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Minor Keys: Gender, Inequality and Work In Electronic Music [Pehme köide]

(University of Portsmouth)
  • Formaat: Paperback / softback, 218 pages, kõrgus x laius: 234x156 mm, Not illustrated
  • Ilmumisaeg: 09-Oct-2025
  • Kirjastus: Bristol University Press
  • ISBN-10: 1529240425
  • ISBN-13: 9781529240429
Teised raamatud teemal:
Minor Keys: Gender, Inequality and Work In Electronic MusicSuurem pilt
  • Formaat: Paperback / softback, 218 pages, kõrgus x laius: 234x156 mm, Not illustrated
  • Ilmumisaeg: 09-Oct-2025
  • Kirjastus: Bristol University Press
  • ISBN-10: 1529240425
  • ISBN-13: 9781529240429
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781529240429.html
Märksõnad:
Whats it like to work in the male-dominated world of electronic music? How do women and gender-expansive music producers and DJs thrive despite clublands so-called bro culture? This book combines the authors personal journey into DJing and music production with insights from a six year immersive research project and interviews with 63 global artists to explore the challenges women and gender-expansive artists face in the industry.



The book tackles common myths around gender, technology and cultural production head on, introducing the concept of ameliorative work to recognise the continual and considerable additional work that minoritized genders do in order to succeed.



Engaging, accessible and thought-provoking, this book is a must-read for anyone interested in electronic music, the sociology of the contemporary club scene or diversity issues for workers in the creative industries.

Arvustused

This is the book I needed to be written. Parsley dismantles the myths and stereotypes limiting women and gender minorities in electronic music, introducing the powerful theory of ameliorative work. This is an important conceptual contribution which will be invaluable to inequality researchers and sociologists across music and other creative sectors, Vick Bain, Music industry campaigner and researcher, and Queen Mary University of London A powerful and personal exploration of gender inequality in electronic music. Samantha Parsley combines academic depth with lived experience to expose the hidden labour women, trans and non-binary artists must do to survive in a male-dominated industry. A vital, original and hopeful call for change that we have all been working so hard for. offering much-needed blueprints for a more inclusive future. Eve Horne, Founder, We Are The Unheard CIC/Senate & Board Director Ivor's Academy/ BPI Equity & Justice Advisory Group (EJAG) Member

Prelude


1. Introduction: Being a Gender Minority in Electronic Music


2. There Arent Any Women Producers


3. Good Music Is All That Matters


4. But Nobody Discriminates!?


5. Positive Action Is Just Not Fair


6. Women Dont Make Their Own Music


7. Girls Just Arent Into Tech


8. Women Just Need To Be More Confident


9. Conclusion and Manifestos for an Inclusive Industry


Appendix. Knowing the Industry Inside-Out
Samantha Parsley is a writer, coach, DJ and founder of In the Key a directory and platform championing the careers of women, trans and non-binary electronic music producers (www.inthekey.org). She is Professor of Organization Studies at the University of Portsmouth and coaches research-led writers as Curious View (www.curiousview.co.uk). Samantha DJs and produces music as Dovetail and lives with her husband on the south coast of England.