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Milwaukee Rock and Roll, 1950-2000: A Reflective History [Kõva köide]

Edited by , Edited by , Edited by
  • Formaat: Hardback, 256 pages, kõrgus x laius: 254x178 mm
  • Ilmumisaeg: 01-Sep-2019
  • Kirjastus: Marquette University Press
  • ISBN-10: 1626000549
  • ISBN-13: 9781626000544
Teised raamatud teemal:
  • Formaat: Hardback, 256 pages, kõrgus x laius: 254x178 mm
  • Ilmumisaeg: 01-Sep-2019
  • Kirjastus: Marquette University Press
  • ISBN-10: 1626000549
  • ISBN-13: 9781626000544
Teised raamatud teemal:
From the beginning of Milwaukee rock in the 1950s to the turn of the century, this fascinating anthology of written, vocal, and visual reflections, will inform readers and evoke memories for those who experienced the music and the era. The editors present an enthralling, generously illustrated, multifaceted cultural history of Milwaukee and rock music highlighted by a multiplicity of voices— musicians, promoters, DJs, photographers, artists, and audience members—collectively committed to the sounds of a great city.

Milwaukee Rock and Roll, 1950-2000: A Reflective History surveys and celebrates a rich musical heritage. It does not claim to be a definitive account of Milwaukee rock, but it offers an important narrative—a foundation for further study and appreciation. This book is an anthology of written, vocal, and visual reflections, which will inform readers and evoke memories for those who experienced this music and era. It includes, among so many other performers, Milwaukee rock pioneers Sam McCue, Artie Herrera, and Larry Lynne; truck driver folk great Larry Penn; impresario Nick Topping; rhythm and blues standout Junior Brantley and soul man Harvey Scales; 60s bands like the Ricochettes, Shag, and the Corporation; bluesmen Jim Liban and Jon Paris; “girl rockers” epitomized by the G.T.O.’s and Ruby Starr; punks like the Haskels, the Oil Tasters, and Die Kreuzen; the internationally renowned punk/indie Violent Femmes; and prog rocker (among his other impressive musical talents) Sigmund Snopek III. Others are also referenced including Buddy Holly; Pete Seeger; Jean Ritchie, Bob Dylan; the Dave Clark Five; the Beatles; Cream; Led Zeppelin; the Grateful Dead; Chuck Berry; Muddy Waters; Lou Reed; Bruce Springsteen; and Patti Smith. The editors present a multifaceted cultural history of Milwaukee and rock music highlighted by a multiplicity of voices—musicians, promoters, DJs, photographers, artists, and audience members—collectively committed to the sounds of a great city.
Acknowledgments viii
Introductions 1(6)
Chapter 1 Rock's Beginnings in Milwaukee
7(18)
Chapter 2 Milwaukee and the Folk Revival
25(20)
Chapter 3 The British Invade Milwaukee
45(12)
Chapter 4 Milwaukee's Rockin' Radio
57(20)
Chapter 5 Milwaukee's Rhythm and Blues (R&B), Soul, and Hip-hop Heritage
77(16)
Chapter 6 Rockin' in the 1960s and into the 1970s
93(34)
Chapter 7 The Blues in Milwaukee
127(26)
Chapter 8 Milwaukee Women Rock Musicians
153(22)
Chapter 9 Punk and Post-Punk
175(36)
Chapter 10 Milwaukee Sonic Explorers
211(12)
Epilogue 223(2)
Bibliography 225(3)
Contributors 228(3)
Index 231
Bruce Cole is a librarian at Marquette University and curator of the Jean Cujé Milwaukee Music Collection, the archive showcased in this book. A legendary drummer, renowned locally, nationally, and internationally. Bruce currently plays with the Doo-Wop Daddies, keeping him in direct contact with Milwaukees rich and diverse music scene.

David Luhrssen is Managing Editor of the Shepherd Express, Milwaukees weekly newspaper. He is author or co-author of several books, including The Encyclopedia of Classic Rock, Brick Through the Window: An Oral History of Punk Rock, New Wave and Noise in Milwaukee, Secret Societies and Clubs in American History, and Elvis Presley: Reluctant Rebel.

Phillip Naylor is a professor of history at Marquette University. He is also a longtime blues and rock aficionado, and in creative collaboration with Bruce Cole, initiated a popular rock and roll course on campus.