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Music, Neurology, and Neuroscience: Historical Connections and Perspectives, Volume 216 [Kõva köide]

Series edited by (Washington University, St. Louis, MO, USA), Series edited by (Professor of Neurology, George Washington University Medical School, Washington, DC, USA), Series edited by (Hochschule für Musik, Theater und Medien, Hannover, Germany)
  • Formaat: Hardback, 440 pages, kõrgus x laius: 235x191 mm, kaal: 950 g
  • Sari: Progress in Brain Research
  • Ilmumisaeg: 11-Feb-2015
  • Kirjastus: Elsevier Science Ltd
  • ISBN-10: 0444633995
  • ISBN-13: 9780444633996
Teised raamatud teemal:
Music, Neurology, and Neuroscience: Historical Connections and Perspectives, Volume 216Suurem pilt
  • Formaat: Hardback, 440 pages, kõrgus x laius: 235x191 mm, kaal: 950 g
  • Sari: Progress in Brain Research
  • Ilmumisaeg: 11-Feb-2015
  • Kirjastus: Elsevier Science Ltd
  • ISBN-10: 0444633995
  • ISBN-13: 9780444633996
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780444633996.html
Märksõnad:
Music, Neurology, and Neuroscience: Historical Connections and Perspectives provides a broad and comprehensive discussion of history and new discoveries regarding music and the brain, presenting a multidisciplinary overview on music processing, its effects on brain plasticity, and the healing power of music in neurological and psychiatric disorders. In this context, the disorders that plagued famous musicians and how they affected both performance and composition are critically discussed, as is music as medicine and its potential health hazard.Additional topics, including the way music fits into early conceptions of localization of function in the brain, its cultural roots in evolution, and its important roles in societies and educational systems are also explored.Examines music and the brain both historically and in the light of the latest research findingsThe largest and most comprehensive volume on "music and neurology" ever writtenWritten by a unique group of real world experts representing a variety of fields, ranging from history of science and medicine, to neurology and musicologyIncludes a discussion of the way music has cultural roots in evolution and its important role in societies

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Unique chapters provide new research and the latest theories on music and the brain, also disentangling historical facts from neuroscience myths
Contributors v
Preface xv
PART 1 HISTORY OF NEUROSCIENCE
Chapter 1 Franz Joseph Gall and Music: The Faculty and the Bump
3(30)
Paul Eling
Stanley Finger
Harry Whitaker
1 A Brief Summary of Gall's Life
6(3)
2 Abstract and Newer Faculties
9(3)
3 Methodology and Cortical Localization
12(4)
4 The "Faculty of Perceiving the Relations of Tones, Talent for Music"
16(9)
5 Before and After
25(8)
Acknowledgments
29(1)
References
29(4)
Chapter 2 Music, Neurology, and Psychology in the Nineteenth Century
33(20)
Amy B. Graziano
Julene K. Johnson
1 Introduction
33(1)
2 Brain Processing of Music
34(1)
2.1 Music Perception and Cognition
34(2)
2.2 Tonvorstellung
36(1)
2.3 Localization of Music Function and Listening Types
36(4)
3 Music as an Expression of Emotion
40(2)
4 Richard Wallaschek---Synthesis of Music, Neurology and Psychology
42(4)
5 Summary
46(7)
References
47(6)
PART 2 APHASIA AND SINGING
Chapter 3 Singing by Speechless (Aphasic) Children: Victorian Medical Observations
53(20)
Marjorie Perlman Lorch
Samuel H. Greenblatt
1 Introduction
53(1)
2 Historical Context
54(1)
2.1 Biographical Background on the Work of John Hughlings Jackson
54(1)
2.2 Larger Historical Medical Context
55(2)
3 Cases of Singing in Speechless Patients
57(1)
3.1 Jackson's Observations on Singing in Speechless Patients
57(3)
3.2 Jackson on Children's Expression and Musical Abilities
60(3)
3.3 Jackson's "Singing by Speechless (Aphasic) Children" (1871)
63(3)
3.4 Cases of Singing in Speechless Children Recorded at Great Ormond Street
66(1)
4 Later Observations
67(1)
4.1 Continuing Interest in Singing Abilities with "Loss of Speech"
67(1)
4.2 French Interest in the Musical Abilities of Aphasic Patients
68(1)
5 Discussion and Conclusions
68(5)
References
70(3)
Chapter 4 Some Early Cases of Aphasia and the Capacity to Sing
73(20)
Julene K. Johnson
Amy B. Graziano
1 Introduction
73(1)
2 Eighteenth-century Observations of Singing in Aphasia
74(1)
2.1 Dalin and the Mute Who Could Sing Hymns
74(2)
2.2 Gesner and the Abbot Who Could Not Sing
76(1)
2.3 The Singing Origins of Language
77(1)
2.4 Additional Consideration of Singing and Speaking in the Eighteenth Century
77(1)
3 Nineteenth-Century Observations of Singing in Aphasia
78(1)
3.1 Jackson and Singing as an Expression of Emotional Language
78(4)
3.2 Falret and the Capacity to Sing in Aphasia
82(1)
3.3 Kussmaul's Synthesis in 1877
83(3)
3.4 Other Observations About Singing in Aphasia Prior to 1880
86(1)
4 Summary
87(6)
References
87(6)
PART 3 PATHOLOGICAL CONNECTIONS
Chapter 5 Benjamin Franklin and his Glass Armonica: From Music as Therapeutic to Pathological
93(34)
Stanley Finger
William Zeitler
1 Benjamin Franklin
94(3)
2 Glass as a Musical Instrument
97(3)
3 Franklin's Path to the Armonica
100(2)
4 Manipulating Passions with Musical Glasses
102(1)
5 Franklin on the Armonica and Manipulating the Passions
103(2)
6 Treating Melancholy and Hysteria in London
105(1)
7 On Music's Utility
106(1)
7.1 Empirical Medicine
106(1)
7.2 The "Psychologist"
107(1)
7.3 Medical Theories
108(2)
8 Applause and an "Emotional" Digression
110(2)
9 Fears and Accusations
112(5)
10 Franklin on Armonica-caused Health Concerns
117(1)
10.1 Innovations and Improvements
117(2)
10.2 Psychology and Medical Fads
119(1)
10.3 Doing Nothing
120(1)
11 Epilogue
121(6)
Acknowledgments
121(1)
References
121(6)
Chapter 6 Historical Perspectives on Music as a Cause of Disease
127(22)
James Kennaway
1 From the Harmony of the Spheres to Nervous Stimulation
128(2)
2 Music and Overstimulated Nerves (1790--1850)
130(3)
3 Pathological Music (1850--1914)
133(4)
4 Twentieth-Century Blues: Pathological Music (1900--1945)
137(3)
5 Pathological Music (1945--Present)
140(9)
References
142(7)
PART 4 GREAT MUSICIANS AND THEIR NEUROLOGICAL DISORDERS
Chapter 7 Stroke, Music, and Creative Output: Alfred Schnittke and Other Composers
149(18)
Yuri Zagvazdin
1 Alfred Schnittke, His Music and Life
150(4)
2 Music and Stroke: Britten, Langalais, Shebalin, Stravinsky, and Thompson
154(3)
3 The Effect of Stroke on Schnittke
157(10)
Acknowledgments
162(1)
References
162(5)
Chapter 8 Hector Berlioz and his Vesuvius: An Analysis of Historical Evidence from an Epileptological Perspective
167(30)
Dirk-Matthias Altenmuller
1 Biographical Background
167(1)
2 A Mystery
168(3)
3 Le Mal Inexprimable: The Ineffable Malady
171(1)
3.1 Of Laurel Forests and Volcanoes
172(12)
3.2 Of Wild Boars and Polar Bears
184(4)
4 The Diagnosis
188(3)
5 Encore: La Symphonie Fantastico-Epileptique
191(4)
6 Conclusion
195(2)
Acknowledgment
195(1)
References
195(2)
Chapter 9 Alexander Scriabin: His Chronic Right-Hand Pain and its Impact on his Piano Compositions
197(20)
Eckart Altenmuller
1 Introduction
197(2)
1.1 Alexander Scriabin's Life
199(1)
1.2 Alexander Scriabin's Pianistic Training
200(3)
2 Scriabin's Injury in 1891
203(6)
2.1 Consequences for His Piano Compositions
209(1)
2.2 Some Diagnostic Considerations
210(2)
3 A Musical--Medical Assessment
212(1)
4 Coda
213(4)
Acknowledgment
214(1)
References
214(3)
Chapter 10 Frederick Delius: Controversies Regarding his Neurological Disorder and its Impact on his Compositional Output
217(16)
Richard J. Lederman
1 His Life
218(5)
2 His Illness
223(3)
3 Brief Review of Neurosyphilis
226(3)
4 His Music
229(2)
5 Conclusions
231(2)
References
232(1)
Chapter 11 Robert Schumann in the Psychiatric Hospital at Endenich
233(44)
Reinhard Steinberg
1 Introduction
233(3)
2 Medical History
236(2)
2.1 Psychopathological Findings
238(21)
2.2 Psychiatric--Neurologic Knowledge in 1850/1860
259(3)
3 Discussion
262(1)
3.1 Neuropsychiatric Findings
262(2)
3.2 Diagnosis
264(2)
3.3 Clara Schumann
266(2)
3.4 The Closest Friends Brahms, Joachim, Grimm, and Bargiel
268(1)
3.5 Conolly's "no restraint"
268(1)
3.6 Exhaustion Theory
269(1)
3.7 Genius and Madness
269(8)
Acknowledgments
271(1)
References
271(6)
Chapter 12 Mozart at Play: The Limitations of Attributing the Etiology of Genius to Tourette Syndrome and Mental Illness
277(16)
Henry Powell
Howard I. Kushner
1 Introduction
277(1)
2 Tourette Syndrome
278(1)
3 Mental Illness Scatology
279(3)
4 Mozart's Playing
282(2)
5 Daines Barrington's Interview with Mozart: Play Is the Thing
284(4)
6 Mozart's Personality
288(1)
7 Mozart's Playful Attitude
289(1)
8 Conclusion
290(3)
Acknowledgments
290(1)
References
290(3)
Chapter 13 Paul Wittgenstein's Right Arm and his Phantom: The Saga of a Famous Concert Pianist and his Amputation
293(12)
Francois Boller
Julien Bogousslavsky
1 Paul Wittgenstein
294(4)
2 Later Events
298(1)
3 The Phantom Limb Phenomena
299(6)
Acknowledgments
301(1)
References
302(3)
Chapter 14 Georg Friedrich Handel: A Case of Large Vessel Disease with Complications in the Eighteenth Century
305(12)
Hansjorg Bazner
1 Biography and Character
305(1)
2 Handel's Neurological Disease
306(5)
3 Handel's Visual Impairment
311(1)
4 Which are the Most Plausible Diagnoses and Which Medical Evidence Is There to Support Them?
312(2)
5 Treatments for Stroke in the Eighteenth Century
314(3)
References
315(2)
Chapter 15 Joseph Haydn's Encephalopathy: New Aspects
317(14)
Christian Blahak
Hansjorg Bazner
Michael G. Hennerici
1 Introduction
317(1)
2 What Neurological Disorders Did Haydn Suffer from?
318(1)
2.1 Gait Disturbance
318(3)
2.2 Dyspraxia and Coordination Disturbances
321(1)
2.3 Behavioral Changes, Emotional Lability, and Depression
322(1)
2.4 Cognitive Impairment: Dysexecutive Syndrome, Memory Deficits---Vascular Dementia
323(1)
2.5 Stroke Episodes?
324(1)
2.6 Haydn's Final Days
325(1)
2.7 What Medical Evidence Supports the Diagnosis of SVE?
325(6)
References
328(3)
Chapter 16 Organists and Organ Music Composers
331(12)
Christian Foerch
Michael G. Hennerici
1 Introduction
331(1)
2 Classical and Church Organists and Organ Music Composers
332(1)
3 Neurological Findings
333(1)
3.1 Positive Phenomena
333(3)
3.2 Negative Phenomena
336(3)
3.3 Vascular Events
339(4)
References
341(2)
Chapter 17 Frederic Chopin and his Neuropsychiatric Problems
343(14)
Axel Karenberg
1 Introduction
343(1)
2 "His Health Declined Slowly": An Overview of Chopin's Medical History
344(5)
3 "Chopin's Suffering": On the Endless Pitfalls of Retrospective Diagnosis
349(2)
4 "I Feel Like a Violin String on a Contrabass": Toward an Uninvestigable Relationship Between Illness and Work
351(6)
References
353(4)
PART 5 OPERA AS A WINDOW TO NEUROLOGY AND NEUROSCIENCE
Chapter 18 Somnambulism in Verdi's Macbeth and Bellini's La Sonnambula: Opera, Sleepwalking, and Medicine
357(32)
Stanley Finger
Vittorio Alessandro Sironi
Michele Augusto Riva
1 Somnambulism in Opera
358(4)
2 Somnambulism and the Arts
362(1)
3 Shakespeare's Macbeth
363(6)
4 Verdi's Macbeth
369(5)
5 Bellini's La Sonnambula
374(6)
6 The Music Accompanying the Somnambulism Scenes
380(1)
7 Discussion and Conclusions
381(8)
Acknowledgments
385(1)
References
385(4)
Chapter 19 Opera and Neuroscience
389(22)
Lorenzo Lorusso
Antonia Francesca Franchini
Alessandro Porro
1 Introduction
389(1)
2 The Origins of Madness in Opera
390(6)
3 Mozart and Mesmerism
396(2)
4 Nineteenth-Century Pathological Madness
398(3)
5 Operatic Development of Neurological and Psychiatric Characters
401(4)
6 Conclusions
405(6)
Acknowledgments
405(1)
References
405(6)
Index 411(10)
Other volumes in PROGRESS IN BRAIN RESEARCH 421
François Boller, M.D., Ph.D. has been co-Series Editor of the Handbook of Clinical Neurology since 2002. He.is a board-certified neurologist currently Professor of Neurology at the George Washington University Medical School (GW) in Washington, DC. He was born in Switzerland and educated in Italy where he obtained a Medical Degree at the University of Pisa. After specializing in Neurology at the University of Milan, Dr. Boller spent several years at the Boston VA and Boston University Medical School, including a fellowship under the direction of Dr. Norman Geschwind. He obtained a Ph.D. in Experimental Psychology from Case Western Reserve University in Cleveland, Ohio where he was in charge of Neuroscience teaching at the Medical School and was nominated Teacher of the Year. In 1983, Dr. Boller became Professor of Neurology and Psychiatry at the University of Pittsburgh where he founded and directed one of the first NIH funded Alzheimer Disease Research Centers in the country. In 1989, he was put in charge of a Paris-based INSERM Unit dedicated to the neuropsychology and neurobiology of cerebral aging. He returned to the United States and joined the NIH in 2005, before coming to GW in July 2014.

Dr. Bollers initial area of interest was aphasia and related disorders; he later became primarily interested in cognitive disorders and dementia with emphasis on the correlates of cognitive disorders with pathology, neurophysiology and imaging. He was one of the first to study the relation between Parkinson and Alzheimer disease, two processes that were thought to be unrelated. His current area of interest is Alzheimers disease and related disorders with emphasis on the early and late stages of the disease. He is also interested in the history of Neurosciences and is Past President of the International Society for the History of Neurosciences. He was the founding Editor-in-Chief of the European Journal of Neurology, the official Journal of the European Federation of Neurological Societies (now European Academy of Neurology). He is a Fellow of the American Academy of Neurology and a member of the American Neurological Association. In addition, he has chaired Committees within the International Neuropsychological Society, the International Neuropsychology Symposium, and the World Federation of Neurology (WFN). He has authored over 200 papers and books including the Handbook of Neuropsychology (Elsevier).