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Modern Art and St Ives: International Exchanges 1915-65 [Pehme köide]

  • Formaat: Paperback / softback, 160 pages, kõrgus x laius x paksus: 248x191x19 mm, kaal: 295 g
  • Ilmumisaeg: 17-May-2014
  • Kirjastus: Tate Publishing
  • ISBN-10: 184976302X
  • ISBN-13: 9781849763028
  • Formaat: Paperback / softback, 160 pages, kõrgus x laius x paksus: 248x191x19 mm, kaal: 295 g
  • Ilmumisaeg: 17-May-2014
  • Kirjastus: Tate Publishing
  • ISBN-10: 184976302X
  • ISBN-13: 9781849763028
Modern Art and St. Ives explores the art and artists associated with this seaside Cornwall town from 1915 to 1965. The authors investigate how the art of St. Ives drew upon two key strands of modern art: the utopian ideal of constructivism that began in Moscow in the 1910s and continued through Berlin and Paris between the world wars, and the tradition of craft and the handmade. Major works by leading St. Ives artists such as Peter Lanyon, Barbara Hepworth, and Ben Nicholson are placed alongside the work of their contemporaries from elsewhere in Europe, North America, and beyond.
Foreword 6(2)
Sam Thorne
Between Landscape and Abstraction, the Local and the International
8(3)
Chris Stephens
Constructive Ideas
11(143)
Circulars and Squares: Abstraction and Internationalism Between the Wars
36(28)
Michael White
Handmade
42(22)
Craft as Art: St Ives Through the Lens of Bernard Leach
64(28)
Paul Denison
Modern Masters
70(4)
Material Image
74(18)
Common Ground: St Ives and Post-war Communities of Exchange
92(62)
Rachel Smith
Body and Environment
108(18)
Into the Sixties
126(8)
Timeline of Key Encounters
134(20)
Notes 154(2)
Further Reading 156(2)
Picture Credits 158(1)
Index of Artists and Works 159
Chris Stephens is lead curator of modern British art at Tate Britain. Sara Matson is a curator at Tate St. Ives.