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Memory in Motion: Archives, Technology, and the Social [Kõva köide]

Edited by , Contributions by (St Mary's University), Edited by , Contributions by (University of Nottingham), Contributions by (Goldsmiths, University of London), Contributions by (University of Oxford), Contributions by (University of Edinburgh), Contributions by (Lancaster University), Edited by , Contributions by (Lancaster University)
  • Formaat: Hardback, 332 pages, kõrgus x laius: 234x156 mm, 39 Illustrations, black and white
  • Sari: Recursions
  • Ilmumisaeg: 01-Nov-2016
  • Kirjastus: Amsterdam University Press
  • ISBN-10: 9462982147
  • ISBN-13: 9789462982147
Teised raamatud teemal:
  • Formaat: Hardback, 332 pages, kõrgus x laius: 234x156 mm, 39 Illustrations, black and white
  • Sari: Recursions
  • Ilmumisaeg: 01-Nov-2016
  • Kirjastus: Amsterdam University Press
  • ISBN-10: 9462982147
  • ISBN-13: 9789462982147
Teised raamatud teemal:
How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very much up in the air. The essays in this collection discuss the new technologies of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.

Contributors: David Berry, Ina Blom, Wolfgang Ernst, Matthew Fuller, Andrew Goffey, Liv Hausken, Yuk Hui, Trond Lundemo, Adrian Mackenzie, Sónia Matos, Richard Mills, Jussi Parikka, Eivind Røssaak, Stuart Sharples, Tiziana Terranova, Pasi Väliaho.

Arvustused

"[ Memory in Motion] is a highly valuable contribution to the increasing exchanges between memory studies, cultural studies, digital humanities and media archeology." - Reviewed in Leonardo by Jan Baetens, June 2017

Acknowledgements 9(2)
Introduction: Rethinking Social Memory: Archives, Technology, and the Social 11(30)
Ina Blom
Oralities
Chapter One `Electrified Voices': Non-Human Agencies of Socio-Cultural Memory
41(20)
Wolfgang Ernst
Chapter Two Can Languages be Saved? Linguistic Heritage and the Moving Archive
61(26)
Sonia Matos
Softwares
Chapter Three Big Diff, Granularity, Incoherence, and Production in the Github Software Repository
87(16)
Matthew Fuller
Andrew Goffey
Adrian Mackenzie
Richard Mills
Stuart Sharples
Chapter Four The Post-Archival Constellation: The Archive under the Technical Conditions of Computational Media
103(26)
David M. Berry
Lives
Chapter Five Planetary Goodbyes: Post-History and Future Memories of an Ecological Past
129(24)
Jussi Parikka
Chapter Six Video Water, Video Life, Videosociality
153(30)
Ina Blom
Chapter Seven FileLife: Constant, Kurenniemi, and the Question of Living Archives
183(30)
Eivind Røssaak
Images
Chapter Eight Mapping the World: Les Archives de la Planete and the Mobilization of Memory
213(24)
Trond Lundemo
Chapter Nine Stills from a Film That Was Never Made: Cinema, Gesture, Memory
237(20)
Pasi Valiaho
Chapter Ten The Archival Promise of the Biometric Passport
257(30)
Liv Hausken
Socialities
Chapter Eleven A Neomonadology of Social (Memory) Production
287(20)
Tiziana Terranova
Chapter Twelve On the Synthesis of Social Memories
307(20)
Yuk Hui
Contributors 327(2)
Name Index 329
Ina Blom is a Professor at the Department of Philosopy, Classics, History of Art and Ideas at the University of Oslo and Visiting Professor at the Dept. of Art History, University of Chicago. She is the author of On The Style Site. Art, Sociality, and Media Culture (2007) and The Autobiography of Video. The Life and Times of a Memory Technology (2016). Trond Lundemo is Associate Professor in Cinema Studies at The Department of Media Studies, Stockholm University. He is co-editor of The Location of History, vol. 3: Memory, Media and Materiality (in Swedish, 2016) and co-editor of the book series Film Theory in Media History at Amsterdam University Press. Eivind Røssaak is Associate Professor in the Research Department at the National Library of Norway and Visiting Professor at Nordland College of Cinema and the Arts. He is the editor of The Archive in Motion (2010) and Between Stillness and Motion (2011) and the author of The Still/Moving Image: Cinema and the Arts (2010).