This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept – the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai.
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vii | |
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viii | |
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ix | |
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x | |
| Introduction |
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1 | (10) |
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PART 1 Music and cosmopolitanism in the nineteenth century |
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11 | (64) |
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1 Cosmopolitanism and music for the theatre: Europe and beyond, 1800-1870 |
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13 | (20) |
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2 Cosmopolitanism in nineteenth-century opera management |
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33 | (14) |
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3 Carl Goldmark and cosmopolitan patriotism |
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47 | (12) |
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4 The cosmopolitan muse: Searching for a musical style in early nineteenth-century Latin America |
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59 | (16) |
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Jose Manuel Izquierdo Konig |
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PART 2 Music and cosmopolitanism in the twentieth century |
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75 | (56) |
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5 An `intricate fabric of influences and coincidences in the history of popular music': Reflections on the challenging work of popular music historians |
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77 | (13) |
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6 Mapping musical modernism |
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90 | (16) |
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7 Andre Tchaikowsky (1935-1982): A cosmopolitan in a closet |
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106 | (11) |
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8 The elision of difference, newness and participation: Edward J. Dent's cosmopolitan ethics of opera performance |
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117 | (14) |
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PART 3 Music and urban cosmopolitanism |
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131 | (44) |
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9 Tip, Trinkgeld, baksis: Cosmopolitan and other strategies of touring music groups before the Great War in Sarajevo |
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133 | (14) |
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10 Musicians as cosmopolitan entrepreneurs: Orchestras in Finnish cities before the modern city orchestra institution |
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147 | (15) |
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11 `A foreign cosmopolitanism': Treaty port Shanghai, ad hoc municipal ensembles, and an epistemic modality |
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162 | (13) |
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| Index |
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175 | |
Anastasia Belina is Assistant Head of Programmes at the Royal College of Music, and a Senior Research Fellow at the School of Music, University of Leeds.
Kaarina Kilpiö (Doctor of Social Sciences) currently works as a University Lecturer at Sibelius Academy, University of the Arts, Helsinki.
Derek B. Scott is Professor of Critical Musicology at the University of Leeds
