|
|
xix | |
Preface |
|
xxiii | |
Acknowledgments |
|
xxx | |
|
|
3 | (24) |
|
Before the Norman Conquest |
|
|
27 | (97) |
|
|
27 | (70) |
|
|
93 | (4) |
|
|
|
97 | (4) |
|
The Labour Pains of the Ulaid |
|
|
97 | (1) |
|
|
98 | (1) |
|
The Naming of Cu Chulainn |
|
|
99 | (2) |
|
|
101 | (9) |
|
|
102 | (1) |
|
|
103 | (1) |
|
|
104 | (1) |
|
|
104 | (1) |
|
|
104 | (3) |
|
Findabair Remembers Froech |
|
|
107 | (1) |
|
|
108 | (1) |
|
from The Voyage of Mael Duin |
|
|
109 | (1) |
|
|
110 | (5) |
|
|
115 | (3) |
|
Wulf and Eadwacer and the Wife's Lament |
|
|
118 | (3) |
|
|
121 | (3) |
|
Three Anglo-Latin Riddles |
|
|
121 | (1) |
|
|
|
122 | (2) |
|
|
124 | (229) |
|
|
124 | (20) |
|
|
126 | (18) |
|
|
126 | (2) |
|
|
128 | (13) |
|
Chevrefoil (The Honeysuckle) |
|
|
141 | (3) |
|
Sir Gawain and the Green Knight |
|
|
144 | (58) |
|
|
|
202 | (11) |
|
|
204 | (1) |
|
|
204 | (1) |
|
|
205 | (8) |
|
|
213 | (115) |
|
|
218 | (2) |
|
The General Prologue (Middle English and modern translation) |
|
|
220 | (40) |
|
|
260 | (17) |
|
|
260 | (2) |
|
|
262 | (15) |
|
The Wife of Bath's Prologue |
|
|
277 | (19) |
|
|
296 | (10) |
|
|
306 | (16) |
|
|
322 | (5) |
|
|
322 | (2) |
|
[ The Remedy for the Sin of Lechery] |
|
|
324 | (2) |
|
|
326 | (1) |
|
|
327 | (1) |
|
|
328 | (1) |
|
|
328 | (25) |
|
|
331 | (22) |
|
|
331 | (2) |
|
|
333 | (2) |
|
|
335 | (2) |
|
|
337 | (9) |
|
``Piers Plowman'' and its Time |
|
|
|
|
346 | (1) |
|
Three Poems on the Rising of 1381: John Ball's First Letter |
|
|
347 | (1) |
|
John Ball's Second Letter |
|
|
348 | (1) |
|
|
348 | (2) |
|
from The Voice of One Crying |
|
|
350 | (3) |
|
|
|
353 | (58) |
|
The Second Play of the Shepherds |
|
|
353 | (20) |
|
|
373 | (5) |
|
|
376 | (1) |
|
|
376 | (1) |
|
from A Wycliffite Sermon on John 10.11-18 |
|
|
376 | (2) |
|
|
378 | (7) |
|
The Book of Margery Kempe |
|
|
379 | (6) |
|
|
379 | (1) |
|
[ Meeting with Bishop of Lincoln and Archbishop of Canterbury] |
|
|
380 | (3) |
|
[ Visit with Julian of Norwich] |
|
|
383 | (2) |
|
|
385 | (10) |
|
The Cuckoo Song (``Sumer is icumen in'') |
|
|
386 | (1) |
|
Alisoun (``Bitwene Mersh and Averil'') |
|
|
387 | (1) |
|
|
388 | (1) |
|
Abuse of Women (``In every place ye may well see'') |
|
|
388 | (2) |
|
|
390 | (1) |
|
|
390 | (1) |
|
In Praise of Mary (``Edi be thu, Hevene Quene'') |
|
|
391 | (1) |
|
Mary Is with Child (``Under a tree'') |
|
|
392 | (1) |
|
Jesus, My Sweet Lover (``Jesu Christ, my lemmon swete'') |
|
|
393 | (1) |
|
Contempt of the World (``Where beth they biforen us weren?'') |
|
|
394 | (1) |
|
|
395 | (6) |
|
|
395 | (3) |
|
|
398 | (1) |
|
In Secreit Place This Hyndir Nycht |
|
|
399 | (2) |
|
|
401 | (10) |
|
from Book of the City of Ladies |
|
|
402 | (9) |
|
|
|
411 | (432) |
|
|
431 | (6) |
|
|
431 | (1) |
|
|
432 | (1) |
|
|
433 | (1) |
|
Manerly Margery Mylk and Ale |
|
|
434 | (1) |
|
|
435 | (2) |
|
To Maystres Jane Blennerhasset |
|
|
435 | (1) |
|
To Maystres Isabell Pennell |
|
|
436 | (1) |
|
To Maystres Margaret Hussey |
|
|
436 | (1) |
|
|
437 | (11) |
|
The Long Love, That in My Thought Doth Harbor |
|
|
438 | (2) |
|
Companion Readign: Sonnet 140 |
|
|
439 | (1) |
|
|
440 | (1) |
|
Companion Reading: Sonnet 190 |
|
|
440 | (1) |
|
|
441 | (1) |
|
|
441 | (1) |
|
Some Time I Fled the Fire |
|
|
441 | (1) |
|
|
442 | (1) |
|
|
442 | (1) |
|
|
442 | (1) |
|
|
442 | (1) |
|
Lucks, My Fair Falcon, and Your Fellows All |
|
|
443 | (1) |
|
|
443 | (1) |
|
|
443 | (5) |
|
Henry Howard, Earl of Surrey |
|
|
448 | (8) |
|
Love That Doth Reign and Live within My Thought |
|
|
448 | (1) |
|
Th`Assyrians' King, in Peace with Foul Desire |
|
|
449 | (1) |
|
Set Me Whereas the Sun Doth Parch the Green |
|
|
449 | (1) |
|
|
449 | (1) |
|
Alas, So All Things Now Do Hold Their Peace |
|
|
450 | (1) |
|
Companion Reading: Sonnet 164 |
|
|
450 | (1) |
|
|
450 | (1) |
|
London, Hast Thou Accused Me |
|
|
450 | (4) |
|
|
454 | (1) |
|
My Radcliffe, When Thy Reckless Youth Offends |
|
|
455 | (1) |
|
|
456 | (157) |
|
|
458 | (1) |
|
|
458 | (4) |
|
The First Booke of the Faerie Queene |
|
|
462 | (147) |
|
|
609 | (4) |
|
(``Happy ye leaves when as those lilly hands'') |
|
|
609 | (1) |
|
(``New yeare forth looking out of Janus gate'') |
|
|
610 | (1) |
|
(``In that proud port, which her so goodly graceth'') |
|
|
610 | (1) |
|
(``This holy season fit to fast and pray'') |
|
|
611 | (1) |
|
(``The weary yeare his race now having run'') |
|
|
611 | (1) |
|
(``The doubt which ye misdeeme, fayre love, is vaine'') |
|
|
611 | (1) |
|
(``To all those happy blessings which ye have'') |
|
|
612 | (1) |
|
(``Most glorious Lord of lyfe that on this day'') |
|
|
612 | (1) |
|
(``One day I wrote her name upon the strand'') |
|
|
613 | (1) |
|
|
613 | (42) |
|
|
615 | (33) |
|
|
648 | (7) |
|
(``Loving in truth, and fain in verse my love to show'') |
|
|
648 | (1) |
|
(``Let dainty wits cry on the sisters nine'') |
|
|
648 | (1) |
|
(``When Nature made her chief work, Stella's eyes'') |
|
|
648 | (1) |
|
(``Rich fool there be whose base and filthy heart'') |
|
|
649 | (1) |
|
(``With how sad steps, O Moon, thou climb'st the skies'') |
|
|
649 | (1) |
|
(``Stella oft sees the very face of woe'') |
|
|
650 | (1) |
|
(``A strife is grown between Virtue and Love'') |
|
|
650 | (1) |
|
(``When my good Angel guides me to the place'') |
|
|
650 | (1) |
|
(``O grammar-rules, O now your virtues show'') |
|
|
651 | (1) |
|
(``Stella, the only planet of my light'') |
|
|
651 | (1) |
|
(``Who will in fairest book of Nature know'') |
|
|
652 | (1) |
|
Second song (``Have I caught my heavenly jewel'') |
|
|
652 | (1) |
|
(``I never drank of Aganippe well'') |
|
|
653 | (1) |
|
(``Now that, of absence, the most irksome night'') |
|
|
653 | (1) |
|
(``Stella, think not that I by verse seek fame'') |
|
|
653 | (1) |
|
(``Envious wits, what hath been mine offense'') |
|
|
654 | (1) |
|
(``O absent presence, Stella is not here'') |
|
|
654 | (1) |
|
(``Stella, since thou so right a princess art'') |
|
|
655 | (1) |
|
(``When sorrow (using mine own fire's might)'') |
|
|
655 | (1) |
|
|
655 | (6) |
|
The Admonition by the Author |
|
|
656 | (3) |
|
A Careful Complaint by the Unfortunate Author |
|
|
659 | (2) |
|
Mary Herbert, Countess of Pembroke |
|
|
661 | (12) |
|
|
661 | (3) |
|
|
664 | (2) |
|
Psalm 71: In Te Domini Speravi (``On thee my trust is grounded'') |
|
|
666 | (4) |
|
Companion Reading: Psalm 71 |
|
|
669 | (1) |
|
|
Psalm 121: Levavi Oculos (``Unto the hills, I now will bend'') |
|
|
670 | (1) |
|
The Doleful Lay of Clorinda |
|
|
670 | (3) |
|
|
673 | (17) |
|
Written with a Diamond on Her Window at Woodstock |
|
|
675 | (1) |
|
Written on a Wall at Woodstock |
|
|
675 | (1) |
|
|
675 | (1) |
|
|
676 | (1) |
|
|
676 | (1) |
|
|
677 | (1) |
|
|
678 | (3) |
|
|
681 | (2) |
|
To the English Troops at Tilbury, Facing the Spanish Armada |
|
|
683 | (1) |
|
|
683 | (7) |
|
Response: from The 21st and Last Book of the Ocean to Cynthia |
|
|
685 | (5) |
|
|
|
690 | (11) |
|
The Description of Cookham |
|
|
691 | (5) |
|
|
696 | (5) |
|
|
696 | (1) |
|
|
696 | (1) |
|
|
697 | (1) |
|
[ Against Beauty Without Virtue] |
|
|
697 | (2) |
|
[ Pilate's Wife Apologizes for Eve] |
|
|
699 | (2) |
|
|
701 | (53) |
|
The Passionate Shepherd to His Love |
|
|
702 | (1) |
|
Response: The Nymph's Reply to the Shepherd |
|
|
703 | (1) |
|
|
The Tragical History of Dr. Faustus |
|
|
703 | (51) |
|
|
754 | (16) |
|
Nature That Washed Her Hands in Milk |
|
|
755 | (1) |
|
|
756 | (1) |
|
|
757 | (1) |
|
The Author's Epitaph, Made by Himself |
|
|
757 | (1) |
|
As You Came from the Holy Land |
|
|
757 | (1) |
|
The Discovery of the Large, Rich and Beautiful Empire of Guiana |
|
|
758 | (12) |
|
|
758 | (2) |
|
|
760 | (4) |
|
|
764 | (1) |
|
|
764 | (1) |
|
|
765 | (2) |
|
[ The New World of Guiana] |
|
|
767 | (3) |
|
|
770 | (73) |
|
|
773 | (1) |
|
(``From fairest creatures we desire increase'') |
|
|
773 | (1) |
|
(``Shall I compare thee to a summer's day'') |
|
|
773 | (1) |
|
(``A woman's face with Nature's own hand painted'') |
|
|
774 | (1) |
|
(``When, in disgrace with fortune and men's eyes'') |
|
|
774 | (1) |
|
(``When to the sessions of sweet silent thought'') |
|
|
775 | (1) |
|
(``Full many a glorious morning have I seen'') |
|
|
775 | (1) |
|
(``Not marble nor the gilded monuments'') |
|
|
775 | (1) |
|
(``Like as the waves make towards the pebbled shore'') |
|
|
776 | (1) |
|
(``No longer mourn for me when I am dead'') |
|
|
776 | (1) |
|
(``That time of year thou mayst in me behold'') |
|
|
776 | (1) |
|
(``Farewell! Thou art too dear for my possessing'') |
|
|
777 | (1) |
|
(``They that have pow'r to hurt, and will do none'') |
|
|
777 | (1) |
|
(``To me, fair friend, you never can be old'') |
|
|
778 | (1) |
|
(``Let me not to the marriage of true minds'') |
|
|
778 | (1) |
|
(``O thou, my lovely boy, who in thy power'') |
|
|
778 | (1) |
|
(``The expense of spirit in a waste of shame'') |
|
|
779 | (1) |
|
(``My mistress' eyes are nothing like the sun'') |
|
|
779 | (1) |
|
(``When my love swears that she is made of truth'') |
|
|
780 | (1) |
|
(``Two loves I have, of comfort and despair'') |
|
|
780 | (1) |
|
(``In loving thee thou know'st I am forsworn'') |
|
|
780 | (1) |
|
|
781 | (62) |
|
|
835 | (8) |
|
|
PERSPECTIVES Tracts on Women and Gender |
|
|
843 | (174) |
|
|
844 | (2) |
|
from In Laude and Praise of Matrimony |
|
|
845 | (1) |
|
|
846 | (1) |
|
from My Lady's Looking Glass |
|
|
846 | (1) |
|
|
847 | (2) |
|
from Preface to The First Part of the Mirror of Princely Deeds |
|
|
848 | (1) |
|
|
849 | (3) |
|
from The Arraignment of Lewd, Idle, Froward, and Unconstant Women |
|
|
850 | (2) |
|
|
852 | (6) |
|
from A Muzzle for Melastomus |
|
|
853 | (5) |
|
|
858 | (3) |
|
from Ester Hath Hanged Haman |
|
|
858 | (3) |
|
|
861 | (8) |
|
from Hic Mulier; or, The Man-Woman |
|
|
862 | (3) |
|
from Haec-Vir; or, The Womanish-Man |
|
|
865 | (4) |
|
|
869 | (3) |
|
My sweetest Lesbia, let us live and love |
|
|
870 | (1) |
|
There is a garden in her face |
|
|
871 | (1) |
|
|
871 | (1) |
|
When thou must home to shades of underground |
|
|
872 | (1) |
|
Never weather-beaten sail more willing bent to shore |
|
|
872 | (1) |
|
|
872 | (10) |
|
On Something, That Walks Somewhere |
|
|
874 | (1) |
|
|
874 | (1) |
|
|
875 | (1) |
|
|
875 | (1) |
|
Inviting a Friend to Supper |
|
|
875 | (1) |
|
|
876 | (3) |
|
|
879 | (1) |
|
|
879 | (1) |
|
To the Memory of My Beloved, the Author, Mr. William Shakespeare, and What He Hath Left Us |
|
|
880 | (2) |
|
|
882 | (16) |
|
|
883 | (1) |
|
Song (``Go, and catch a falling star'') |
|
|
884 | (1) |
|
|
885 | (1) |
|
|
885 | (2) |
|
A Valediction: of Weeping |
|
|
887 | (1) |
|
|
887 | (1) |
|
|
888 | (1) |
|
A Valediction: Forbidding Mourning |
|
|
889 | (1) |
|
|
890 | (2) |
|
|
892 | (1) |
|
|
892 | (1) |
|
Elegy 19: To His Mistress Going to Bed |
|
|
893 | (1) |
|
|
894 | (1) |
|
(``As due by many titles I resign'') |
|
|
894 | (1) |
|
(``Oh my black soul! Now thou art summoned'') |
|
|
895 | (1) |
|
(``This is my play's last scene, here heavens appoint'') |
|
|
895 | (1) |
|
(``At the round earth's imagined corners, blow'') |
|
|
895 | (1) |
|
(``If poisonous minerals, and if that tree'') |
|
|
896 | (1) |
|
(``Death be not proud, though some have called thee'') |
|
|
896 | (1) |
|
(``Batter my heart, three-personed God; for, you'') |
|
|
897 | (1) |
|
Devotions Upon Emergent Occasions |
|
|
897 | (1) |
|
[ ``For whom the bell tolls''] |
|
|
897 | (1) |
|
|
898 | (7) |
|
Pamphilia to Amphilanthus |
|
|
900 | (2) |
|
(``When night's black mantle could most darkness prove'') |
|
|
900 | (1) |
|
(``Can pleasing sight misfortune ever bring?'') |
|
|
900 | (1) |
|
(``Am I thus conquered? Have I lost the powers'') |
|
|
900 | (1) |
|
(``How like a fire does love increase in me'') |
|
|
901 | (1) |
|
(``My pain, still smothered in my grieved breast'') |
|
|
901 | (1) |
|
from The Countess of Montgomery's Urania |
|
|
902 | (3) |
|
|
905 | (5) |
|
|
906 | (1) |
|
|
906 | (1) |
|
|
906 | (1) |
|
|
907 | (1) |
|
To the Virgins, to Make Much of Time |
|
|
908 | (1) |
|
|
909 | (1) |
|
|
909 | (1) |
|
|
909 | (1) |
|
|
910 | (1) |
|
Upon Himself Being Buried |
|
|
910 | (1) |
|
His Last Request to Julia |
|
|
910 | (1) |
|
|
910 | (9) |
|
|
910 | (2) |
|
|
912 | (1) |
|
|
912 | (1) |
|
|
913 | (1) |
|
|
913 | (2) |
|
|
915 | (1) |
|
|
915 | (1) |
|
|
916 | (1) |
|
|
917 | (1) |
|
|
917 | (1) |
|
|
918 | (1) |
|
|
919 | (8) |
|
|
920 | (1) |
|
|
921 | (1) |
|
|
922 | (1) |
|
|
923 | (1) |
|
An Horatian Ode Upon Cromwell's Return from Ireland |
|
|
924 | (3) |
|
|
927 | (8) |
|
Friendship in Emblem, or the Seal |
|
|
928 | (2) |
|
Upon the Double Murder of King Charles |
|
|
930 | (1) |
|
On the Third of September, 1651 |
|
|
931 | (1) |
|
To the Truly Noble, and Obliging Mrs. Anne Owen |
|
|
931 | (1) |
|
To Mrs. Mary Awbrey at Parting |
|
|
932 | (2) |
|
To My Excellent Lucasia, on Our Friendship |
|
|
934 | (1) |
|
|
935 | (82) |
|
|
937 | (5) |
|
|
942 | (1) |
|
On the New Forcers of Conscience Under the Long Parliament |
|
|
942 | (1) |
|
To the Lord General Cromwell |
|
|
943 | (1) |
|
On the Late Massacre in Piedmont |
|
|
944 | (1) |
|
When I Consider How My Light Is Spent |
|
|
944 | (1) |
|
Methought I Saw My Late Espoused Saint |
|
|
944 | (2) |
|
|
946 | (1) |
|
|
946 | (20) |
|
|
966 | (14) |
|
|
980 | (27) |
|
|
1007 | (10) |
|
The Restoration and the Eighteenth Century |
|
|
1017 | (154) |
|
|
1040 | (11) |
|
|
1042 | (9) |
|
|
1042 | (1) |
|
[ The Coronation of Charles II] |
|
|
1043 | (3) |
|
|
1046 | (5) |
|
Margaret Cavendish, Duchess of Newcastle |
|
|
1051 | (5) |
|
|
1051 | (1) |
|
The Poetress's Hasty Resolution |
|
|
1051 | (1) |
|
|
1052 | (1) |
|
An Apology for Writing So Much upon This Book |
|
|
1052 | (1) |
|
from The Description of a New Blazing World |
|
|
1053 | (3) |
|
|
1053 | (1) |
|
|
1054 | (1) |
|
[ Empress, Duchess, Duke] |
|
|
1054 | (1) |
|
|
1055 | (1) |
|
|
1056 | (14) |
|
|
1058 | (6) |
|
To the Memory of Mr. Oldham |
|
|
1064 | (1) |
|
|
1065 | (5) |
|
|
1070 | (10) |
|
|
1071 | (4) |
|
To Lysander, on Some Verses He Writ |
|
|
1075 | (1) |
|
To Lysander at the Music-Meeting |
|
|
1076 | (1) |
|
A Letter to Mr. Creech at Oxford |
|
|
1077 | (3) |
|
To the Fair Clarinda, Who Made Love to Me, Imagined More than Woman |
|
|
1080 | (1) |
|
John Wilmot, Earl of Rochester |
|
|
1080 | (11) |
|
|
1081 | (1) |
|
|
1082 | (1) |
|
Song (``Love a woman? You're an ass!'') |
|
|
1083 | (1) |
|
|
1083 | (2) |
|
|
1085 | (1) |
|
A Satyr Against Reason and Manking |
|
|
1086 | (5) |
|
|
1091 | (71) |
|
|
1093 | (69) |
|
|
1162 | (9) |
|
A Journal of the Plague Year |
|
|
1164 | (7) |
|
|
1164 | (4) |
|
[ Encounter with a Waterman] |
|
|
1168 | (3) |
|
PERSPECTIVES Reading Papers |
|
|
1171 | (318) |
|
|
1172 | (8) |
|
from Mercurius Publicus [ Anniversary of the Regicide] |
|
|
1172 | (1) |
|
from The London Gazette [ The Fire of London] |
|
|
1173 | (1) |
|
from The Daily Courant No. 1 [ Editorial Policy] |
|
|
1174 | (1) |
|
Daniel Defoe: from A Review of the State of the British Nation, Vol. 4, No. 21 [ The New Union] |
|
|
1175 | (2) |
|
from The Craftsman No. 307 [ Vampires in Britain] |
|
|
1177 | (3) |
|
|
1180 | (12) |
|
from Tatler No. 1 [ Introducing Mr. Bickerstaff] |
|
|
1181 | (3) |
|
|
from Spectator No. 1 [ Introducing Mr. Spectator] |
|
|
1184 | (2) |
|
|
from Female Spectator, Vol. 1, No. 1 [ The Author's Intent] |
|
|
1186 | (2) |
|
from Tatler No. 18 [ The News Writers in Danger] |
|
|
1188 | (1) |
|
|
from Tatler No. 155 [ The Political Upholsterer] |
|
|
1189 | (1) |
|
|
from Spectator No. 10 [ The Spectator and Its Readers] |
|
|
1190 | (2) |
|
|
Getting, Spending, Speculating |
|
|
1192 | (9) |
|
Spectator No. 69 [ Royal Exchange] |
|
|
1194 | (3) |
|
|
Spectator No. 11 [ Inkle and Yarico] |
|
|
1197 | (3) |
|
|
from A Review of the State of the British Nation, Vol. 1, No. 43 [ Weak Foundations] |
|
|
1200 | (1) |
|
|
Advertisements from the Spectator |
|
|
1201 | (1) |
|
Women and Men, Manners and Marriage |
|
|
1201 | (15) |
|
from Tatler No. 25 [ Duellists] |
|
|
1202 | (2) |
|
|
from A Review of the State of the British Nation, Vol. 9, No. 34 [ A Duellist's Conscience] |
|
|
1204 | (2) |
|
|
from The Athenian Mercury |
|
|
1206 | (2) |
|
from Tatler No. 104 [ Jenny Distaff Newly Married] |
|
|
1208 | (2) |
|
|
Spectator No. 128 [ Variety of Temper] |
|
|
1210 | (2) |
|
|
from The Female Spectator, Vol. 1, No. 1 [ Seomanthe's Elopement] |
|
|
1212 | (2) |
|
|
from The Female Spectator, Vol. 2, No. 10 [ Women's Education] |
|
|
1214 | (2) |
|
|
|
1216 | (79) |
|
A Description of the Morning |
|
|
1218 | (1) |
|
A Description of a City Shower |
|
|
1219 | (3) |
|
|
1222 | (1) |
|
|
1222 | (3) |
|
|
1225 | (6) |
|
Response: The Reasons that induced Dr. S. to write a Poem called The Lady's Dressing Room |
|
|
1228 | (3) |
|
Lady Mary Wortley Montagu |
|
|
|
1231 | (56) |
|
from Part 3. A Voyage to Laputa |
|
|
1232 | (9) |
|
Voyage to the Country of the Houyhnhnms |
|
|
1241 | (46) |
|
|
1287 | (8) |
|
``A Modest Proposal'' and its Time |
|
|
1294 | (1) |
|
from Political Arithmetic |
|
|
1294 | (1) |
|
|
|
1295 | (58) |
|
|
1297 | (18) |
|
|
1315 | (21) |
|
|
1336 | (3) |
|
from Preface [ On Translation] |
|
|
1336 | (2) |
|
from Book 12 [ Sarpedon's Speech] |
|
|
1338 | (1) |
|
|
1339 | (9) |
|
|
1339 | (1) |
|
|
1339 | (1) |
|
|
1340 | (1) |
|
|
1341 | (7) |
|
|
1348 | (5) |
|
|
1348 | (1) |
|
[ The Goddess Coming in Her Majesty] |
|
|
1349 | (1) |
|
[ The Geniuses of the Schools] |
|
|
1350 | (1) |
|
[ Young Gentlemen Returned from Travel] |
|
|
1351 | (2) |
|
Lady Mary Wortley Montagu |
|
|
1353 | (11) |
|
from The Turkish Embassy Letters |
|
|
1354 | (4) |
|
To Lady---[ On the Turkish Baths] |
|
|
1354 | (2) |
|
To Lady Mar [ On Turkish Dress] |
|
|
1356 | (2) |
|
Letter to Lady Bute [ On Her Granddaughter] |
|
|
1358 | (3) |
|
Epistle from Mrs. Yonge to Her Husband |
|
|
1361 | (2) |
|
|
1363 | (1) |
|
|
1364 | (48) |
|
|
1366 | (46) |
|
|
1412 | (7) |
|
|
1413 | (5) |
|
|
1413 | (5) |
|
|
1418 | (1) |
|
|
1419 | (5) |
|
Elegy Written in a Country Churchyard |
|
|
1420 | (4) |
|
|
1424 | (21) |
|
The Vanity of Human Wishes |
|
|
1427 | (9) |
|
|
1436 | (1) |
|
|
1436 | (3) |
|
|
1439 | (3) |
|
|
1442 | (1) |
|
|
1442 | (1) |
|
No. 84 [ On Autobiography] |
|
|
1443 | (2) |
|
|
1445 | (13) |
|
|
1447 | (3) |
|
|
1447 | (3) |
|
[ First Meeting with Johnson] |
|
|
1450 | (1) |
|
from The Life of Samuel Johnson, LL.D |
|
|
1450 | (8) |
|
[ Introduction; Boswell's Method] |
|
|
1450 | (2) |
|
|
1452 | (6) |
|
|
1458 | (12) |
|
|
1459 | (11) |
|
|
1470 | (19) |
|
Fantomina: Or, Love in a Maze |
|
|
1470 | (19) |
Credits |
|
1489 | (2) |
Index |
|
1491 | (24) |
|
|
xxii | |
Preface |
|
xxvi | |
Acknowledgments |
|
xxxi | |
|
The Romantics and Their Contemporaries |
|
|
3 | (75) |
|
|
28 | (12) |
|
The Mouse's Petition to Dr. Priestley |
|
|
29 | (1) |
|
|
30 | (1) |
|
Inscription for an Ice-House |
|
|
30 | (1) |
|
To a Little Invisible Being Who Is Expected Soon to Become Visible |
|
|
31 | (1) |
|
Eighteen Hundred and Eleven |
|
|
32 | (8) |
|
|
40 | (8) |
|
From Elegiac Sonnets and Other Poems |
|
|
41 | (1) |
|
|
41 | (2) |
|
``Sighing I see you little troop at play'' |
|
|
43 | (1) |
|
To melancholy. Written on the banks of the Arun October, 1785 |
|
|
43 | (1) |
|
|
43 | (1) |
|
|
44 | (1) |
|
|
45 | (3) |
|
|
48 | (30) |
|
|
50 | (3) |
|
Songs of Innocence and of Experience |
|
|
53 | (1) |
|
|
53 | (9) |
|
|
53 | (1) |
|
|
54 | (1) |
|
|
54 | (1) |
|
|
55 | (1) |
|
|
56 | (1) |
|
|
56 | (1) |
|
|
57 | (1) |
|
|
57 | (1) |
|
|
58 | (1) |
|
|
58 | (1) |
|
|
59 | (1) |
|
|
60 | (1) |
|
|
60 | (1) |
|
|
61 | (1) |
|
|
61 | (1) |
|
|
62 | (16) |
|
|
62 | (1) |
|
|
63 | (1) |
|
|
63 | (1) |
|
|
64 | (1) |
|
|
64 | (2) |
|
|
66 | (1) |
|
|
67 | (1) |
|
|
67 | (2) |
|
|
69 | (1) |
|
|
70 | (1) |
|
|
70 | (1) |
|
|
70 | (1) |
|
|
71 | (1) |
|
|
71 | (1) |
|
|
72 | (1) |
|
|
72 | (1) |
|
|
73 | (1) |
|
|
73 | (1) |
|
|
74 | (1) |
|
|
75 | (1) |
|
|
76 | (1) |
|
|
77 | (1) |
|
PERSPECTIVES The Abolition of Slavery and the Slave Trade |
|
|
78 | (91) |
|
|
79 | (9) |
|
from The Interesting Narrative of the Life of Olaudah Equiano |
|
|
80 | (8) |
|
|
88 | (5) |
|
from The History of Mary Prince, a West Indian Slave |
|
|
89 | (4) |
|
|
93 | (6) |
|
|
93 | (6) |
|
|
99 | (1) |
|
|
100 | (1) |
|
|
100 | (5) |
|
from A Poem on the Inhumanity of the Slave-Trade |
|
|
101 | (4) |
|
|
105 | (3) |
|
Sweet Meat Has Sour Sauce |
|
|
106 | (1) |
|
|
107 | (1) |
|
Hannah More and Eaglesfield Smith |
|
|
108 | (77) |
|
|
109 | (76) |
|
|
185 | |
|
from Poems Concerning the Slave-Trade |
|
|
114 | (5) |
|
|
119 | (1) |
|
from The Grasmere Journals |
|
|
119 | (1) |
|
|
119 | (9) |
|
from The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade by the British Parliament |
|
|
120 | (8) |
|
|
128 | (3) |
|
|
128 | (1) |
|
|
129 | (1) |
|
|
129 | (1) |
|
|
130 | (1) |
|
Letter to Mary Ann Rawson (C. May 1833) |
|
|
131 | (1) |
|
|
131 | (3) |
|
from Abstract of the Information laid on the Table of the House of Commons, on the Subject of the Slave Trade |
|
|
132 | (2) |
|
George Gordon, Lord Byron |
|
|
134 | (1) |
|
|
134 | (1) |
|
|
135 | (9) |
|
|
136 | (1) |
|
|
137 | (1) |
|
from Sappho and Phaon, in a Series of Legitimate Sonnets |
|
|
138 | (4) |
|
|
139 | (1) |
|
Sappho discovers her Passion |
|
|
139 | (1) |
|
|
139 | (1) |
|
Rejects the influence of Reason |
|
|
140 | (1) |
|
Previous to her Interview with Phaon |
|
|
140 | (1) |
|
|
140 | (1) |
|
|
141 | (1) |
|
|
141 | (1) |
|
|
142 | (2) |
|
|
144 | (18) |
|
A Vindication of the Rights of Woman |
|
|
146 | (16) |
|
from To M. Talleyrand-Perigord, Late Bishop of Autun |
|
|
146 | (2) |
|
|
148 | (3) |
|
The Rights and Involved Duties of Mankind Considered |
|
|
151 | (2) |
|
The Prevailing Opinion of a Sexual Character Discussed |
|
|
153 | (9) |
|
|
162 | (7) |
|
|
162 | (2) |
|
A Mother to Her Waking Infant |
|
|
164 | (1) |
|
A Child to His Sick Grandfather |
|
|
165 | (1) |
|
|
166 | (2) |
|
Song: Woo'd and Married and A' |
|
|
168 | (1) |
|
|
169 | (398) |
|
Reliques of Ancient English Poetry |
|
|
170 | (2) |
|
|
171 | (1) |
|
|
172 | (8) |
|
|
173 | (1) |
|
|
174 | (1) |
|
|
175 | (1) |
|
|
176 | (1) |
|
|
176 | (1) |
|
|
177 | (1) |
|
|
178 | (1) |
|
|
178 | (1) |
|
The Fornicator. A New Song |
|
|
179 | (1) |
|
|
180 | (1) |
|
|
181 | (1) |
|
|
181 | (2) |
|
The harp that once through Tara's halls |
|
|
182 | (1) |
|
Believe me, if all those endearing young charms |
|
|
182 | (1) |
|
The time I've lost in wooing |
|
|
182 | (1) |
|
|
183 | (96) |
|
|
186 | (1) |
|
|
186 | (2) |
|
|
188 | (2) |
|
|
190 | (2) |
|
|
192 | (1) |
|
Lines written a few miles above Tintern Abbey |
|
|
193 | (3) |
|
Lyrical Ballads (1800, 1802) |
|
|
196 | (1) |
|
|
196 | (12) |
|
[ The Principal Object of the Poems. Humble and Rustic Life] |
|
|
198 | (1) |
|
[ ``The Spontaneous Overflow of Powerful Feelings''] |
|
|
198 | (2) |
|
[ The Language of Poetry] |
|
|
200 | (2) |
|
|
202 | (4) |
|
[ ``Emotion Recollected in Tranquillity''] |
|
|
206 | (2) |
|
``Strange fits of passion have I known'' |
|
|
208 | (1) |
|
Song (``She dwelt among th' untrodden ways'') |
|
|
209 | (1) |
|
``A slumber did my spirit seal'' |
|
|
209 | (1) |
|
|
209 | (2) |
|
|
211 | (1) |
|
|
212 | (2) |
|
|
214 | (11) |
|
|
|
|
225 | (3) |
|
|
from a letter to William Wordsworth |
|
|
228 | (1) |
|
|
from a letter to Thomas Manning |
|
|
229 | (1) |
|
|
|
230 | (1) |
|
Prefatory Sonnet (``Nuns fret not at their Convent's narrow room'') |
|
|
230 | (1) |
|
Composed upon Westminster Bridge, Sept. 3, 1802 |
|
|
231 | (1) |
|
``The world is too much with us'' |
|
|
231 | (1) |
|
``It is a beauteous Evening'' |
|
|
232 | (1) |
|
|
232 | (2) |
|
from The Prelude, or Growth of a Poet's Mind |
|
|
234 | (1) |
|
Book First. Introduction, Childhood, and School time |
|
|
234 | (15) |
|
from Book Second, School time continued |
|
|
249 | (2) |
|
|
249 | (1) |
|
|
249 | (2) |
|
from Book Sixth. Cambridge, and the Alps |
|
|
251 | (6) |
|
|
251 | (2) |
|
[ Travelling in the Alps. Simplon Pass] |
|
|
253 | (4) |
|
from Book Ninth. Residence in France |
|
|
257 | (2) |
|
[ Revolution, Royalists, and Patriots] |
|
|
257 | (2) |
|
from Book Tenth. Residence in France and French Revolution |
|
|
259 | (3) |
|
[ The Reign of Terror. Confusion. Return to England] |
|
|
259 | (3) |
|
from Book Eleventh. Imagination, How Impaired and Restored |
|
|
262 | (5) |
|
[ Imagination Restored by Nature] |
|
|
262 | (1) |
|
[ ``Spots of Time.'' Two Memories from Childhood and Later Reflections] |
|
|
263 | (4) |
|
``I travell'd among unknown Men'' |
|
|
267 | (1) |
|
Resolution and Independence |
|
|
267 | (4) |
|
``I wandered lonely as a cloud'' |
|
|
271 | (1) |
|
|
272 | (1) |
|
Ode: Intimations of Immortality from Recollections of Early Childhood |
|
|
273 | (5) |
|
|
278 | (1) |
|
|
278 | (1) |
|
|
279 | (12) |
|
|
280 | (2) |
|
|
282 | (2) |
|
When Shall I Tread Your Garden Path? |
|
|
284 | (1) |
|
Lines Written (Rather Say Begun) on the Morning of Sunday April 6th |
|
|
284 | (2) |
|
from The Grasmere Journals |
|
|
286 | (5) |
|
|
286 | (1) |
|
|
287 | (1) |
|
|
287 | (1) |
|
|
287 | (1) |
|
|
288 | (1) |
|
|
289 | (1) |
|
|
289 | (1) |
|
[ A Beggar Woman from Cockermouth] |
|
|
290 | (1) |
|
[ The Circumstances of ``Composed upon Westminster Bridge''] |
|
|
291 | (1) |
|
|
291 | (56) |
|
Sonnet to the River Otter |
|
|
292 | (1) |
|
|
293 | (1) |
|
This Lime-Tree Bower My Prison |
|
|
294 | (2) |
|
|
296 | (2) |
|
The Rime of the Ancient Mariner (1817) |
|
|
298 | (16) |
|
|
314 | (16) |
|
|
330 | (2) |
|
|
332 | (2) |
|
|
334 | (4) |
|
|
338 | (8) |
|
[ Wordsworth's Earlier Poetry] |
|
|
338 | (1) |
|
[ The Profession of Literature] |
|
|
339 | (2) |
|
|
341 | (2) |
|
[ Occasion of the Lyrical Ballads---Preface to the Second Edition---The Ensuing Controversy] |
|
|
343 | (3) |
|
[ Philosophic Definitions of a Poem and Poetry] |
|
|
|
from Lectures on Shakespeare |
|
|
346 | (1) |
|
[ Mechanic vs. Organic Form] |
|
|
346 | (1) |
|
George Gordon, Lord Byron |
|
|
347 | (120) |
|
|
349 | (1) |
|
So, we'll go no more a-roving |
|
|
350 | (1) |
|
|
351 | (51) |
|
``Manfred'' And Its Time The Byronic Hero |
|
|
386 | (1) |
|
Byron's Earlier Heroes from The Giaour |
|
|
387 | (1) |
|
|
387 | (1) |
|
|
388 | (1) |
|
|
389 | (1) |
|
from Childe Harold's Pilgrimage, Canto the Third [ Napoleon Buonoparte] |
|
|
390 | (2) |
|
from The Statesman's Manual [ ``Satanic Pride and Rebellious Self-Idolatry''] |
|
|
392 | (1) |
|
|
|
393 | (2) |
|
|
from Frankenstein; or The Modern Prometheus |
|
|
395 | (2) |
|
Mary Wollstonecraft Shelley |
|
|
from The Widow of Crescentius |
|
|
397 | (1) |
|
|
from Preface to Prometheus Unbound |
|
|
|
|
from Prometheus Unbound Act 1 |
|
|
398 | (2) |
|
from Preface to A Vision of Judgement |
|
|
400 | (1) |
|
|
from The Vision of Judgment |
|
|
401 | (1) |
|
|
|
Childe Harold's Pilgrimage |
|
|
402 | (1) |
|
|
402 | (4) |
|
[ Thunderstorm in the Alps] |
|
|
402 | (1) |
|
[ Byron's Strained Idealism. Apostrophe to His Daughter] |
|
|
403 | (3) |
|
|
406 | (5) |
|
|
406 | (1) |
|
[ Apostrophe to the Ocean. Conclusion] |
|
|
407 | (4) |
|
|
411 | (1) |
|
|
411 | (4) |
|
|
415 | (47) |
|
from Canto 7 [ Critique of Military ``Glory''] |
|
|
462 | (1) |
|
from Canto 11 [ Juan in England] |
|
|
463 | (3) |
|
Stanzas (``When a man hath no freedom to fight for at home'') |
|
|
466 | (1) |
|
On This Day I Complete My Thirty-Sixth Year |
|
|
466 | (1) |
|
|
467 | (47) |
|
|
469 | (1) |
|
|
470 | (4) |
|
Hymn to Intellectual Beauty |
|
|
474 | (2) |
|
|
476 | (1) |
|
Sonnet: Lift not the painted veil |
|
|
476 | (1) |
|
|
477 | (1) |
|
|
477 | (3) |
|
|
480 | (2) |
|
To---(``Music, when soft voices die'') |
|
|
482 | (1) |
|
|
483 | (15) |
|
|
498 | (3) |
|
|
501 | (3) |
|
Chorus (``Worlds on worlds are rolling ever'') |
|
|
501 | (2) |
|
Chorus (``The world's great age begins anew'') |
|
|
503 | (1) |
|
|
504 | (10) |
|
|
514 | (13) |
|
Evening Prayer, at a Girls' School |
|
|
516 | (2) |
|
|
518 | (1) |
|
from Records Of Woman With Other Poems |
|
|
519 | (1) |
|
Indian Woman's Death-Song |
|
|
519 | (1) |
|
|
520 | (3) |
|
|
523 | (1) |
|
The Graves of a Household |
|
|
524 | (1) |
|
|
525 | (1) |
|
|
526 | (1) |
|
|
527 | (4) |
|
Written in November (manuscript) |
|
|
529 | (1) |
|
|
529 | (1) |
|
|
529 | (2) |
|
|
531 | (1) |
|
|
531 | (36) |
|
On First Looking Into Chapman's Homer |
|
|
534 | (1) |
|
|
534 | (1) |
|
On First Looking into Chapman's Homer |
|
|
534 | (2) |
|
``To one who has been long in city pent'' |
|
|
536 | (1) |
|
On Setting down to read King Lear once again |
|
|
537 | (1) |
|
Sonnet: When I have fears |
|
|
537 | (1) |
|
|
538 | (10) |
|
La Belle Dame sans Mercy (letter text) |
|
|
548 | (2) |
|
|
550 | (1) |
|
|
551 | (2) |
|
|
553 | (2) |
|
|
555 | (2) |
|
|
557 | (1) |
|
|
558 | (1) |
|
|
559 | (1) |
|
|
560 | (1) |
|
|
561 | (1) |
|
|
561 | (1) |
|
To George and Thomas Keats [ ``intensity'' and `` Negative Capability''] |
|
|
561 | (1) |
|
To Richard Woodhouse [ The ``Camelion Poet'' vs. the ``Egotistical Sublime''] |
|
|
562 | (2) |
|
To Charles Brown [ Keats's Last Letter] |
|
|
564 | (3) |
|
|
567 | (143) |
|
|
591 | (10) |
|
from Gospel of Mammonism [ The Irish Widow] |
|
|
593 | (1) |
|
from Labour [ Know Thy Work] |
|
|
594 | (1) |
|
from Democracy [ Liberty to Die by Starvation] |
|
|
595 | (2) |
|
|
597 | (4) |
|
|
601 | (12) |
|
|
602 | (11) |
|
Of the Liberty of Thought and Discussion |
|
|
602 | (3) |
|
Of Individuality, as One of the Elements of Well-Being |
|
|
605 | (8) |
|
Elizabeth Barrett Browning |
|
|
613 | (22) |
|
|
615 | (1) |
|
To George Sand: A Recognition |
|
|
616 | (1) |
|
|
616 | (1) |
|
Sonnets from the Portugues |
|
|
617 | (18) |
|
(``I thought once how Theocritus had sung'') |
|
|
617 | (1) |
|
(``And wilt thou have me fashion into speech'') |
|
|
618 | (1) |
|
(``If thou must love me, let it be for nought'') |
|
|
618 | (1) |
|
(``Say over again, and yet once over again') |
|
|
618 | (1) |
|
(``When our two souls stand up erect and strong'') |
|
|
619 | (1) |
|
(``How do I love thee? Let me count the ways'') |
|
|
619 | (1) |
|
|
619 | (1) |
|
|
619 | (1) |
|
|
619 | (3) |
|
|
622 | (1) |
|
|
623 | (4) |
|
|
627 | (1) |
|
|
628 | (1) |
|
|
628 | (3) |
|
|
631 | (1) |
|
|
632 | (1) |
|
[ Epic Art and Modern Life] |
|
|
632 | (3) |
|
|
635 | (67) |
|
|
638 | (1) |
|
|
638 | (2) |
|
|
640 | (5) |
|
|
645 | (4) |
|
|
649 | (2) |
|
|
651 | (2) |
|
|
653 | (1) |
|
The Epic [ Morte d'Arthur] |
|
|
653 | (2) |
|
|
655 | (1) |
|
|
655 | (1) |
|
|
656 | (1) |
|
[ The Woman's Cause Is Man's] |
|
|
657 | (2) |
|
from In Memoriam A. H. H. |
|
|
659 | (30) |
|
The Charge of the Light Brigade |
|
|
689 | (2) |
|
|
691 | (10) |
|
|
691 | (10) |
|
|
701 | (1) |
|
Flower in the Crannied Wall |
|
|
701 | (1) |
|
|
701 | (1) |
|
|
702 | (8) |
|
On the Origin of Species by Means of Natural Selection |
|
|
704 | (6) |
|
|
704 | (6) |
|
PERSPECTIVES Religion and Science |
|
|
710 | (309) |
|
Thomas Babington Macaulay |
|
|
711 | (1) |
|
|
711 | (1) |
|
|
712 | (3) |
|
from Sunday Under Three Heads |
|
|
712 | (3) |
|
|
715 | (3) |
|
from The Life of Jesus Critically Examined |
|
|
715 | (3) |
|
|
718 | (2) |
|
|
718 | (2) |
|
|
720 | (2) |
|
|
720 | (1) |
|
|
721 | (1) |
|
|
721 | (1) |
|
|
722 | (2) |
|
from The Pentateuch and Book of Joshua Critically Examined |
|
|
723 | (1) |
|
John Henry Cardinal Newman |
|
|
724 | (8) |
|
from Apologia Pro Vita Sua |
|
|
725 | (7) |
|
|
732 | (5) |
|
from Evolution and Ethics |
|
|
732 | (5) |
|
|
737 | (5) |
|
|
738 | (4) |
|
|
742 | (40) |
|
|
745 | (2) |
|
Soliloquy of the Spanish Cloister |
|
|
747 | (2) |
|
|
749 | (1) |
|
The Bishop Orders His Tomb at Saint Praxed's Church |
|
|
750 | (3) |
|
|
753 | (1) |
|
|
754 | (1) |
|
|
754 | (2) |
|
|
756 | (1) |
|
|
756 | (2) |
|
``Childe Roland to the Dark Tower Came'' |
|
|
758 | (6) |
|
|
764 | (9) |
|
|
773 | (2) |
|
|
775 | (7) |
|
|
782 | (51) |
|
|
784 | (49) |
|
|
833 | (16) |
|
|
834 | (15) |
|
|
849 | (9) |
|
|
851 | (2) |
|
from Definition of Greatness in Art |
|
|
851 | (1) |
|
from Of Water, As Painted by Turner |
|
|
852 | (1) |
|
The Storm-Cloud of the Nineteenth Century |
|
|
853 | (5) |
|
|
858 | (24) |
|
|
861 | (1) |
|
To Marguerite---Continued |
|
|
862 | (1) |
|
|
863 | (2) |
|
Response: The Dover Bitch |
|
|
864 | (1) |
|
|
Lines Written in Kensington Gardens |
|
|
865 | (1) |
|
|
866 | (2) |
|
|
868 | (6) |
|
|
874 | (8) |
|
|
874 | (2) |
|
|
876 | (4) |
|
from Hebraism and Hellenism |
|
|
880 | (1) |
|
|
881 | (1) |
|
|
882 | (7) |
|
|
884 | (3) |
|
|
887 | (1) |
|
|
887 | (2) |
|
|
887 | (1) |
|
|
888 | (1) |
|
|
888 | (1) |
|
|
889 | (1) |
|
|
889 | (19) |
|
Song (``She sat and sang alway'') |
|
|
891 | (1) |
|
Song (``When I am dead, my dearest'') |
|
|
891 | (1) |
|
|
891 | (1) |
|
|
892 | (1) |
|
|
892 | (1) |
|
|
892 | (1) |
|
|
893 | (1) |
|
|
893 | (1) |
|
|
894 | (1) |
|
|
894 | (13) |
|
|
907 | (1) |
|
Algernon Charles Swinburne |
|
|
908 | (7) |
|
|
909 | (1) |
|
I Will Go Back to the Great Sweet Mother |
|
|
909 | (1) |
|
|
910 | (3) |
|
|
913 | (2) |
|
|
915 | (8) |
|
|
916 | (7) |
|
|
916 | (3) |
|
|
919 | (1) |
|
|
920 | (3) |
|
|
923 | (7) |
|
|
924 | (1) |
|
|
925 | (1) |
|
|
925 | (1) |
|
|
926 | (1) |
|
|
926 | (1) |
|
As Kingfishers Catch Fire |
|
|
927 | (1) |
|
|
927 | (1) |
|
|
928 | (1) |
|
I Wake and Feel the Fell of Dark, Not Day |
|
|
928 | (1) |
|
That Nature Is a Heraclitean Fire and of the Comfort of the Resurrection |
|
|
929 | (1) |
|
Thou Art Indeed Just, Lord |
|
|
929 | (1) |
|
|
930 | (25) |
|
|
931 | (14) |
|
|
945 | (1) |
|
How the Leopard Got His Spots |
|
|
945 | (5) |
|
|
950 | (2) |
|
|
952 | (1) |
|
|
953 | (1) |
|
|
954 | (1) |
|
|
955 | (64) |
|
|
958 | (1) |
|
Response: Impression de Nuit |
|
|
958 | (1) |
|
|
|
959 | (1) |
|
|
960 | (1) |
|
Preface to The Picture of Dorian Gray |
|
|
960 | (1) |
|
The Importance of Being Earnest |
|
|
961 | (41) |
|
|
1002 | (2) |
|
|
1004 | (15) |
|
Companion Reading: from The Trials of Oscar Wilde |
|
|
1011 | (8) |
|
|
|
1019 | (112) |
|
|
1043 | (77) |
|
Preface to The Nigger of the ``Narcissus'' |
|
|
1046 | (2) |
|
|
1048 | (56) |
|
``Heart of Darkness'' And Its Time |
|
|
|
|
1104 | (2) |
|
|
from Address to the Manchester Chamber of Commerce |
|
|
1106 | (4) |
|
|
|
|
|
1110 | (9) |
|
|
Gang of Four: We Live As We Dream, Alone |
|
|
1119 | (1) |
|
|
1120 | (11) |
|
|
1122 | (1) |
|
|
1122 | (1) |
|
|
1123 | (1) |
|
|
1124 | (1) |
|
On the Departure Platform |
|
|
1124 | (1) |
|
The Convergence of the Twain |
|
|
1125 | (1) |
|
|
1126 | (1) |
|
In Time of ``The Breaking of Nations'' |
|
|
1127 | (1) |
|
I Looked Up from My Writing |
|
|
1128 | (1) |
|
``And There Was a Great Calm'' |
|
|
1128 | (2) |
|
|
1130 | (1) |
|
PERSPECTIVES The Great War: Confronting the Modern |
|
|
1131 | (264) |
|
|
1131 | (16) |
|
|
1133 | (14) |
|
|
1147 | (16) |
|
|
1148 | (15) |
|
|
1163 | (3) |
|
|
1164 | (2) |
|
|
1166 | (1) |
|
|
1166 | (2) |
|
|
1166 | (1) |
|
|
1167 | (1) |
|
|
1167 | (1) |
|
|
1168 | (1) |
|
|
1168 | (4) |
|
|
1169 | (1) |
|
|
1169 | (1) |
|
|
1170 | (1) |
|
|
1171 | (1) |
|
|
1172 | (3) |
|
Break of Day in the Trenches |
|
|
1172 | (1) |
|
|
1173 | (2) |
|
The Women Poets Of World Wari |
|
|
1175 | (1) |
|
|
1176 | (1) |
|
|
1176 | (1) |
|
|
1176 | (2) |
|
|
1176 | (1) |
|
|
1177 | (1) |
|
|
1178 | (1) |
|
|
1178 | (1) |
|
|
1179 | (1) |
|
|
1179 | (1) |
|
|
1180 | (1) |
|
|
1180 | (1) |
|
|
1181 | (1) |
|
|
1181 | (1) |
|
|
1182 | (22) |
|
The Lake Isle of Innisfree |
|
|
1186 | (1) |
|
|
1186 | (1) |
|
|
1186 | (1) |
|
The Fascination of What's Difficult |
|
|
1187 | (1) |
|
|
1187 | (1) |
|
|
1188 | (1) |
|
An Irish Airman Foresees His Death |
|
|
1189 | (1) |
|
|
1189 | (2) |
|
|
1191 | (1) |
|
|
1192 | (2) |
|
|
1194 | (1) |
|
|
1194 | (1) |
|
|
1195 | (2) |
|
|
1197 | (1) |
|
Crazy Jane Talks with the Bishop |
|
|
1198 | (1) |
|
|
1198 | (2) |
|
The Circus Animals' Desertion |
|
|
1200 | (1) |
|
|
1201 | (3) |
|
|
1204 | (41) |
|
|
1207 | (1) |
|
|
1207 | (4) |
|
|
1211 | (3) |
|
|
1214 | (4) |
|
|
1218 | (27) |
|
|
1245 | (40) |
|
The Love Song of J. Alfred Prufrock |
|
|
1248 | (4) |
|
|
1252 | (2) |
|
|
1254 | (21) |
|
|
|
|
1267 | (2) |
|
|
|
1269 | (6) |
|
|
|
1275 | (1) |
|
|
1276 | (4) |
|
|
1276 | (4) |
|
Tradition and the Individual Talent |
|
|
1280 | (5) |
|
|
1285 | (32) |
|
The Lady in the Looking-Glass: A Reflection |
|
|
1288 | (3) |
|
|
1291 | (26) |
|
|
1317 | (13) |
|
The Daughters of the Late Colonel |
|
|
1317 | (13) |
|
|
1330 | (23) |
|
|
1333 | (1) |
|
Song of a Man Who Has Come Through |
|
|
1333 | (1) |
|
|
1333 | (3) |
|
|
1336 | (2) |
|
|
1338 | (1) |
|
|
1338 | (2) |
|
|
1340 | (13) |
|
|
1353 | (5) |
|
The Force That Through the Green Fuse Drives the Flower |
|
|
1354 | (1) |
|
|
1355 | (1) |
|
|
1356 | (1) |
|
Do Not Go Gentle into That Good Night |
|
|
1357 | (1) |
|
|
1358 | (37) |
|
|
1360 | (35) |
|
Postwar Poets: English Voices |
|
|
1395 | (36) |
|
|
1395 | (12) |
|
|
1396 | (1) |
|
|
1397 | (2) |
|
|
1399 | (2) |
|
|
1401 | (1) |
|
|
1402 | (3) |
|
|
1405 | (2) |
|
|
1407 | (4) |
|
|
1408 | (1) |
|
|
1409 | (1) |
|
|
1410 | (1) |
|
|
1410 | (1) |
|
|
1411 | (5) |
|
|
1412 | (1) |
|
|
1412 | (1) |
|
|
1413 | (1) |
|
|
1413 | (1) |
|
|
1414 | (1) |
|
|
1415 | (1) |
|
|
1416 | (15) |
|
|
1416 | (15) |
|
PERSPECTIVES Whose Language? |
|
|
1431 | (84) |
|
|
1432 | (3) |
|
|
1432 | (1) |
|
|
1433 | (1) |
|
|
1434 | (1) |
|
|
1435 | (4) |
|
|
1436 | (1) |
|
|
1436 | (3) |
|
|
1439 | (7) |
|
|
1440 | (6) |
|
|
1446 | (8) |
|
|
1447 | (1) |
|
|
1448 | (1) |
|
|
1449 | (5) |
|
|
1454 | (7) |
|
|
1455 | (1) |
|
|
1456 | (1) |
|
|
1457 | (1) |
|
|
1457 | (1) |
|
In Memoriam Francis Ledwidge |
|
|
1458 | (2) |
|
|
1460 | (1) |
|
|
1460 | (1) |
|
|
1460 | (1) |
|
|
1461 | (9) |
|
Home for a Couple of Days |
|
|
1461 | (9) |
|
|
1470 | (6) |
|
|
1471 | (2) |
|
|
1473 | (1) |
|
|
1474 | (1) |
|
A Woman Painted on a Leaf |
|
|
1475 | (1) |
|
|
1476 | (5) |
|
|
1476 | (1) |
|
|
1477 | (1) |
|
|
1477 | (4) |
|
|
1481 | (3) |
|
|
1481 | (1) |
|
|
1482 | (1) |
|
|
1483 | (1) |
|
|
1484 | (8) |
|
|
1484 | (1) |
|
|
1485 | (1) |
|
|
1485 | (1) |
|
|
1486 | (6) |
|
|
1492 | (14) |
|
|
1493 | (1) |
|
|
1494 | (2) |
|
Labasheedy (The Silken Bed) |
|
|
1496 | (1) |
|
|
1497 | (1) |
|
Why I Choose to Write in Irish, The Corpse That Sits Up and Talks Back |
|
|
1498 | (8) |
|
|
1506 | (2) |
|
|
1506 | (1) |
|
|
1507 | (1) |
|
|
1508 | (2) |
|
The Saltcoats Structuralists |
|
|
1508 | (1) |
|
|
1509 | (1) |
|
|
1510 | (5) |
|
|
1510 | (3) |
|
|
1513 | (2) |
Credits |
|
1515 | (4) |
Index |
|
1519 | |