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Media Composer 6: Professional Effects and Compositing New edition [Multiple-component retail product]

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  • Formaat: Multiple-component retail product, 500 pages, kõrgus x laius x paksus: 230x188x26 mm, kaal: 1175 g, Contains 1 Paperback / softback and 1 DVD video
  • Ilmumisaeg: 16-Apr-2012
  • Kirjastus: Cengage Learning, Inc
  • ISBN-10: 1133590462
  • ISBN-13: 9781133590460
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Media Composer 6: Professional Effects and Compositing New editionSuurem pilt
  • Formaat: Multiple-component retail product, 500 pages, kõrgus x laius x paksus: 230x188x26 mm, kaal: 1175 g, Contains 1 Paperback / softback and 1 DVD video
  • Ilmumisaeg: 16-Apr-2012
  • Kirjastus: Cengage Learning, Inc
  • ISBN-10: 1133590462
  • ISBN-13: 9781133590460
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781133590460.html
Märksõnad:
MEDIA COMPOSER 6: PROFESSIONAL EFFECTS AND COMPOSITING teaches film and video editors about the full range of effects available in Media Composer. Along with its counterpart, Media Composer 6: Professional Picture and Sound Editing, this book provides the foundation for Media Composer Professional Certification through an Avid Learning Partner. In this thorough guide, you'll go far beyond the basics and learn how to apply, design, and build your own effects; how to make full use of all of Media Composer's effects nesting techniques; how to composite various elements using different types of keys; and how to animate effects using keyframes and the motion tracker. You'll also get familiar with the Avid FX interface that comes bundled with Media Composer. Media Composer is a powerful tool, the standard editing system used by professionals in the film and television industries. Go beyond the basics and take a giant step toward your mastery of this important software with Media Composer 6: Professional Effects and Compositing.

MEDIA COMPOSER 6: PROFESSIONAL EFFECTS AND COMPOSITING (course # MC205) is part of the Avid Learning Series. To find more books on Media Composer, Pro Tools, Sibelius, or any other Avid product, visit www.courseptr.com/avid.

Arvustused

Lesson 1: Effect Design and Techniques. Lesson 2: Keyframes. Lesson 3: Using the 3D Warp Effect. Lesson 4: Importing Graphics and Mattes. Lesson 5: Keying Graphics. Lesson 6: Intraframe (Paint) Effects. Lesson 7: Tracking and Stabilizing. Lesson 8: Refining the Composite. Lesson 9: Avid FX--The Basics. Lesson 10: Avid FX--Applying Filters. Lesson 11: Avid FX--Compositing. Lesson 12: Avid FX--Title Tool. Lesson 13: Avid FX--Working in 3D. Appendix.

Introduction xvi
Lesson 1 Effect Design and Techniques
1(42)
Reviewing Effect Techniques
2(6)
The Effect Palette
2(2)
Applying Effects
4(4)
Exploring the Effect Editor
8(3)
Building Multilayer Effects
11(6)
Nesting Effects
11(4)
Creating a Container for Multiple Segments
15(2)
Preparing Your System to Work with Effects
17(8)
Disabling Auto-Monitoring
17(1)
Soloing Video Tracks
18(1)
Configuring the Effect Editor
19(1)
Zooming and Panning
20(1)
Adding Video Tracks
21(1)
Using Workspaces to Change Layouts
22(3)
Saving and Using Templates
25(4)
Organizing Your Effects in a Bin
25(1)
Applying Individual Effect Parameters
26(1)
Custom Transitions
27(1)
Saving Templates with Source
28(1)
Collapsing Tracks in the Timeline
29(3)
Creating a Video Mixdown
32(1)
Designing and Deconstructing Effects
33(5)
Exercise 1 Creating a Title and Video Wall
37(1)
Creating a Nest with Different Effects
38(2)
Working with Titles: Replacing Fill with Video
40(1)
Creating a Video Wall
41(2)
Lesson 2 Animating with Keyframes
43(48)
Understanding Keyframes
44(8)
Adding Keyframes
45(4)
Jumping from Keyframe to Keyframe and Segment to Segment
49(1)
Moving and Nudging Keyframes
49(1)
Deleting Keyframes
50(1)
Adjusting Parameters
50(1)
Zooming in the Keyframe Position Bar
51(1)
Resetting an Effect
52(1)
Advanced Keyframe Techniques: Exploring the Graphs
52(2)
Adding Keyframes to Selected Parameters
54(16)
Other Ways to Add Keyframes
60(1)
Adjusting the Timing of Your Animation
61(7)
Trimming a Clip with an Effect
68(2)
Working with Animation Curves
70(21)
Using Spline Mode
72(2)
Using Bezier Keyframes
74(6)
Animating Beyond the Keyframes: Hold and Extrapolate
80(5)
Exercise 2 Creating a Simple Animation
85(1)
Animating the Video Wall
86(2)
Using Bezier Curves
88(1)
Changing the Clip Order
89(2)
Lesson 3 Using the 3D Warp Effect
91(40)
Applying the 3D Warp Effect
92(1)
Applying the 3D Warp as a Segment Effect
92(1)
Applying the 3D Warp as a Transition Effect
92(1)
Basic Concepts
92(14)
Promoting to 3D
94(1)
Using the Enable Buttons
95(1)
Direct Manipulation of the Image
95(3)
Order of Processing the Parameters
98(2)
Perspective and Target
100(6)
Using the 3D Warp to Make a Mac Cover Flow Effect
106(4)
Handling Transitions with the 3D Warp
110(3)
A Quick Guide to the Remaining Features
113(9)
Exercise 3 Creating Effects
121(1)
Swooping
122(1)
Adding a Flash Pan
123(3)
Applying a Soft Shadow
126(1)
Applying a Transition Effect with a Reflection
127(4)
Lesson 4 Importing Graphics and Mattes
131(42)
Importing Still Images
132(18)
Organization
132(2)
Before You Import Your Graphics
134(2)
A Word About Nonsquare Pixels
136(2)
Import Settings
138(3)
A Quick Guide to Preparing Your Images
141(3)
Color Space
144(2)
Importing Your Image
146(1)
Aspect-Ratio Conversion
146(4)
Importing Movie Files
150(4)
Fields and Field Ordering
150(3)
Importing TIFF and Other File Sequences
153(1)
Importing Animated Graphics and Logos with Alpha
154(4)
Importing the File
155(3)
Importing Photoshop Layers
158(3)
Batch Import: Graphic Workflow
161(2)
Batch Import: File Workflow
163(5)
Exercise 4 Importing Files
167(1)
Preparing and Importing Various Images
168(2)
Importing Color Bars for Line Up
170(1)
Creating a Slide Show and Reimporting Files
170(3)
Lesson 5 Paint Effects
173(60)
Applying Intraframe Effects
174(2)
Shape Creation
176(8)
The Rectangle and Oval Tools
176(1)
The Polygon Tool
177(4)
The Curve Tool
181(1)
The Brush Tool
181(3)
Object-Manipulation Tools
184(7)
The Selection Tool
184(3)
The Rotation Tool
187(1)
The Reshape Tool
187(4)
Object Parameters
191(14)
Acceleration
191(1)
Modes
192(8)
Spot Color Modes
200(3)
Feathering
203(1)
Magic Mask
204(1)
Color
205(1)
Animating Shapes
205(6)
Animating Size and Position
206(1)
Animating the Shape
207(2)
Rotoscoping Strategies
209(1)
Keyframing Multiple Objects
210(1)
Subsets of the Paint Effect
211(9)
Applying Mosaic and Blur Effects
211(1)
Using Scratch Removal
212(7)
Exercise 5 Using Paint to Enhance Your Footage
219(1)
Learning to Draw Bezier Shapes
220(1)
Using Magic Mask to Perform Secondary Color Correction
220(4)
Change the Background in Boat Quay
224(2)
Wire Removal
226(7)
Lesson 6 Keying
233(44)
Keying with SpectraMatte
234(17)
Obtaining the Best Results When Keying
235(1)
Applying the SpectraMatte
236(1)
Using the SpectraMatte Controls
237(13)
Workflow with VFX: Keying in the Real World
250(1)
Matte Keys
251(7)
Types of Matte Keys
251(1)
Importing or Capturing Matte Keys
252(2)
Using Three-Layer Mattes
254(2)
Promoting to 3D
256(1)
Modifying the Contents of a Key
257(1)
Luma Keys
258(3)
Tips for Good Luma Keys
259(2)
Using AniMatte
261(11)
Drawing a Matte
262(2)
Using AniMatte to Create a Shape
264(2)
Creating a Garbage Matte
266(2)
Adjusting the Foreground Element
268(3)
Exercise 6 Using Different Keying Techniques
271(1)
Creating a Luma Key
272(1)
Creating a Green Screen Key
272(1)
Using AniMatte to Remove Garbage
273(1)
Creating a Custom Wipe with AniMatte
274(3)
Lesson 7 Tracking and Stabilizing
277(46)
Tracking Workflow
278(4)
Use of Tracking
279(1)
Effects That Use Tracking Data
280(1)
How Many Trackers?
281(1)
Using the Tracking Tool
282(5)
The Interface
283(1)
Choosing a Good Tracking Point
284(1)
How a Tracker Works
285(2)
Performing a Track
287(4)
What to Do When a Tracker Goes Astray
289(1)
Applying the Tracking Data
290(1)
Changing Nontracking Parameters
290(1)
Advanced Tracking Features
291(2)
Tracking Engines
291(1)
Offset Tracking
292(1)
Video Layers and Tracking
293(1)
Viewing Tracking Data
293(2)
Manually Adjusting Tracking Data
295(3)
Moving Individual Points
295(1)
Moving a Group of Points
295(2)
Deleting Points
297(1)
Setting a Reference Frame
298(1)
Making Use of Tracking Data
299(2)
Tracking Examples
301(9)
Tracking Two Faces with Mosaic
301(3)
Creating a Corner Pin Track
304(3)
Apply Tracking Data to a Static Background
307(3)
Stabilizing
310(8)
The Stabilize Effect
310(1)
Using SteadyGlide
311(3)
Smoothing Options
314(3)
Exercise 7 Tracking
317(1)
Stabilizing the Big Boat Shot
318(1)
Tracking a "Knock Back" Effect
318(1)
Creating a Dancing Girl
319(1)
Tracking the Man on the Bike
320(3)
Lesson 8 Refining the Composite
323(30)
Exploring the Workflow for Convincing Composites
324(5)
Using AniMatte: Man on Bike
324(2)
Using SpectraMatte: TV Screen
326(3)
Advanced Nesting
329(3)
Adding Effects Inside a Nest
329(1)
Nesting Within a Nest
330(2)
Adding Finishing Touches
332(4)
Saving Complex Effect Templates
336(3)
Recycling the Flash Pan
336(2)
Recycling the Video Wall
338(1)
Saving Tide Templates
339(2)
Understanding the Limitations of the 3D Warp Effect
341(12)
Exercise 8 Compositing and Beyond!
347(6)
Appendix A Working with FluidMotion and Photoshop
353(36)
Correcting FluidMotion Artifacts
354(10)
Applying a FluidMotion Effect
356(2)
Opening the FluidMotion Edit Interface
358(1)
Displaying Vectors in the FluidMotion Edit Interface
359(2)
Defining a Region Around an Artifact
361(1)
FluidMotion Workflow
361(3)
Preparing Images in Photoshop
364(10)
Preparing an Image for NTSC 4:3
365(3)
Using the Transform Tool
368(3)
Preparing an Image for NTSC 16:9
371(1)
Preparing an Image for PAL 4:3 and 16:9
372(1)
Preparing Images for HD Projects
373(1)
Creating Lower Thirds in Photoshop
374(15)
Alpha Channels: Photoshop Versus Media Composer
374(2)
Tricking Photoshop into Producing Straight Alpha!
376(8)
Creating Alphas the Easy Way
384(5)
Appendix B Answers to Review/Discussion Questions
389(8)
Index 397
David East has spent twelve years with Avid Technology as an application specialist and trainer working throughout Europe, the Middle East, and Asia. Currently based in Singapore, he teaches editing to all levels on Avid Media Composer. Prior to joining Avid, he spent nine years at the BBC in London, where he pioneered the broadcaster's transition from tape to digital non-linear editing. As a Documentary and News Editor, he was the first person at the BBC to edit a television program on the Avid Media Composer, in 1991.