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Music at the Edge: The Music Therapy Experiences of a Musician with AIDS 2nd edition [Kõva köide]

4.36/5 (11 hinnangut Goodreads-ist)
, (Professor of Music Therapy at Wilfrid Laurier University, Canada.)
  • Formaat: Hardback, 206 pages, kõrgus x laius: 234x156 mm, kaal: 540 g, 3 Line drawings, black and white
  • Ilmumisaeg: 07-Jun-2016
  • Kirjastus: Routledge
  • ISBN-10: 1138856576
  • ISBN-13: 9781138856578
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Music at the Edge: The Music Therapy Experiences of a Musician with AIDS 2nd editionSuurem pilt
  • Formaat: Hardback, 206 pages, kõrgus x laius: 234x156 mm, kaal: 540 g, 3 Line drawings, black and white
  • Ilmumisaeg: 07-Jun-2016
  • Kirjastus: Routledge
  • ISBN-10: 1138856576
  • ISBN-13: 9781138856578
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Püsilink: https://www.kriso.ee/db/9781138856578.html
Märksõnad:

Music at the Edge invites the reader to experience a complete music therapy journey through the words and music of the client, and the therapist’s reflections. Francis, a musician living with AIDS, challenged Colin Andrew Lee, the music therapist, to help clarify his feelings about living and dying. The relationship that developed between them enabled Francis the opportunity to reconsider the meaning of his life and subsequent physical decline, within a musical context.

First published in 1996, Music at the Edge is a unique and compelling music therapy case study. In this new edition of the highly successful book, Colin retains the force of the original text through the lens of contemporary music therapy theory. This edition also includes more detailed narrative responses from the author and his role as a therapist and gay man. Central to the book are the audio examples from the sessions themselves. The improvisations Francis played and his insightful verbal explorations provide an extraordinary glimpse into the therapeutic process when working in palliative and end-of-life care.

This illuminating book offers therapists, musicians, related professionals and those working with, or facing, illness and death a unique glimpse into the transcendent powers of music. It is also relevant to anyone interested in the creative account of a pianist’s discovery of life and death through music.

Arvustused

"A ground-breaking book in its first edition, the second edition of Music at the Edge continues to challenge, stimulate, and inspire in ways that further develop the arguments presented in the original. Readers of the first text will benefit from Colin Andrew Lees ability to look back and reinterpret the events of a seminal course of music therapy within a broadened personal and professional context; readers discovering this text for the first time will discover how the written word and accompanying recordings combine to provide a singular experience with clinical, artistic, and eminently human dimensions." - Kenneth Aigen, New York University

"This outstanding book describes the powerful journey of Francis, a middle aged musician who lived and died of AIDS; and Colin, his music therapist. This book is unique in bringing both client's and therapist's struggles and dilemmas loud and clear. Music at the Edge invites the reader to deeply experience this intimate journey while reading the book and listening to Francis' piano improvisations that took place in his music therapy process. I recommend this book to any human being who wants to dive into the depth of feelings and emotions concerning the challenges of life and death. The journey Francis and Colin took changed both their lives. Reading this book changed my life too." - Prof. Dorit Amir, DA, CMT; Head of the Music Therapy Program at Bar Ilan University, Ramat Gan, Israel

"Music at the Edge is a brave account of how deep and complex a therapist-client relationship can become within the context of joint music-making. In this moving case, Dr. Lee demonstrates how music therapy can take a primary role in end of life care." - Kenneth Bruscia, PhD, Professor Emeritus of Music Therapy, Temple University

List of figures
xi
List of audio extracts
xiii
Foreword to first edition xv
Foreword to second edition xvii
Acknowledgements for first edition xix
Acknowledgements for second edition xxi
1 Background
1(12)
London Lighthouse
5(1)
Francis (client)
6(2)
Colin (therapist)
8(1)
Structure of the book
9(3)
Closing thoughts
12(1)
2 Improvisation in context
13(16)
Introduction
13(1)
Improvisation as art and science
14(8)
Improvisation in palliative and end-of-life care
22(2)
Improvisation and AIDS
24(3)
Conclusion
27(2)
3 Creativity and chaos -- assessment and sessions one to five
29(26)
Meeting
29(4)
Session one First Step
33(7)
Session two Finding a voice
40(3)
Session three Challenges and solos
43(4)
Session four Confrontation
47(6)
Session five Exploring boundaries
53(2)
4 Written on the wind -- sessions six to ten
55(28)
Session six Music, Creativity and therapy
56(2)
Session seven Plateau
58(1)
Session eight Assessment and analysis
59(16)
Session nine Life and death
75(4)
Session ten Expressing the pain
79(4)
5 This was a person, this was a flame -- interlude
83(12)
6 Everything fades -- sessions eleven to eighteen
95(18)
Session eleven Resting place
97(2)
Session twelve Freedom
99(2)
Session thirteen Crisis and change
101(3)
Session fourteen Major and minor
104(1)
Session fifteen Direct expression
105(2)
Session sixteen Mistakes and accusations
107(2)
Session seventeen Strengthening
109(1)
Session eighteen Barbarian beauty
109(4)
7 Searching for the light -- sessions nineteen to twenty-six
113(18)
Session nineteen Moving forward
115(1)
Session twenty Speculation and spontaneity
116(3)
Session twenty-one Monolith
119(3)
Session twenty-two Definition and opposition
122(2)
Session twenty-three Harmony of the spheres
124(2)
Session twenty-four Developing clarity
126(1)
Session twenty-five Cohesion and fragmentation
126(1)
Session twenty-six The cell
127(4)
8 And still through the pain I saw the rain -- sessions twenty-seven to twenty-nine
131(10)
Session twenty-seven Performance
132(2)
Session twenty-eight Constant movement, constant creation
134(2)
Rehearsal
136(1)
Session twenty-nine Emerging patterns
137(2)
World AIDS Day
139(2)
9 Expressing the dream flow -- sessions thirty to thirty-three
141(12)
Session thirty La fete des morts
142(2)
Session thirty-one Flight
144(3)
Session thirty-two Singing
147(3)
Session thirty-three Invocation of life
150(3)
10 After therapy
153(8)
11 Afterword
161(12)
Coda: on the creative
169(4)
References 173(8)
Index 181
Colin Andrew Lee, PhD, MTA, is Professor of Music Therapy at Wilfrid Laurier University, Canada. His writings and research culminated in the music-centered theory of Aesthetic Music Therapy.