) |
|
[ Revolution, Royalists, and Patriots] |
|
|
257 | (2) |
|
from Book Tenth. Residence in France and French Revolution |
|
|
259 | (3) |
|
[ The Reign of Terror. Confusion. Return to England] |
|
|
259 | (3) |
|
from Book Eleventh. Imagination, How Impaired and Restored |
|
|
262 | (5) |
|
[ Imagination Restored by Nature] |
|
|
262 | (1) |
|
[ ``Spots of Time.'' Two Memories from Childhood and Later Reflections] |
|
|
263 | (4) |
|
``I travell's among unknown Men'' |
|
|
267 | (1) |
|
Resolution and Independence |
|
|
267 | (4) |
|
``I wandered lonely as a cloud'' |
|
|
271 | (1) |
|
|
272 | (1) |
|
Ode: Intimations of Immortality from Recollections of Early Childhood |
|
|
273 | (5) |
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278 | (1) |
|
|
278 | (1) |
|
|
279 | (12) |
|
|
280 | (2) |
|
|
282 | (2) |
|
When Shall I Tread Your Garden Path? |
|
|
284 | (1) |
|
Lines Written (Rather Say Begun) on the Morning of Sunday April 6th |
|
|
284 | (2) |
|
from The Grasmere Journals |
|
|
286 | (5) |
|
|
286 | (1) |
|
|
287 | (1) |
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|
287 | (1) |
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|
287 | (1) |
|
|
288 | (1) |
|
|
289 | (1) |
|
|
289 | (1) |
|
[ A Beggar Woman from Cockermouth] |
|
|
290 | (1) |
|
[ The Circumstances of ``Composed upon Westminster Bridge''] |
|
|
291 | (1) |
|
|
291 | (56) |
|
Sonnet to the River Otter |
|
|
292 | (1) |
|
|
293 | (1) |
|
This Lime-Tree Bower My Prison |
|
|
294 | (2) |
|
|
296 | (2) |
|
The Rime of the Ancient Mariner (1817) |
|
|
298 | (16) |
|
|
314 | (16) |
|
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330 | (2) |
|
|
332 | (2) |
|
|
334 | (4) |
|
|
338 | (9) |
|
|
338 | (1) |
|
[ Wordsworth's Earlier Poetry] |
|
|
338 | (1) |
|
|
339 | (1) |
|
[ The Profession of Literature] |
|
|
339 | (2) |
|
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341 | (1) |
|
|
341 | (2) |
|
|
343 | (1) |
|
[ Occasion of the Lyrical Ballads---Preface to the Second Edition---The Ensuing Controversy] |
|
|
343 | (2) |
|
[ Philosophic Definitions of a Poem and Poetry] |
|
|
345 | (1) |
|
from Lectures on Shakespeare |
|
|
346 | (1) |
|
[ Mechanic vs. Organic Form] |
|
|
346 | (1) |
|
George Gordon, Lord Byron |
|
|
347 | (120) |
|
|
349 | (1) |
|
So, we'll go no more a-roving |
|
|
350 | (1) |
|
|
351 | (51) |
|
``Manfred'' and Its Time The Byronic Hero |
|
|
386 | (1) |
|
Byron's Earlier Heroes from The Giaour |
|
|
387 | (1) |
|
|
387 | (1) |
|
|
388 | (1) |
|
|
389 | (1) |
|
from Childe Harold's Pilgrimage, Canto the Third [ Napoleon Buonoparte] |
|
|
390 | (2) |
|
Samuel Taylor Coleridge from The Statesman's Manual [ ``Satanic Pride and Rebellious Self-Idolatry''] |
|
|
392 | (1) |
|
Caroline Lamb from Glenarvon |
|
|
393 | (2) |
|
Mary Wollstonecraft Shelley from Frankenstein; or The Modern Prometheus |
|
|
395 | (2) |
|
Felicia Hemans from The Widow of Crescentius |
|
|
397 | (1) |
|
Percy Bysshe Shelley from Preface to Prometheus Unbound from Prometheus Unbound Act 1 |
|
|
398 | (2) |
|
Robert Southey from Preface to a Vision of Judgement |
|
|
400 | (1) |
|
George Gordon, Lord Byron from The Vision of Judgment |
|
|
401 | (1) |
|
Childe Harold's Pilgrimage |
|
|
402 | (1) |
|
|
402 | (4) |
|
[ Thunderstorm in the Alps] |
|
|
402 | (1) |
|
[ Byron's Strained Idealism. Apostrophe to His Daughter] |
|
|
403 | (3) |
|
|
406 | (5) |
|
|
406 | (1) |
|
[ Apostrophe to the Ocean. Conclusion] |
|
|
407 | (4) |
|
|
411 | (1) |
|
|
411 | (4) |
|
|
415 | (47) |
|
from Canto 7 [ Critique of Military ``Glory''] |
|
|
462 | (1) |
|
from Canto 11 [ Juan in England] |
|
|
463 | (3) |
|
Stanzas (``When a man hath no freedom to fight for at home'') |
|
|
466 | (1) |
|
On This Day I Complete My Thirty-Sixth Year |
|
|
466 | (1) |
|
|
467 | (47) |
|
|
469 | (1) |
|
|
470 | (4) |
|
Hymn to Intellectual Beauty |
|
|
474 | (2) |
|
|
476 | (1) |
|
Sonnet: Lift not the painted veil |
|
|
476 | (1) |
|
|
477 | (1) |
|
|
477 | (3) |
|
|
480 | (2) |
|
To---(``Music, when soft voices die'') |
|
|
482 | (1) |
|
|
483 | (15) |
|
|
498 | (3) |
|
|
501 | (3) |
|
Chorus (``Worlds on worlds are rolling ever'') |
|
|
501 | (2) |
|
Chorus (``The world's great age begins anew'') |
|
|
503 | (1) |
|
|
504 | (10) |
|
|
514 | (13) |
|
from Tales, and Historic Scenes, in Verse |
|
|
516 | (1) |
|
Evening Prayer, at a Girls' School |
|
|
516 | (2) |
|
|
518 | (1) |
|
|
519 | (1) |
|
Indian Woman's Death-Song |
|
|
519 | (1) |
|
|
520 | (3) |
|
|
523 | (1) |
|
The Graves of a Household |
|
|
524 | (1) |
|
|
525 | (1) |
|
|
526 | (1) |
|
|
527 | (4) |
|
Written in November (manuscript) |
|
|
529 | (1) |
|
|
529 | (1) |
|
|
529 | (2) |
|
|
531 | (1) |
|
|
531 | (36) |
|
On First Looking into Chapman's Homer |
|
|
534 | (1) |
|
|
534 | (1) |
|
On First Looking into Chapman's Homer |
|
|
534 | (2) |
|
``To one who has been long in city pent'' |
|
|
536 | (1) |
|
On Seeing the Elgin Marbles |
|
|
536 | (1) |
|
On sitting down to read King Lear once again |
|
|
537 | (1) |
|
Sonnet: When I have fears |
|
|
537 | (1) |
|
|
538 | (10) |
|
|
548 | (2) |
|
|
550 | (1) |
|
|
551 | (2) |
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|
553 | (2) |
|
|
555 | (2) |
|
|
557 | (1) |
|
|
558 | (1) |
|
|
559 | (1) |
|
|
560 | (1) |
|
|
561 | (1) |
|
|
561 | (1) |
|
To George and Thomas Keats [ ``intensity'' and ``Negative Capability''] |
|
|
561 | (1) |
|
To Richard Woodhouse [ The ``Camelion Poet'' vs. the ``Egotistical Sublime''] |
|
|
562 | (2) |
|
To Charles Brown [ Keats's Last Letter] |
|
|
564 | (3) |
|
|
567 | (143) |
|
|
591 | (10) |
|
from Gospel of Mammonism [ The Irish Widow] |
|
|
593 | (1) |
|
from Labour [ Know Thy Work] |
|
|
594 | (1) |
|
from Democracy [ Liberty to Die by Starvation] |
|
|
595 | (2) |
|
|
597 | (4) |
|
|
601 | (12) |
|
|
602 | (11) |
|
from Chapter 2. Of the Liberty of Thought and Discussion |
|
|
602 | (3) |
|
from Chapter 3. Of Individuality, as One of the Elements of Well-Being |
|
|
605 | (8) |
|
Elizabeth Barrett Browning |
|
|
613 | (22) |
|
|
615 | (1) |
|
To George Sand: A Recognition |
|
|
616 | (1) |
|
|
616 | (1) |
|
Sonnets from the Portuguese |
|
|
617 | (18) |
|
1 (``I thought once how Theocritus had sung'') |
|
|
617 | (1) |
|
13 (``And wilt thou have me fashion into speech'') |
|
|
618 | (1) |
|
14 (``If thou must love me, let it be for nought'') |
|
|
618 | (1) |
|
21 (``Say over again, and yet once over again'') |
|
|
618 | (1) |
|
22 (``When our two souls stand up erect and strong'') |
|
|
619 | (1) |
|
43 (``How do I love thee? Let me count the ways'') |
|
|
619 | (1) |
|
|
619 | (1) |
|
|
619 | (1) |
|
|
619 | (3) |
|
|
622 | (1) |
|
|
623 | (4) |
|
|
627 | (1) |
|
|
628 | (1) |
|
|
628 | (3) |
|
|
631 | (1) |
|
|
632 | (1) |
|
[ Epic Art and Modern Life] |
|
|
632 | (3) |
|
|
635 | (67) |
|
|
638 | (1) |
|
|
638 | (2) |
|
|
640 | (5) |
|
|
645 | (4) |
|
|
649 | (2) |
|
|
651 | (2) |
|
|
653 | (1) |
|
The Epic [ Morte d'Arthur] |
|
|
653 | (2) |
|
|
655 | (1) |
|
|
655 | (1) |
|
|
656 | (1) |
|
[ The Woman's Cause Is Man's] |
|
|
657 | (2) |
|
from In Memoriam A. H. H. |
|
|
659 | (30) |
|
The Charge of the Light Brigade |
|
|
689 | (2) |
|
|
691 | (1) |
|
|
691 | (10) |
|
|
701 | (1) |
|
Flower in the Crannied Wall |
|
|
701 | (1) |
|
|
701 | (1) |
|
|
702 | (8) |
|
On the Origin of Species by Means of Natural Selection |
|
|
704 | (6) |
|
from Chapter 3. Struggle for Existence |
|
|
704 | (6) |
|
Perspectives Religion and Science |
|
|
710 | (309) |
|
Thomas Babington Macaulay |
|
|
711 | (1) |
|
|
711 | (1) |
|
|
712 | (3) |
|
from Sunday Under Three Heads |
|
|
712 | (3) |
|
|
715 | (3) |
|
from The Life of Jesus Critically Examined |
|
|
715 | (3) |
|
|
718 | (2) |
|
|
718 | (2) |
|
|
720 | (2) |
|
|
720 | (1) |
|
|
721 | (1) |
|
|
721 | (1) |
|
|
722 | (2) |
|
from The Pentateuch and Book of Joshua Critically Examined |
|
|
723 | (1) |
|
John Henry Cardinal Newman |
|
|
724 | (8) |
|
from Apologia Pro Vita Sua |
|
|
725 | (7) |
|
|
732 | (5) |
|
from Evolution and Ethics |
|
|
732 | (5) |
|
|
737 | (5) |
|
|
738 | (4) |
|
|
742 | (40) |
|
|
745 | (2) |
|
Soliloquy of the Spanish Cloister |
|
|
747 | (2) |
|
|
749 | (1) |
|
The Bishop Orders His Tomb at Saint Praxed's Church |
|
|
750 | (3) |
|
|
753 | (1) |
|
|
754 | (1) |
|
|
754 | (2) |
|
|
756 | (1) |
|
|
756 | (2) |
|
``Childe Roland to the Dark Tower Came'' |
|
|
758 | (6) |
|
|
764 | (9) |
|
|
773 | (2) |
|
|
775 | (7) |
|
|
782 | (51) |
|
|
784 | (49) |
|
|
833 | (16) |
|
|
834 | (15) |
|
|
849 | (9) |
|
|
851 | (2) |
|
from Definition of Greatness in Art |
|
|
851 | (1) |
|
from Of Water, As Painted by Turner |
|
|
852 | (1) |
|
The Storm-Cloud of the Nineteenth Century |
|
|
853 | (5) |
|
|
858 | (24) |
|
|
861 | (1) |
|
To Marguerite---Continued |
|
|
862 | (1) |
|
|
863 | (2) |
|
Response Anthony Hecht: The Dover Bitch |
|
|
864 | (1) |
|
Lines Written in Kensington Gardens |
|
|
865 | (1) |
|
|
866 | (2) |
|
|
868 | (6) |
|
|
874 | (8) |
|
|
874 | (2) |
|
|
876 | (4) |
|
from Hebraism and Hellenism |
|
|
880 | (1) |
|
|
881 | (1) |
|
|
882 | (7) |
|
|
884 | (3) |
|
|
887 | (1) |
|
|
887 | (2) |
|
|
887 | (1) |
|
|
888 | (1) |
|
|
888 | (1) |
|
|
889 | (1) |
|
|
889 | (19) |
|
Song (``She sat and sang alway'') |
|
|
891 | (1) |
|
Song (``When I am dead, my dearest'') |
|
|
891 | (1) |
|
|
891 | (1) |
|
|
892 | (1) |
|
|
892 | (1) |
|
|
892 | (1) |
|
|
893 | (1) |
|
|
893 | (1) |
|
|
894 | (1) |
|
|
894 | (13) |
|
|
907 | (1) |
|
Algernon Charles Swinburne |
|
|
908 | (7) |
|
|
909 | (1) |
|
I Will Go Back to the Great Sweet Mother |
|
|
909 | (1) |
|
|
910 | (3) |
|
|
913 | (2) |
|
|
915 | (8) |
|
|
916 | (7) |
|
|
916 | (3) |
|
|
919 | (1) |
|
|
920 | (3) |
|
|
923 | (7) |
|
|
924 | (1) |
|
|
925 | (1) |
|
|
925 | (1) |
|
|
926 | (1) |
|
|
926 | (1) |
|
As Kingfishers Catch Fire |
|
|
927 | (1) |
|
|
927 | (1) |
|
|
928 | (1) |
|
I Wake and Feel the Fell of Dark, Not Day |
|
|
928 | (1) |
|
That Nature Is a Heraclitean Fire and of the Comfort of the Resurrection |
|
|
929 | (1) |
|
Thou Art Indeed Just, Lord |
|
|
929 | (1) |
|
|
930 | (25) |
|
Without Benefit of Clergy |
|
|
931 | (14) |
|
|
945 | (1) |
|
How the Leopard Got His Spots |
|
|
945 | (5) |
|
|
950 | (2) |
|
|
952 | (1) |
|
|
953 | (1) |
|
|
954 | (1) |
|
|
955 | (64) |
|
|
958 | (1) |
|
Response Lord Alfred Douglas: Impression de Nuit |
|
|
958 | (1) |
|
|
959 | (1) |
|
|
960 | (1) |
|
Preface to The Picture of Dorian Gray |
|
|
960 | (1) |
|
The Importance of Being Earnest |
|
|
961 | (41) |
|
|
1002 | (2) |
|
|
1004 | (15) |
|
Companion Reading H. Montgomery Hyde: from The Trials of Oscar Wilde |
|
|
1011 | (8) |
|
|
1019 | (112) |
|
|
1043 | (77) |
|
Preface to The Nigger of the ``Narcissus'' |
|
|
1046 | (2) |
|
|
1048 | (72) |
|
``Heart of Darkness'' and Its Time |
|
|
|
Joseph Conrad: from Congo Diary |
|
|
1104 | (2) |
|
Sir Henry Morton Stanley: from Address to the Manchester Chamber of Commerce |
|
|
1106 | (4) |
|
|
|
Chinua Achebe: An Image of Africa |
|
|
1110 | (9) |
|
Gang of Four: We Live As We Dream, Alone |
|
|
1119 | (1) |
|
|
1120 | (11) |
|
|
1122 | (1) |
|
|
1122 | (1) |
|
|
1123 | (1) |
|
|
1124 | (1) |
|
On the Departure Platform |
|
|
1124 | (1) |
|
The Convergence of the Twain |
|
|
1125 | (1) |
|
|
1126 | (1) |
|
In Time of ``The Breaking of Nations'' |
|
|
1127 | (1) |
|
I Looked Up from My Writing |
|
|
1128 | (1) |
|
``And There Was a Great Calm'' |
|
|
1128 | (2) |
|
|
1130 | (1) |
|
Perspectives The Great War: Confronting the Modern |
|
|
1131 | (264) |
|
|
1131 | (16) |
|
|
1133 | (14) |
|
|
1147 | (16) |
|
|
1148 | (15) |
|
|
1163 | (3) |
|
|
1164 | (2) |
|
|
1166 | (1) |
|
|
1166 | (2) |
|
|
1166 | (1) |
|
|
1167 | (1) |
|
|
1167 | (1) |
|
|
1168 | (1) |
|
|
1168 | (4) |
|
|
1169 | (1) |
|
|
1169 | (1) |
|
|
1170 | (1) |
|
|
1171 | (1) |
|
|
1172 | (3) |
|
Break of Day in the Trenches |
|
|
1172 | (1) |
|
|
1173 | (2) |
|
The Women Poets of World War I |
|
|
1175 | (1) |
|
|
1176 | (1) |
|
|
1176 | (1) |
|
|
1176 | (2) |
|
|
1176 | (1) |
|
|
1177 | (1) |
|
|
1178 | (1) |
|
|
1178 | (1) |
|
|
1179 | (1) |
|
|
1179 | (1) |
|
|
1180 | (1) |
|
|
1180 | (1) |
|
|
1181 | (1) |
|
|
1181 | (1) |
|
|
1182 | (22) |
|
The Lake Isle of Innisfree |
|
|
1186 | (1) |
|
|
1186 | (1) |
|
|
1186 | (1) |
|
The Fascination of What's Difficult |
|
|
1187 | (1) |
|
|
1187 | (1) |
|
|
1188 | (1) |
|
An Irish Airman Foresees His Death |
|
|
1189 | (1) |
|
|
1189 | (2) |
|
|
1191 | (1) |
|
|
1192 | (2) |
|
|
1194 | (1) |
|
|
1194 | (1) |
|
|
1195 | (2) |
|
|
1197 | (1) |
|
Crazy Jane Talks with the Bishop |
|
|
1198 | (1) |
|
|
1198 | (2) |
|
The Circus Animals' Desertion |
|
|
1200 | (1) |
|
|
1201 | (3) |
|
|
1204 | (41) |
|
|
1207 | (1) |
|
|
1207 | (4) |
|
|
1211 | (3) |
|
|
1214 | (4) |
|
|
1218 | (27) |
|
|
1245 | (40) |
|
The Love Song of J. Alfred Prufrock |
|
|
1248 | (4) |
|
|
1252 | (2) |
|
|
1254 | (21) |
|
|
|
Fadwa Tuqan: In the Aging City |
|
|
1267 | (2) |
|
Martin Rowson: from The Waste Land |
|
|
1269 | (6) |
|
|
1275 | (1) |
|
|
1276 | (4) |
|
|
1276 | (4) |
|
Tradition and the Individual Talent |
|
|
1280 | (5) |
|
|
1285 | (32) |
|
The Lady in the Looking-Glass: A Reflection |
|
|
1288 | (3) |
|
|
1291 | (26) |
|
|
1317 | (13) |
|
The Daughters of the Late Colonel |
|
|
1317 | (13) |
|
|
1330 | (23) |
|
|
1333 | (1) |
|
Song of a Man Who Has Come Through |
|
|
1333 | (1) |
|
|
1333 | (3) |
|
|
1336 | (2) |
|
|
1338 | (1) |
|
|
1338 | (2) |
|
|
1340 | (13) |
|
|
1353 | (5) |
|
The Force That Through the Green Fuse Drives the Flower |
|
|
1354 | (1) |
|
|
1355 | (1) |
|
|
1356 | (1) |
|
Do Not Go Gentle into That Good Night |
|
|
1357 | (1) |
|
|
1358 | (37) |
|
|
1360 | (35) |
|
Postwar Poets: English Voices |
|
|
1395 | (36) |
|
|
1395 | (12) |
|
|
1396 | (1) |
|
|
1397 | (2) |
|
|
1399 | (2) |
|
|
1401 | (1) |
|
|
1402 | (3) |
|
|
1405 | (2) |
|
|
1407 | (4) |
|
|
1408 | (1) |
|
|
1409 | (1) |
|
|
1410 | (1) |
|
|
1410 | (1) |
|
|
1411 | (5) |
|
|
1412 | (1) |
|
|
1412 | (1) |
|
|
1413 | (1) |
|
|
1413 | (1) |
|
|
1414 | (1) |
|
|
1415 | (1) |
|
|
1416 | (15) |
|
|
1416 | (15) |
|
Perspectives Whose Language? |
|
|
1431 | (84) |
|
|
1432 | (3) |
|
|
1432 | (1) |
|
|
1433 | (1) |
|
|
1434 | (1) |
|
|
1435 | (4) |
|
|
1436 | (1) |
|
|
1436 | (3) |
|
|
1439 | (7) |
|
|
1440 | (6) |
|
|
1446 | (8) |
|
|
1447 | (1) |
|
|
1448 | (1) |
|
|
1449 | (5) |
|
|
1454 | (7) |
|
|
1455 | (1) |
|
|
1456 | (1) |
|
|
1457 | (1) |
|
|
1457 | (1) |
|
In Memoriam Francis Ledwidge |
|
|
1458 | (2) |
|
|
1460 | (1) |
|
|
1460 | (1) |
|
|
1460 | (1) |
|
|
1461 | (9) |
|
Home for a Couple of Days |
|
|
1461 | (9) |
|
|
1470 | (6) |
|
|
1471 | (2) |
|
|
1473 | (1) |
|
|
1474 | (1) |
|
A Woman Painted on a Leaf |
|
|
1475 | (1) |
|
|
1476 | (5) |
|
|
1476 | (1) |
|
|
1477 | (1) |
|
|
1477 | (4) |
|
|
1481 | (3) |
|
|
1481 | (1) |
|
|
1482 | (1) |
|
|
1483 | (1) |
|
|
1484 | (8) |
|
|
1484 | (1) |
|
|
1485 | (1) |
|
|
1485 | (1) |
|
|
1486 | (6) |
|
|
1492 | (14) |
|
|
1493 | (1) |
|
|
1494 | (2) |
|
Labasheedy (The Silken Bed) |
|
|
1496 | (1) |
|
|
1497 | (1) |
|
Why I Choose to Write in Irish, The Corpse That Sits Up and Talks Back |
|
|
1498 | (8) |
|
|
1506 | (2) |
|
|
1506 | (1) |
|
|
1507 | (1) |
|
|
1508 | (2) |
|
The Saltcoats Structuralists |
|
|
1508 | (1) |
|
|
1509 | (1) |
|
|
1510 | (5) |
|
|
1510 | (3) |
|
|
1513 | (2) |
Credits |
|
1515 | (4) |
Index |
|
1519 | |