Muutke küpsiste eelistusi

Michael Freeman On Light & Shadow: The Ultimate Photography Masterclass [Pehme köide]

  • Formaat: Paperback / softback, 176 pages, kõrgus x laius x paksus: 234x200x12 mm, kaal: 560 g
  • Sari: Michael Freeman Masterclasses
  • Ilmumisaeg: 08-Sep-2022
  • Kirjastus: Ilex
  • ISBN-10: 1781578540
  • ISBN-13: 9781781578544
  • Formaat: Paperback / softback, 176 pages, kõrgus x laius x paksus: 234x200x12 mm, kaal: 560 g
  • Sari: Michael Freeman Masterclasses
  • Ilmumisaeg: 08-Sep-2022
  • Kirjastus: Ilex
  • ISBN-10: 1781578540
  • ISBN-13: 9781781578544
Fifty years after the publication of the hugely influential bestseller The Photographer's Eye, Michael Freeman returns with fresh ideas that reflect on the way the medium has evolved in the 21st century

Drawing on over 40 years of practical experience, best-selling author and photographer Michael Freeman examines the most fundamental building-blocks of photography - light and shadow - bringing this key element of the picture-making process into the 21st century.

In this book, Freeman takes a new and different view of photography's prime commodity, arguing that for the photographer, the rich and evocative world of shadows is the full equal of the actual light that casts them and bathes scenes. He defines the varied qualities of both light and shadows (of which there are at least ten distinct types), and shows how they have particular meaning and purpose. He also argues for integrating exposure and processing with an appreciation of light and shadow quality so as to have full and subtle control. Armed with this understanding and these techniques, the creative photographer can work with light and shadow to add depth and quality to imagery.

-    All new content from the master of photography guides
-    Concise and easy-to-follow format clearly explains the fundamentals of light and shadow
-    For the first time ever, both light and shadow are given equal weight in the discussion of photographic image-making
-    Real-life examples, clearly illustrated, cut through the jargon and show the theory of light and shadow in practice
Introduction 6(2)
Chapter 1 Love Light
8(24)
Specialness
10(2)
Tones & zones
12(4)
Light & shadow
16(2)
Drawn to the light
18(2)
Reflected light
20(2)
Natural cross-lighting
22(2)
Lustre
24(2)
Atmospherics
26(2)
Marginal light
28(2)
Fugitive light
30(2)
Chapter 2 The Brightness of Things
32(20)
Mid-tone default
34(2)
Away from average
36(2)
Coal black, snow white
38(2)
Skin tones
40(6)
The source itself
46(4)
Uncertain brightness
50(2)
Chapter 3 The Basic Scenarios
52(30)
High three-quarter
54(2)
High frontal
56(2)
Top light
58(2)
Sidelight
60(2)
Offstage sidelight
62(2)
Grazing light
64(2)
Axial
66(2)
Into the light
68(2)
Backlight
70(2)
Reflected backlight
72(2)
Open backlight
74(2)
Enveloping
76(2)
Edge light
78(2)
City nights
80(2)
Chapter 4 Highlights
82(22)
Directing with highlights
84(4)
Light pools
88(2)
Highlight shapes & patterns
90(4)
Reflected shapes
94(2)
Glow & roll-off
96(2)
Caustics
98(2)
Speculars & practicals
100(2)
Highlights define
102(2)
Chapter 5 Shadowlands
104(24)
Degrees of shadow
106(2)
Shadow Type 1 Basic rich
108(2)
Shadow Type 2 Backdrop
110(2)
Shadow Type 3 Receding shadow
112(2)
Shadow Type 4 Volumetric shadow
114(2)
Shadow Type 5 Reflective shadow
116(2)
Shadow Type 6 Open shadow
118(2)
Shadow Type 7 Graded shadow
120(2)
Shadow Type 8 Chiaroscuro
122(2)
Shadow Type 9 Cast shape
124(2)
Shadow Type 10 Silhouette
126(2)
Chapter 6 Process
128(20)
Shoot to process
130(2)
Archived light
132(2)
Semantic processing
134(2)
Keep it authentic
136(2)
The math of light & shadow
138(4)
Recovery & relight
142(2)
Parsing light
144(2)
Night mode
146(2)
Chapter 7 Style
148(24)
Atmospheric backlit
150(2)
High register
152(2)
Natural backlit interior
154(2)
Dutch north light
156(2)
Low register
158(2)
Shadowfall
160(2)
Caravaggio intensity
162(2)
Localized pop-out
164(2)
Sharp-cut
166(2)
Quiet light
168(2)
High overlay
170(2)
Index 172
Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career.

Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture.

Freeman's books on photography have been translated into 27 languages.