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Metalwork from the Arab World and the Mediterranean [Pehme köide]

  • Formaat: Paperback / softback, 340 pages, kõrgus x laius x paksus: 274x213x30 mm, kaal: 1656 g, Illustrations, unspecified
  • Sari: The Al-Sabah Collection
  • Ilmumisaeg: 01-Jan-2025
  • Kirjastus: Thames & Hudson Ltd
  • ISBN-10: 050097117X
  • ISBN-13: 9780500971178
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  • Formaat: Paperback / softback, 340 pages, kõrgus x laius x paksus: 274x213x30 mm, kaal: 1656 g, Illustrations, unspecified
  • Sari: The Al-Sabah Collection
  • Ilmumisaeg: 01-Jan-2025
  • Kirjastus: Thames & Hudson Ltd
  • ISBN-10: 050097117X
  • ISBN-13: 9780500971178
A remarkable collection of metalwork from the Mediterranean, Iraq, Iran, and the Indian subcontinent, published here for the first time.

This volume, the latest in the series on the treasures of The al-Sabah Collection, Kuwait, presents metalwork made in Syria, Egypt, Iraq, and Yemen from the early Islamic period through the end of the Ottoman era in the nineteenth century. The pieces include exquisite platters, serving vessels, candlesticks, and pen boxes produced for royal courts, but also many beautifully decorated bronze domestic items, such as bowls, lunch boxes, door knockers, buckets, and lamps.Rooted in earlier artistic traditions from the Mediterranean, Iraq, Iran, and the Indian subcontinent, the metalwork traditions in this book reflect the complex history of the Arab world following the advent of Islam. The collection starts in the Late Antique period, which informed the early Islamic royal styles of the Umayyad, Abbasid, and Fatimid dynasties, and goes on to trace the emergence of Mosul as a center for metalwork in the twelfth and thirteenth centuries; the influential courtly Mamluk style during the Bahri period (1250–1380s); the Circassian era (1380s–1517); the growth of the European export market in the fifteenth century; distinctive vernacular styles in Yemen during the fourteenth, fifteenth, and sixteenth centuries; and the many revivals and fusions of international styles over six centuries of Ottoman rule (1517–1900s). Finally, an enigmatic group of zoomorphic fittings that defy easy dating is celebrated for the craftsmanship and charm of its animal figures.This beautifully illustrated volume features many important unpublished pieces and is essential reading for specialists, but it will fascinate and inform anyone with an interest in Islamic culture and history, metalwork, and the decorative arts of the Arab world.
Foreword 6(2)
Sheikh Nasser Sabah Al-Ahmad Al-Sabah
Acknowledgments 8(2)
Chapter One The Legacy Of Late Antiquity (4th to 8th centuries) Cat. 1 to Cat. 9
10(14)
Chapter Two Before Mosul: Metalwork In The Mediterranean World (7th to 12th centuries) Cat. 10 to Cat. 2.0
24(28)
Chapter Three The Rise Of Nobility In Metalware (12th to 13th centuries) Cat. 21 to Cat. 25
52(22)
Chapter Four The Formation Of A Mamluk Style In The Bahri Period (1250-1380S)
74(110)
The Transitional Style: Cat. 26 to Cat. 33
82(30)
The Epigraphic Style: Cat. 34 to Cat. 54
112(48)
Engraved Vessels: Cat. 55 to Cat
160(24)
Chapter Five The Predominance Of Engraving In The Circassian Era (1380S-1517)
184(50)
Continuity and New Production: Cat. 61 to Cat. 76
188(34)
Late Mamluk Refinement: Cat. 77 to Cat. 79
222(12)
Chapter Six The Export Style (Late 15th to early 16th century)
234(24)
The Arabesque Group of Export Ware: Cat. 80 to Cat
81(167)
The Knot-Work Group of Export Ware: Cat. 82 to Cat. 85
248(10)
Chapter Seven Metalwork From Yemen (14th to 16th centuries) Cats. 86-89
258(12)
Chapter Eight Post-Mamluk, Neo-Mamluk And Ottoman Metalware (1517--1900s)
270(40)
Post-Mamluk and Neo-Mamluk Wares: Cat. 90 to Cat. 91
274(6)
Ottoman and Ottoman Fusion: Cat. 92 to Cat. 105
280(30)
Chapter Nine Zoomorphic Finials And Fittings Cats. 106-113
310(14)
Notes 324(4)
Bibliography 328(6)
Table of Concordance of Inventory Numbers and Catalogue Numbers 334(1)
Picture Credits 335(1)
Index 336