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Milton, Music and Literary Interpretation: Reading through the Spirit [Kõva köide]

(University of Alabama, USA)
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Milton, Music and Literary Interpretation: Reading through the Spirit constructs a musical methodology for interpreting literary text drawn out of John Milton’s poetry and prose. Analyzing the linkage between music and the Holy Spirit in Milton’s work, it focuses on harmony and its relationship to Milton’s theology and interpretative practices. Linking both the Spirit and poetic music to Milton’s understanding of teleology, it argues that Milton uses musical metaphor to capture the inexpressible characteristics of the divine. The book then applies these musical tools of reading to examine the non-trinitarian union between Father, Son, and Spirit in Paradise Lost, argues that Adam and Eve’s argument does not break their concord, and puts forward a reading of Samson Agonistes based upon pity and grace.

Acknowledgments vii
List of Abbreviations and Standard Editions
ix
Introduction 1(17)
Spiritual Reading
3(2)
Musical Reading
5(2)
Three Approaches for Musical Reading
7(1)
Harmony
8(5)
Dissonance and Discord
13(2)
Solo and Choral Song
15(3)
1 Spiritual Harmony
18(35)
Music with a Purpose
19(2)
Heavenly Harmony and the Spirit
21(15)
Hearing the Inexpressible: Music and Transcendent Indefinition
36(17)
2 Spiritual Hermeneutics
53(24)
The Spirit's Role in Reading
56(11)
God, the Spirit, and Truth
67(10)
3 Spiritual and Musical Teleology
77(17)
The Teleology of the Spirit
77(4)
Music as Metaphor: Playing Poetic Games
81(13)
4 Harmonious Reading
94(26)
Harmony and Milton's Trinity
94(15)
Concord, Discord, and Marriage
109(11)
5 Music and Literary Interpretation
120(21)
Reading Samson Agonistes Musically
120(4)
"He May Dispense with Me or Thee": Concord and Discord with God
124(7)
Dying Is Easy; Harmony Is Hard
131(10)
Conclusion: Intersections and Interventions
141(8)
Musical Collaboration
141(4)
Interventions
145(4)
Bibliography 149(6)
Index 155
David Ainsworth is Assistant Chair and Associate Professor of English at the University of Alabama, and part of the faculty of the Hudson Strode Program for Renaissance Studies housed there. His first book, Milton and the Spiritual Reader: Reading and Religion in Seventeenth-Century England was published by Routledge in 2008, and he has published articles in journals including Milton Quarterly, Religion and Literature, and SEL.