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Sound, Motion and Gesture |
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Comparing the Timing of Movement Events for Air-Drumming Gestures |
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3 | (19) |
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Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity |
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22 | (20) |
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Richard Kronland-Martinet |
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Musical Meter, Rhythm and the Moving Body: Designing Methods for the Analysis of Unconstrained Body Movements |
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42 | (16) |
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Evaluating Input Devices for Dance Research |
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58 | (13) |
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Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score |
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71 | (17) |
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Analysis of Mimed Violin Performance Movements of Neophytes: Patterns, Periodicities, Commonalities and Individualities |
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88 | (23) |
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Digital Musical Instruments, Embodiment and Performance |
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Skill Development and Stabilisation of Expertise for Electronic Music Performance |
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111 | (21) |
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The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems |
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132 | (14) |
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Feeling Sound: Exploring a Haptic-Audio Relationship |
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146 | (7) |
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BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras |
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153 | (14) |
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Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance |
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167 | (23) |
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3CMS: An Interactive Decision System for Live Performance |
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190 | (23) |
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A Viewpoint Approach to Symbolic Music Transformation |
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213 | (15) |
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Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music Production |
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228 | (15) |
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Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space |
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243 | (18) |
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Musical Variation and Improvisation Based on Multi-resolution Representations |
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261 | (10) |
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Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum |
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271 | (12) |
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Data Mining, Music Information Retrieval and Artificial Intelligence |
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Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 Hits |
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283 | (14) |
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Information Rate for Fast Time-Domain Instrument Classification |
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297 | (12) |
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Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music Transcription |
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309 | (13) |
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The Clustering of Expressive Timing Within a Phrase in Classical Piano Performances by Gaussian Mixture Models |
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322 | (24) |
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Modeling Affective Responses to Music Using Audio Signal Analysis and Physiology |
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346 | (12) |
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A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music |
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358 | (15) |
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Music Analysis, Music Generation and Emotion |
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Emotional Experiences of Ascending Melodic Lines |
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373 | (14) |
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σGTTM III: Learning-Based Time-Span Tree Generator Based on PCFG |
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387 | (18) |
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BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors |
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405 | (15) |
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`Understood at Last'?: A Memetic Analysis of Beethoven's `Bloody Fist' |
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420 | (18) |
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Music and Dementia: Two Case-Studies |
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438 | (11) |
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Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception |
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449 | (15) |
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Cross-Cultural Comparisons of Unconstrained Body Responses to Argentinian and Afro-Brazilian Music |
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464 | (19) |
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| Author Index |
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483 | |
