Contributors |
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v | |
Preface |
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xiii | |
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PART 1 EVOLUTIONARY CONSIDERATIONS |
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Chapter 1 Darwin and Spencer on the Origin of Music: Is Music the Food of Love? |
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3 | (14) |
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1 Herbert Spencer: "On the Origin and Function of Music" |
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5 | (2) |
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2 Charles Darwin: Sexual Selection |
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7 | (2) |
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9 | (1) |
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4 Assessing the Opposing Views |
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10 | (1) |
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5 Current Work on the Origin of Music |
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11 | (1) |
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12 | (5) |
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14 | (3) |
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Chapter 2 Music Evolution and Neuroscience |
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17 | (20) |
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17 | (1) |
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2 Theories of Music Origins |
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18 | (1) |
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19 | (2) |
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21 | (2) |
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5 Music and Emotion in Human Speech and Parallels in Other Species |
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23 | (2) |
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6 Are There Emotional Universals in Human Music? |
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25 | (2) |
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7 Are There Emotional Universals in Animal Calls? |
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27 | (2) |
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8 How Do Animals Respond to Species-Relevant Music? |
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29 | (1) |
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9 Summary and Conclusions |
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30 | (7) |
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31 | (6) |
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Chapter 3 Musicians and Music Making as a Model for the Study of Brain Plasticity |
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37 | (20) |
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37 | (1) |
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2 Behavioral Studies: The Effects of Musical Training on Cognitive Performance |
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38 | (2) |
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3 Imaging Studies: The Effects of Musical Training on Brain Organization |
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40 | (3) |
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4 Auditory--Motor Interactions Underlie Music and Language Learning |
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43 | (1) |
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5 Music-Based Treatments to Modulate Brain Plasticity: Melodic Intonation Therapy and Auditory--Motor Mapping Training |
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44 | (13) |
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5.1 Melodic Intonation Therapy |
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46 | (2) |
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5.2 Auditory--Motor Mapping Training |
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48 | (1) |
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49 | (1) |
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49 | (1) |
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49 | (8) |
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Chapter 4 Expert Music Performance: Cognitive, Neural, and Developmental Bases |
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57 | (32) |
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57 | (2) |
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2 What Is Expert Performance? |
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59 | (3) |
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59 | (2) |
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61 | (1) |
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3 How Is Expert Performance Achieved? |
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62 | (10) |
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3.1 Auditory-Motor Integration |
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62 | (4) |
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3.2 Neural Bases for Expert Performance |
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66 | (6) |
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4 How Does Expert Performance Come About? |
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72 | (3) |
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4.1 Predisposition/Talent |
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72 | (1) |
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73 | (1) |
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73 | (2) |
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75 | (14) |
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75 | (14) |
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PART 3 NEW PERSPECTIVES ON NEUROLOGICAL AND MENTAL DISORDERS |
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Chapter 5 Apollo's Curse: Neurological Causes of Motor Impairments in Musicians |
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89 | (18) |
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1 Becoming a Horowitz: Challenges in Acquiring Superior Motor Skills in Musical Performance |
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90 | (2) |
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2 Apollo's Curse: loss of Motor Control in Musicians |
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92 | (5) |
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92 | (1) |
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92 | (1) |
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2.3 Choking Under Pressure |
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93 | (1) |
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2.4 Dynamic Stereotype in Musicians |
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93 | (1) |
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2.5 Focal Dystonia in Musicians |
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94 | (2) |
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2.6 Symptomatic Task-Specific Dystonias in Musicians |
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96 | (1) |
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3 A Heuristic Model of Motor Disturbances in Musicians |
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97 | (3) |
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4 Curing Apollo's Curse: Treatment of Motor Disturbances in Musicians |
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100 | (7) |
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102 | (1) |
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102 | (5) |
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Chapter 6 Music and its Association with Epileptic Disorders |
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107 | (22) |
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107 | (2) |
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2 Musical Processing in the Human Brain |
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109 | (12) |
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2.1 Music Triggering Seizures |
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111 | (1) |
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2.2 Musical Hallucinations and Other Seizure Phenomena |
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112 | (3) |
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2.3 Could Music Be Used as Therapy for Epilepsy? |
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115 | (2) |
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2.4 Curse or Cure: Explaining the Dichotomous Effect of Music on Epilepsy |
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117 | (1) |
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2.5 The Impact of Treatments for Epilepsy on Musicality |
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117 | (3) |
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2.6 Assessment of Musical Functioning Throughout the Surgical Pathway |
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120 | (1) |
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121 | (8) |
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122 | (7) |
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Chapter 7 Treatment and Prevention of Music Performance Anxiety |
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129 | (14) |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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132 | (5) |
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5.1 Psychoanalytic/Psychodynamic Therapy |
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132 | (1) |
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5.2 Cognitive Behavioral Therapy |
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133 | (1) |
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134 | (2) |
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5.4 Other Treatment Approaches |
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136 | (1) |
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136 | (1) |
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137 | (1) |
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138 | (5) |
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138 | (5) |
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PART 4 MUSIC THERAPIES THEN AND NOW |
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Chapter 8 Music as Therapy in Early History |
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143 | (16) |
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143 | (1) |
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2 The Archeological Evidence of Music as a Biological Language |
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144 | (2) |
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3 Music Therapy in Preliterate Cultures |
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146 | (1) |
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4 Music Therapy in Early Civilizations |
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147 | (2) |
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149 | (2) |
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6 Middle Ages, Renaissance, and Baroque |
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151 | (3) |
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154 | (5) |
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156 | (3) |
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Chapter 9 An Enlightenment Proposal for Music Therapy: Richard Brocklesby on Music, Spirit, and the Passions |
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159 | (28) |
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1 Introduction to Brocklesby's Life and Principal Works |
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160 | (1) |
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161 | (3) |
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3 Brocklesby's Reflections in Contemporary Context |
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164 | (1) |
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4 An Enlightenment Perspective on Antiquity |
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165 | (3) |
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5 Music, Mind, and Body in Brocklesby's Thought |
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168 | (2) |
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6 Music's Power to Cure Diseases of the Mind |
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170 | (3) |
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7 The Cure of Diseases Compounded of Affections of the Body and Mind |
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173 | (5) |
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8 Music and the Retardation of Old Age |
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178 | (1) |
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9 Ancients and Moderns Compared |
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179 | (2) |
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181 | (6) |
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183 | (4) |
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Chapter 10 Neurological Implications and Neuropsychological Considerations on Folk Music and Dance |
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187 | (20) |
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Vittorio Alessandro Sironi |
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188 | (1) |
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2 Cathartic and Therapeutic Role of Dance in the Ancient World |
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188 | (3) |
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3 From the Middle Ages to the Early Modern Era: St. Vitus and Choreomania |
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191 | (4) |
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4 Between the Enlightenment and Romanticism: Dance and Insanity |
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195 | (2) |
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5 Choreic and Musical Displays in Southern Italy Between the 1800s and 1900s |
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197 | (2) |
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6 Folk Music and Dances in Non-Western Cultures |
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199 | (2) |
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7 Modern Folk Dance and Music |
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201 | (1) |
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202 | (5) |
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203 | (4) |
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Chapter 11 Music and Dementia |
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207 | (30) |
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208 | (1) |
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2 Musical Functions in Dementia |
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209 | (9) |
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209 | (3) |
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212 | (5) |
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217 | (1) |
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3 Impact of Music in Dementia |
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218 | (7) |
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3.1 Behavior and Agitation |
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218 | (3) |
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221 | (1) |
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222 | (3) |
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4 Music Expertise, Aging Cognition, and Risk of Dementia |
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225 | (2) |
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5 Conclusion and Future Directions |
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227 | (10) |
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228 | (1) |
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229 | (8) |
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Chapter 12 Apollo's Gift: New Aspects of Neurologic Music Therapy |
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237 | (16) |
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1 Music as a Driver of Brain Plasticity |
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237 | (2) |
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2 Some Mechanisms of Music-Induced Brain Plasticity |
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239 | (2) |
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3 The Role of Music-Induced Emotions for Brain Plasticity |
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241 | (2) |
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4 Facilitating Recovery from Nonfluent Aphasia Through a Form of Singing |
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243 | (2) |
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5 Music-Supported Motor Therapy in Stroke Patients |
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245 | (2) |
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247 | (6) |
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248 | (1) |
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248 | (5) |
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Chapter 13 The Discovery of Human Auditory---Motor Entrainment and its Role in the Development of Neurologic Music Therapy |
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253 | (14) |
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253 | (1) |
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254 | (1) |
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3 The Auditory System and Rhythm Perception |
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255 | (1) |
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4 Clinical Applications of Entrainment |
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256 | (2) |
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5 Mechanisms of Entrainment in Motor Control |
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258 | (1) |
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6 More Clinical Applications of Entrainment |
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259 | (1) |
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7 Other Musical Elements as Therapeutic Drivers |
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260 | (2) |
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262 | (5) |
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262 | (5) |
Index |
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267 | (8) |
Other volumes in PROGRESS IN BRAIN RESEARCH |
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275 | |