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Motherhood in the Music Education Academy [Kõva köide]

Edited by (Professor of Music Education, University of Illinois at Urbana-Champaign), Volume editor (Associate Dean and Professor of Music, University of Michigan)
  • Formaat: Hardback, 352 pages, kõrgus x laius x paksus: 234x156x24 mm, kaal: 662 g
  • Ilmumisaeg: 24-Oct-2025
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0197793495
  • ISBN-13: 9780197793497
Teised raamatud teemal:
  • Formaat: Hardback, 352 pages, kõrgus x laius x paksus: 234x156x24 mm, kaal: 662 g
  • Ilmumisaeg: 24-Oct-2025
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0197793495
  • ISBN-13: 9780197793497
Teised raamatud teemal:
Issues related to motherhood affect the experiences of women within the academy profoundly and inequitably. Music education--a field in which caring is innately embedded, and which grapples with field-specific musically related gender stereotypes and roles--presents an especially intriguing context for the exploration of motherhood and academia. In this edited collection, Kate Fitzpatrick-Harnish and Bridget Sweet include both scholarly and narrative perspectives on motherhood from a diverse group of authors, delving into a variety of topics such as theoretical perspectives on the intersections between motherhood and the academy, ways in which mothers in music education experience the promotion and tenure system, intersectional experiences of motherhood, motherhood at various stages of academic work in the field, and suggestions for actionable change within the academy.

In amplifying the voices of mothers in the profession, Motherhood in the Music Education Academy provides a scholarly context for motherhood experiences in order to expand notions of motherhood, to embrace and celebrate often invisible caring work that women do in the music education academy, and to ultimately enhance the visibility of mothers in music education while provoking action that supports productive and positive change.

Motherhood profoundly affects the experiences of female-identifying parents within the academic sphere. Featuring contributions from twenty-nine authors in music education who are mothers, Motherhood in the Music Education Academy offers new insights into a diverse array of topics and issues from gender equity to care in education. Particular highlights of the book are the distinctive "moments to pause" sections including photos, quotes, brief reflections, and stories from the authors and their children.

Arvustused

Kate Fitzpatrick-Harnish and Bridget Sweet assembled a diverse and resilient set of higher education professors who are also mothers. As a mother myself, it made me feel seen and heard. The juxtaposition of scholarly writing and compelling narratives will raise the consciousness of many scholars and educators who are teaching in higher education while also mothering children. This book is well written, sourced, and valuable in tone and substance. This is an area that deserves much more consideration and discussion as we are attempting to create more accessibility, equity, and belonging in higher education. This is the resource we have been waiting to have published. * Alice M. Hammel, Music Educator, Clinician, and Author of Teaching Music to Students with Differences and Disabilities: A Label-Free Approach (Oxford, 2024) * This compelling book brings relatable stories to life. The captivating narratives about the protagonists' experiences reinforce important ideas and offer fresh insights. Even as a longtime music teacher educator, advocate for gender equity, and mother, I found myself learning new ways to think about these critical issues. The contents of this book are inspiring, with a focus on the women's resilience, ability to identify the positives, creative problem-solving, and constructive solutions to the problems they encountered. This is a must-read for anyone committed to advancing the profession by becoming well-informed about the key issues music education faculty mothers face and addressing them in meaningful and thoughtful ways. * Wendy Sims, Curators' Distinguished Teaching Professor of Music Education, University of Missouri * In these pages, an empowering collection of voices calls out the unspoken norms that too often devalue motherhood and caring work in academia. Their diverse perspectives invited me to confront the structural barriers we uphold-intentionally or not-and reaffirm my commitment to dismantling them. I am deeply grateful for the clarity and courage revealed here, and I feel called to help reimagine a more just and compassionate academic culture. Although rooted in the field of music education, this collection will resonate with academics, administrators, and anyone committed to creating a workplace where mothers and other marginalized groups can genuinely thrive. * Carlos R. Abril, Professor of Music Education, Frost School of Music, University of Miami * This book is an invaluable resource given the theoretical and historical background provided on the topic of motherhood in the academy. At the same time, the narratives effectively amplify the challenges and rewards of being a mother and music education professor. Given the contributions from authors across the life span, the reader can return to the book across one's career and stage of parenting. Through the use of humor and honesty, this book helps the reader realize they are part of a larger mother-college professor community. At the same time, the recommendations for actionable structural changes are a wonderful resource for the continued work needed at the institutional level. * Margaret Berg, Professor of Music Education/Associate Dean for Graduate Studies, University of Colorado Boulder * With this book Bridget Sweet and Kate Fitzpatrick-Harnish have provided a framework that coheres the phenomenon of motherhood within the music education academy while, at the same time, highlights its infinitely faceted complexity. This powerful collection succeeds at both clarifying the universal and emphasizing the personal, all against a deep backdrop of loving care. These are vivid narratives, reflections, observations, and calls for action-profoundly enlightening for those in higher education, like me, who have not experienced motherhood and, I hope, profoundly encouraging and empowering for those who have, who are, and who will. * Steven Morrison, Professor of Music, Northwestern University *

Kate Fitzpatrick-Harnish: Motherhood in the Music Education Academy: An
Introduction Section
1. Framing Motherhood Conceptually in the Music Academy
1: Elizabeth Cassidy Parker: Re-Centering Care: Role Conflict and Parenting
in Music Education 1.1: Ashley D. Allen: A Moment to Pause 2: Women, Life,
Freedom: Stories of Mothering, Motherhood, and Non-motherhood 3: Vanessa L.
Bond: Work-Family Enrichment: Viewing Academic Motherhood from an Asset
Perspective 3.1: Angela M. Munroe: A Moment to Pause Section
2. Blending the
Scholarly and the Personal: Essays on Motherhood 4: Lisa Huisman Koops:
Positive Personal Impact of Structural University Support on Faculty
Motherhood 4.1: Debbie Rohwer: A Moment to Pause 5: Catheryn Shaw Foster and
Tami J. Draves: Learning to be Visible Without Saying "I'm Sorry" 6: Whitney
Mayo: Navigating Identities: Becoming a Mother and a Doctoral Student 6.1:
Libby Hearn: A Moment to Pause 7: Elizabeth W. Chappell: Navigating the
Academy Through my Mother-lens: Caring as a Subversive Act 8: Rachel Grimsby
and Ashley D. Allen: Re-emergence of Pre-pandemic Issues for Women in
Academia: Music Teacher Educator Mothers' Perspectives 8.1: Bridget Sweet: A
Moment to Pause Section
3. Intersectional Experiences of Motherhood 9:
Jacqueline C. Henninger: The Life of a Single Mom of Color in Academia:
Challenges and Rewards 10: Erin M. Hansen: "So, Who's the Real Mother?":
Reflections of a Queer Music Teacher Educator 10.1: Kate Fitzpatrick-Harnish:
A Moment to Pause 11: Linda Thornton and Layla Thornton: Perspectives of a
Mother and Daughter on Growing Up in the Academy 11.1: Linda Thornton and
Layla Thornton (19): A Moment to Pause 12: Shawn L. O'Connor: Music
Education, Motherhood, and Mental Health Section
4. Considering Different
Stages of Motherhood and the Academic Journey 13: Michquelena Potlunas
Ferguson: Pregnancy, the Academy, and Marching Band: An Autoethnography 13.1:
Bridget Sweet: A Moment to Pause 14: Vanessa L. Bond: The Countdown of Two
Clocks: Pregnancy and the Pre-Tenure Years 15: Christa R. Kuebel: Reflecting
and Reimagining: Entering Motherhood at Mid-Career 15.1: Robin Giebelhausen:
A Moment to Pause Debbie Rohwer: Memories from an Empty Nester Professor 17:
Janet Revell Barrett: The Courses of a Scholarly Life 17.1: Erin Hansen: A
Moment to Pause 18: Robin Giebelhausen: Hatchlin' Hatchling(s): Experiences
of Becoming a Stepmother, Mother, and Early Childhood Music Coordinator 19:
Libby Hearn: A Season of Loss and Learning: Becoming a (Single) Mother
Scholar 20: Eve E. Harwood: The Question 20.1: Jacqueline C. Henninger: A
Moment to Pause 21: Angela M. Munroe: Parenting in Academia: Balance or
Permeable Boundaries 22: Raychl Smith: Creating Boundaries as a Mothering
Professor 23: Jessica Vaughan-Marra and Melissa Baughman: Navigating
Motherhood within Dual-Career Academic Families 23.1: Elizabeth Cassidy
Parker: A Moment to Pause Section
6. Coda Kate Fitzpatrick-Harnish:
Considering the Path Forward
Kate Fitzpatrick-Harnish is Associate Professor of Music and Associate Dean for Undergraduate Academic Affairs at the University of Michigan. Her research interests include arts education equity, urban music education, culturally responsive pedagogy, gender and motherhood in the academy, and mixed methods research. She is the author of Urban Music Education: A Practical Guide for Teachers. Fitzpatrick is the former director of instrumental music at Northland High School in Columbus, Ohio, where she directed the district's largest band and orchestra program. She is the proud mom of two wonderful children, Carmen (13) and Noelle (11), both born while she was on the tenure track.



Bridget Sweet is Professor of Music Education at the University of Illinois at Urbana-Champaign. She is the author of Growing Musicians: Teaching Music in Middle School and Beyond and Thinking Outside the Voice Box: Adolescent Voice Change in Music Education. Her research interests include middle level

choral music education, [ assigned at birth] female and male adolescent voice change, musician health and wellness, intersections of LGBTQ+ topics and the music classroom, as well as intersections of motherhood and academia. She is a Licensed Body Mapping Educator through the Association for Body Mapping Education. Both of her children, Luke (12) and Evelyn (10), were born while she was en route to tenure as an Assistant Professor.