About the Companion Website |
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xiii | |
Introduction |
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xv | |
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Part I Mixing and Mastering |
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1 The Starting Point: Fundamentals of Mixing and Mastering |
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5 | (15) |
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1.1 Preparing to Mix and Master |
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5 | (2) |
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1.2 Where to Mix and Master |
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7 | (4) |
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1.3 The Tools of Mixing and Mastering |
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11 | (7) |
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1.4 Introduction to the Quick Guide |
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18 | (2) |
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2 Quick Guide to Great Mixes and Masters: Five Best Practices |
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20 | (17) |
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20 | (8) |
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28 | (3) |
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31 | (1) |
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2.4 Revise, Revise, Revise |
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32 | (1) |
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2.5 Live with Your Mix or Master |
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33 | (4) |
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3 Quick Guide to Great Mixes and Masters: Four Common Mistakes |
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37 | (26) |
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3.1 Poor Control of the Low End |
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38 | (6) |
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3.2 Overly Bright Mixes and Masters |
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44 | (4) |
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3.3 Overly Compressed Mixes and Masters |
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48 | (7) |
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3.4 Trusting Inadequate Monitoring |
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55 | (8) |
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4 Building a Mix: The Concepts and Tools in Detail |
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63 | (60) |
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4.1 Starting Concepts and Setting Level |
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63 | (10) |
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73 | (6) |
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79 | (11) |
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90 | (10) |
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100 | (14) |
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4.6 Processing: What Else Is in the Box? |
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114 | (8) |
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122 | (1) |
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5 Automation and Recall: Fine-Tuning |
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123 | (14) |
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5.1 Online versus Off-line Automation |
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124 | (1) |
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5.2 Details of Online Automation |
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125 | (1) |
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5.3 Details of Off-line Automation |
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126 | (3) |
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5.4 Time Line of Automation |
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129 | (1) |
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5.5 From Simple to Complex Mixes |
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130 | (2) |
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132 | (2) |
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5.7 Advanced Automation Techniques |
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134 | (1) |
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135 | (2) |
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6 Mixing Piece by Piece: How to Approach Individual Elements |
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137 | (37) |
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138 | (13) |
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151 | (2) |
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153 | (5) |
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158 | (4) |
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162 | (9) |
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171 | (2) |
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173 | (1) |
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7 Mix Collaboration: The Mix Team |
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174 | (12) |
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7.1 How to Communicate About Mixes |
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175 | (4) |
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7.2 Levels of Mixer Intervention |
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179 | (2) |
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7.3 Managing Remote Mixing Projects |
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181 | (5) |
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8 Delivering Mixes: Formats, Mix Types, and Multiple Mixes |
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186 | (11) |
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8.1 Digital Formats for Mix Delivery |
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186 | (7) |
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8.2 Full Mixes, TV Mixes, and Clips |
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193 | (1) |
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8.3 Multiple Versions of a Single Mix |
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194 | (3) |
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9 Setting Up to Master: Tools and Files |
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197 | (6) |
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197 | (4) |
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201 | (1) |
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9.3 Building the Time Line |
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202 | (1) |
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10 How to Listen for Mastering: From Your Ear to Action |
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203 | (9) |
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204 | (3) |
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207 | (1) |
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10.3 Dynamics and Effects |
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208 | (2) |
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210 | (2) |
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11 Creating a Master: The Concepts and Tools in Detail |
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212 | (30) |
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11.1 Creating a Reference Track |
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212 | (1) |
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213 | (13) |
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226 | (8) |
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11.4 Processing: Dynamics and Effects |
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234 | (3) |
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11.5 “r;Mastered for iTunes,”r; Spotify, Pandora, etc. |
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237 | (1) |
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11.6 What Else Is in the Box? |
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238 | (4) |
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12 The Final Master: Creating and Delivering |
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242 | (12) |
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242 | (9) |
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12.2 Formats and Delivery Options |
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251 | (3) |
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13 Mastering Collaboration: The Mastering Team |
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254 | (9) |
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13.1 How to Talk About Mastering |
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254 | (3) |
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13.2 Levels of Mastering Intervention |
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257 | (2) |
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13.3 Managing Remote Mastering Projects |
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259 | (4) |
Appendix A Notes on Surround Mixing and Mastering |
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263 | (14) |
Appendix B Why Mixing and Mastering Can No Longer Be Separated |
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277 | (4) |
Audio Sources |
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281 | (4) |
Index |
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285 | |