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x | |
Acknowledgments |
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xi | |
Preface |
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xiii | |
Introduction: Polyculturalism, Transnationalism, and Diaspora |
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1 | (40) |
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Middle Eastern American Communities |
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3 | (2) |
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Middle Eastern Americans and the Transnational Belonging |
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5 | (4) |
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Middle Eastern Americans and the US Census |
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9 | (1) |
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The Polycultural and Middle Eastern Americans |
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10 | (3) |
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Middle Eastern American Literature |
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13 | (1) |
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Middle Eastern American Diasporic Cultural Production |
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14 | (5) |
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Middle Eastern American Theatre |
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19 | (10) |
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Issues Facing Middle Eastern American Theatre |
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29 | (5) |
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Major Themes of Middle Eastern American Theatre |
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34 | (7) |
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1 Major Middle Eastern American Companies |
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41 | (18) |
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41 | (3) |
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Alliance for Jewish Theatre (AJT) |
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44 | (1) |
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Arab-American Comedy Festival |
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45 | (1) |
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45 | (1) |
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46 | (2) |
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Golden Thread Productions |
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48 | (1) |
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49 | (1) |
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50 | (1) |
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50 | (1) |
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New Arab American Theatre Works |
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51 | (1) |
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51 | (2) |
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53 | (1) |
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54 | (1) |
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Silk Road Rising/Silk Road Theatre Project |
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54 | (1) |
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TARTE: Turkish American Repertory Theater & Entertainment |
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55 | (1) |
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56 | (1) |
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57 | (2) |
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2 Return to the Homeland Plays |
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59 | (14) |
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73 | (22) |
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Governmental Persecution Plays: Back of the Throat, Truth Serum Blues, and Zafira and the Resistance |
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75 | (8) |
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Societal Persecution Plays: Autobiography of a Terrorist, Me No Terrorist, Roar, Mosque Alert, and Lubbock or Leave It! |
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83 | (12) |
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95 | (36) |
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Middle Eastern Americans and the Entertainment Industry: It's Not About Pomegranates! and Browntown |
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95 | (7) |
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Living between "Here" and "There": 444 Days; This Time; Twice, Thrice, Price ...; Reading Hebron; Noura; Dragonflies; Suitcase; and Living in the Hyphen-Nation |
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102 | (14) |
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Keeping Tradition Alive: TRAYF, A People: A Mosaic Play, and Detour Guide |
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116 | (6) |
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Searching for Roots: Baba and (dis)Place[ d] |
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122 | (3) |
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Diaspora and Its Discontents: Stunning, Deep Cut, and The Man in the Sukkah |
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125 | (6) |
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5 Plays Set in the Homeland |
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131 | (18) |
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Plays Exploring the Refugee Crisis: Urge for Going and Not My Revolution |
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131 | (4) |
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Plays of the Holocaust and Plays Set in Israel and Palestine: The Zionists, Abraham's Daughters, and Food and Fadwa |
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135 | (7) |
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Plays and Musicals About the Troubled Homeland: Pera Palas, The Band's Visit, and We Live in Cairo |
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142 | (7) |
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149 | (20) |
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The Palestinian-Israeli Conflict: The River and the Sea, Facts, Martyr's Street, and Wrestling Jerusalem |
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149 | (9) |
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Plays of the Armenian Genocide: March! and Night Over Erzinga |
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158 | (4) |
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Civil War Plays: Scorched, Game of Patience, and Smail |
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162 | (7) |
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7 The Current State of Middle Eastern American Theatre |
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169 | (4) |
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173 | (52) |
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"Theatre that Disrupts Our Unconscious Bias with Humor and Joy": An Interview with Maia Directors Kareem Fahmy, Evren Odcikin, Megan Sandberg-Zakian, and Pirronne Yousefzadeh |
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175 | (8) |
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"Be a Part of Changing the American Narrative About the Middle East": An Interview with Golden Thread Productions Executive Artistic Director Torange Yeghiazarian and Silk Road Rising Co-Founder and Co-Executive Artistic Director Jamil Khoury |
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183 | (26) |
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References and Further Reading |
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209 | (16) |
Notes on Contributors |
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225 | (2) |
Index |
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227 | |