This groundbreaking book examines how minjung artists played a pivotal role in Koreas democratization and decolonization. Through bold experimentation, cross-cultural collaboration, and active participation in sweeping social change, these artists not only responded to but also shaped a turbulent political era. An essential read for anyone interested in the intersection of art, activism, and history.Namhee Lee, Professor of Modern Korean History, University of California, Los Angeles
"By situating minjung within the broader global history of political art and collectives, Lee highlights its significance in a longer global history of art, while also connecting its relevance to contemporary discussions on collective practices, shifting attention to the role of art in fostering collective action and envisioning new social possibilities. Not merely a cultural phenomenon, but a politically charged force that embodied and activated the collective will in opposition to an authoritarian state, the Minjung art movement demonstrates the capacities of what art can do in troubled times." Ming Tiampo, Professor of Art History, Carleton University
