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Modernizing Practice Paradigms for New Music: Periodization Theory and Peak Performance Exemplified Through Extended Techniques New edition [Kõva köide]

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The author examines how new music scores with extended playing techniques call for new practice structures. YouTube access to basic instructional videos and the streaming of sound files allows musicians today to learn easily and independently. Yet, the trailblazers in new music tackled new scores without these aids; they used imagination, experimentation and tenacity. Conscious use of both learning modalities can augment ideas of practice and performance preparation; expanding new music’s reach while preserving its fire. Practice is differentiated between the quick learning for an upcoming performance and the transformative learning that new music offers. Periodization theory from sport science provides a pedagogical framework for building both mental and physical stamina leading to peak performance.

The author sets new music preparation in an historical context, discussing both transformative learning through studying new scores and autonomous learning in the YouTube age. She proposes new ways forward through conscious use of the two, using periodization from sport science as a framework.
I Introduction
15(6)
II Motivation For The Unconvinced
21(8)
a Using Extended Techniques to Diagnose and Reframe Technical Issues
21(5)
1 Shyness
21(1)
2 Weak Articulation
22(1)
3 Tight Embouchure
22(1)
4 Tight Chest
23(1)
5 Upper Octave
23(3)
b Using Extended Techniques to Promote Flow
26(3)
III A Work Ethic Against Mediocrity
29(4)
IV Mental Preparation -- Conscious Preparation
33(16)
a Reading and Listening
33(1)
b Notation
34(7)
c Microtonality
41(3)
d Rhythm
44(5)
V Physical Preparation -- Body Conscious Preparation
49(14)
a Stamina in Modern Music
49(2)
b Periodization -- A Model from Sport Science
51(12)
VI Building Stamina Through Extended Techniques
63(28)
a Embouchure Strength and Flexibility
63(17)
1 Whistle Tones
63(2)
2 Glissando
65(3)
3 Vocalizing While Playing
68(3)
4 Multiphonics
71(3)
5 Altered Fingerings and Harmonics
74(4)
6 Fourth Octave
78(1)
7 Trumpet Embouchure
78(2)
b Extending Articulation
80(7)
1 Flutter Tongue
80(4)
2 Tongue Ram
84(1)
3 Pizzicato
85(2)
c New Uses of Air
87(4)
1 Air Sounds
87(1)
2 Jet Whistle
88(1)
3 Circular Breathing
89(1)
4 Inhaling While Playing
90(1)
VII Periodization of Heinz Holliger's (t)air(e)
91(8)
a Breathing Challenges
91(4)
1 Breathing Work by Multi-Lateral Training
94(1)
b Building Embouchure Muscles
95(1)
c Fingerings and Other Techniques
96(3)
VIII A Periodized Daily Studies Program
99(4)
IX In Conclusion
103(2)
X Bibliography
105(6)
XI Literature Recommendations by Subject
111(5)
a Resources for Modern Flute Music and Extended Techniques
111(1)
b Resources on Microtonality
112(1)
c Resources on Music Pedagogy and Performance Research
112(1)
d Resources on Periodization and Physical Conditioning
113(2)
e Resources on Music Theory and Aesthetics
115(1)
XII Graded Repertoire List
116
Jennifer Borkowski received a masters in music performance and earned her doctorate in instrumental music education. She is a classical flutist, recording artist, certified figure skating professional and active as a researcher as well as a solo composer/performer.