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Middle Eastern American Theatre: Communities, Cultures and Artists [Pehme köide]

(University of Oregon, USA), Series edited by (University of Galway, Ireland), Series edited by (Loyola Marymount University, Los Angeles, USA)
  • Formaat: Paperback / softback, 256 pages, kõrgus x laius x paksus: 214x138x16 mm, kaal: 340 g, 5 bw illus
  • Sari: Critical Companions
  • Ilmumisaeg: 25-Aug-2022
  • Kirjastus: Methuen Drama
  • ISBN-10: 1350192597
  • ISBN-13: 9781350192591
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  • Formaat: Paperback / softback, 256 pages, kõrgus x laius x paksus: 214x138x16 mm, kaal: 340 g, 5 bw illus
  • Sari: Critical Companions
  • Ilmumisaeg: 25-Aug-2022
  • Kirjastus: Methuen Drama
  • ISBN-10: 1350192597
  • ISBN-13: 9781350192591
Teised raamatud teemal:

Middle Eastern American Theatre explores the burgeoning Middle Eastern American theatre movement with a focus on Arab American, Jewish American, Armenian American, Iranian American, and Turkish American theatres, playwrights, directors, and actors. By exploring the rich religious and cultural heritage of this diverse group - which includes Arabs, Armenians, Iranians, Jews, and Turks - and religions that include the Baha'i faith, Christianity, Chaldean, Druze, Ishik Alevism, Judaism, Islam, Mandaeism, Samaratin, Shabakism, Yazidi, and Zoroastrianism - the rich and paradoxical nature of the term 'Middle Eastern' is interrogated through the dramas written and performed by those in the Diaspora.

Featuring a clear introduction and examination of the context and the various push and pull factors that have contributed to the mass migrations to North America - including the so-called “Great Migration” of 1890-1915, the Armenian Genocide, the European Holocaust, the two world wars, the Israeli/Palestinian conflict, and other social and political conflicts. With chapters devoted to Arab American, Israeli American, Iranian American and Turkish American theatre, Middle Eastern American Theatre traces the history and examines the work of key artists and directors including Heather Raffo, Yussef El Guindi, Jamil Khoury, Mona Mansour, Danny Bryck, Ken Kaissar, Ari Roth, Torange Yeghiazarian, Reza Abdoh, Sedef Ecer, Torange Yeghiazarian, of Golden Thread Productions, and Jamil Khoury, of Silk Road Rising.

The volume provides readers with a deeper and more nuanced understanding of millions of Middle Eastern Americans, and how they have contributed to American theatre today.

Arvustused

Professor Najjars comprehensive examination is an inspiring reminder of how far the Middle Eastern Theatre community has advanced, and is a call to all theatre artists who identify as Middle Eastern American to make their voices heard. His book is a much-needed illumination of the diversity of the US American theatreand of the Middle Eastern American theatre community itself, composed as it is of writers, directors, actors, designers, educators and producers of many national origins and religions, whose stories are an essential part of the American landscape. It will hopefully serve as a point of departure for many such writings and conversations and expand the perception of people of Middle Eastern origin and our relationship to our heritage. -- Catherine Coray, Tisch School of the Arts; Director, The Lark Middle East/US Playwright Exchange, USA Najjars thoughtful analysis captures the stylistic and thematic diversity of the theatre practice of Americans of Middle Eastern descent. The region is home to dozens of ethnicities, religions, and national traditions, andas Najjar demonstratesthe theatres grappling with the past and present of the region and its diasporas has produced gripping art. Najjar provides a clear and engaging overview of a remarkably vast, varied, and compelling theatre. -- Edward Ziter, Professor, Department of Drama, Tisch School of the Arts, New York University, USA

Muu info

This book explores the burgeoning Middle Eastern American theatre movement with a focus on Arab American, Jewish American, Iranian American, and Turkish American theatres, playwrights, directors, and actors.
List of Illustrations
x
Acknowledgments xi
Preface xiii
Introduction: Polyculturalism, Transnationalism, and Diaspora 1(40)
Middle Eastern American Communities
3(2)
Middle Eastern Americans and the Transnational Belonging
5(4)
Middle Eastern Americans and the US Census
9(1)
The Polycultural and Middle Eastern Americans
10(3)
Middle Eastern American Literature
13(1)
Middle Eastern American Diasporic Cultural Production
14(5)
Middle Eastern American Theatre
19(10)
Issues Facing Middle Eastern American Theatre
29(5)
Major Themes of Middle Eastern American Theatre
34(7)
1 Major Middle Eastern American Companies
41(18)
AJYAL Theatrical Group
41(3)
Alliance for Jewish Theatre (AJT)
44(1)
Arab-American Comedy Festival
45(1)
Art2Action Inc.
45(1)
Darvag Theater Group
46(2)
Golden Thread Productions
48(1)
Jewish Plays Project
49(1)
The Lark
50(1)
Mosaic Theater
50(1)
New Arab American Theatre Works
51(1)
Nibras Theatre Ensemble
51(2)
Noor Theatre
53(1)
Pangea World Theatre
54(1)
Silk Road Rising/Silk Road Theatre Project
54(1)
TARTE: Turkish American Repertory Theater & Entertainment
55(1)
Theater J
56(1)
Tribute: Reza Abdoh
57(2)
2 Return to the Homeland Plays
59(14)
3 Persecution Plays
73(22)
Governmental Persecution Plays: Back of the Throat, Truth Serum Blues, and Zafira and the Resistance
75(8)
Societal Persecution Plays: Autobiography of a Terrorist, Me No Terrorist, Roar, Mosque Alert, and Lubbock or Leave It!
83(12)
4 Diaspora Plays
95(36)
Middle Eastern Americans and the Entertainment Industry: It's Not About Pomegranates! and Browntown
95(7)
Living between "Here" and "There": 444 Days; This Time; Twice, Thrice, Price ...; Reading Hebron; Noura; Dragonflies; Suitcase; and Living in the Hyphen-Nation
102(14)
Keeping Tradition Alive: TRAYF, A People: A Mosaic Play, and Detour Guide
116(6)
Searching for Roots: Baba and (dis)Place[ d]
122(3)
Diaspora and Its Discontents: Stunning, Deep Cut, and The Man in the Sukkah
125(6)
5 Plays Set in the Homeland
131(18)
Plays Exploring the Refugee Crisis: Urge for Going and Not My Revolution
131(4)
Plays of the Holocaust and Plays Set in Israel and Palestine: The Zionists, Abraham's Daughters, and Food and Fadwa
135(7)
Plays and Musicals About the Troubled Homeland: Pera Palas, The Band's Visit, and We Live in Cairo
142(7)
6 Conflict Plays
149(20)
The Palestinian-Israeli Conflict: The River and the Sea, Facts, Martyr's Street, and Wrestling Jerusalem
149(9)
Plays of the Armenian Genocide: March! and Night Over Erzinga
158(4)
Civil War Plays: Scorched, Game of Patience, and Smail
162(7)
7 The Current State of Middle Eastern American Theatre
169(4)
8 Critical Perspectives
173(52)
"Theatre that Disrupts Our Unconscious Bias with Humor and Joy": An Interview with Maia Directors Kareem Fahmy, Evren Odcikin, Megan Sandberg-Zakian, and Pirronne Yousefzadeh
175(8)
"Be a Part of Changing the American Narrative About the Middle East": An Interview with Golden Thread Productions Executive Artistic Director Torange Yeghiazarian and Silk Road Rising Co-Founder and Co-Executive Artistic Director Jamil Khoury
183(26)
References and Further Reading
209(16)
Notes on Contributors 225(2)
Index 227
Michael Malek Najjar is an associate professor of Theatre Arts at the University of Oregon, USA with a specialization/ concentration in Arab American and Middle Eastern American Theatre forms. He is the author of Middle Eastern American Theatre: Communities, Cultures and Artists and Arab American Drama, Film and Performance, 1908 to the Present. He is the editor of Heather Raffo's Iraq Plays: The Things That Can't Be Said, The Selected Works of Yussef El Guindi, Four Arab American Plays: Works by Leila Buck, Jamil Khoury, Yussef El Guindi, and Lameece Issaq & Jacob Kader and co-editor of Six Plays of the Israeli-Palestinian Conflict. He is on the advisory board of Arab Stages and the steering committee of MENA Theatre Makers Alliance.