| Acknowledgments |
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11 | |
| Introduction |
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13 | |
| Chapter I Animal Spirits: A Conceptual Bestiary |
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The Diseases of the Empire |
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18 | |
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London Sinking: The Psychopathology of Everyday Cultural Life |
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Institute of Contemporary Boredom: The Art World as Symptom |
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Radically Correct: The Unconscious Puritanism of Activism |
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The Removal of the Animal Body and the New Commons |
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The Dark Side of the Multitude |
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30 | |
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The Animal Open to the World |
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Restoration of a Bicephalous God |
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A Conceptual Bestiary of the Commons |
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43 | |
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The Bicephalous Eagle: The Ambivalence of Power and Desire |
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The Parasite of the Commons: Alliance and Sabotage |
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The Hydra of Language: The Biomorphic Unconscious of Culture |
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| Chapter II The Parasite of the Commons: Digitalism and the Economy of 'Free Culture' |
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The Biosphere of Machines: Enter the Parasite |
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54 | |
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The Living Energy of Machines and the Surplus |
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Michel Serres and the Cybernetic Parasite |
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Diagram of an Immaterial Parasite |
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Intermezzo: Baudrillard in the Whirlpool of Sign |
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Digitalism: The Impasse of Media Culture |
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72 | |
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The Ideology of Free Culture |
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Against the Creative Anti-Commons |
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Towards the Autonomous Commons |
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A Parasite Haunting the Hacker Haunting the World |
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Rent: The Dystopian Parasite of Cognitive Capitalism |
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91 | |
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Rent Is the Other Side of the Commons |
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The Fourth Dimension of Cognitive Capitalism |
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A Taxonomy of Immaterial Parasites |
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The Bicephalous Multitude and the Grammar of Sabotage |
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| Chapter III The Hydra of Language: The Biomorphic Unconscious of Culture Industry |
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Immaterial Civil War: Prototypes of Conflict within Cognitive Capitalism |
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106 | |
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My Creativity Is My Conflict |
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The Public Life of a Cognitive Object |
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Lazzarato Reading Tarde: The Social Dimension of Value |
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Enzo Rullani and the 'Law of Diffusion' |
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David Harvey and the Collective Symbolic Capital |
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Immaterial Civil War and the Common |
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The Sabotage of the Cognitive Parasite |
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Creative Sabotage in the Factory of Culture: Art, Gentrification and the Metropolis |
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126 | |
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The 'Life of the City' versus the Chimera of the 'Creative City' |
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Introducing the New Urban Frontier |
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The Hydra of Concrete behind the European 'Creative Cities' |
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The Metropolis as Social Factory and Motor of the Surplus |
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Intermezzo: Radical Cities: Negative Index versus Positive Index |
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The Collective Symbolic Capital and the Asymmetries of the Common |
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The Artistic Mode of Production |
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The Dispostifs of the Factory of Culture |
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Be Uncreative: Linguistic Games on the Surface of the Metropolis |
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The Grammar of Sabotage and the Institution of the Common |
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| Chapter IV The Bicephalous Image: The Just Masochism of the Imaginary |
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Neurology and Profonation of the Optical Unconscious |
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156 | |
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The Bicephalous Image: Questioning the Autonomy of the Imaginary |
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'Fiction Is a Branch of Neurology' |
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'Neuronic Icons on the Spinal Highway' |
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The Latent Sexual Character of the War' |
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Pornography Is a Powerful Catalyst for Social Change' |
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Pessimism of Senses, Optimism of Nerves: Deleuze's Francis Bacon |
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First Disambiguation: Code Claustrophobia and the Poverty of the Subject |
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Second Disambiguation: Biodigitalism and False Organicism |
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The 'Civilization of Images' and the Profanation of Pornography |
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I Like to Watch! Warpunk against Warporn |
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188 | |
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The Grinning Monkeys (of Peace Activism) |
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Videoclash of Civilizations |
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Animal Narratives for the Global Mind |
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Digital Anarchy: A Videophone versus the Empire |
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Warporn: The Sexual Content of War Imaginary |
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Libidinal Parasites: Netporn and the Machinic Excess |
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200 | |
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Porn on Diazepam and the Technopathology of Immaterial Labour |
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The Thermodynamics of Pornography |
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The Entropy of Desire and the Negentropy of Machines |
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Vortices Accumulating Crystals of Time |
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Libidinal Parasites and the Accumulation of Libidinal Surplus |
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| Notes |
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211 | |
| Bibliography |
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229 | |
