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Natural Body in Somatics Dance Training [Kõva köide]

Edited by (Distinguished Professor of World, UCLA), (, UCLA)
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 160x243x18 mm, kaal: 476 g, 20 illustrations
  • Ilmumisaeg: 10-Dec-2020
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0197538738
  • ISBN-13: 9780197538739
Teised raamatud teemal:
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 160x243x18 mm, kaal: 476 g, 20 illustrations
  • Ilmumisaeg: 10-Dec-2020
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0197538738
  • ISBN-13: 9780197538739
Teised raamatud teemal:
"Doran George's The Natural Body in Somatics Dance Training examines the development of Somatics as it has been adopted by successive generations of practitioners since its early beginnings in the 1950s. The study elucidates the ways that Somatics has engaged globally with some of the various locales in which it was developed and practiced, both in terms of its relationships to other dance training programs in that region and to larger aesthetic and political values. The book thereby offers a cogent analysis of how training regimens can inculcate an embodied politics as they guide and shape the experience of bodily sensation, construct forms of reflexive evaluation of bodily action, and summon bodies into relationship with one another. Throughout it focuses on how the notion of a natural body was implemented and developed in Somatics' pedagogy"--

From its beginnings as an alternative and dissident form of dance training in the 1960s, Somatics emerged at the end of the twentieth century as one of the most popular and widespread regimens used to educate dancers. It is now found in dance curricula worldwide, helping to shape the look and sensibilities of both dancers and choreographers and thereby influencing much of the dance we see onstage worldwide.

One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements. The book traces the history of Somatics, and it also details how Somatics developed in different locales, engaging with local politics and dance histories so as to develop a distinctive pedagogy that nonetheless shared fundamental concepts with other national and regional contexts. In so doing it shows how dance training can inculcate an embodied politics by guiding and shaping the experience of bodily sensation, constructing forms of reflexive evaluation of bodily action, and summoning bodies into relationship with one another. Throughout, the author focuses on the concept of the natural body and the importance of a natural way of moving as central to the claims that Somatics makes concerning its efficacy and legitimacy.

Arvustused

The Natural Body is a long overdue and much needed investigation into the emergence and historical development of the broad category of practices known as "Somatics". George's insights into Somatics as a simultaneous disciplining and liberatory physical practice, choreographic tool, and pedagogical intervention will be illuminating and important for artists and scholars alike. * Clare Croft, Associate Professor of Dance & American Studies, University of Michigan * Doran George brings a wealth of theoretical, kinaesthetic, and political thought to the impact of Somatics in contemporary dance. They do crucial work in undoing assumptions of Somatic training regimens and their influence on choreographic process. Through well-researched interviews and analysis, George does the long overdue work of de-naturalizing notions of individual autonomy and democracy in dance training and relationships between choreographer/dancer and performer/spectator. In highlighting how race, gender, and sexuality have been eclipsed by the force of Somatics within a contemporary transnational context, this book opens expansive, radical spaces for political and historical bodies to move in new ways. A groundbreaking book that will have a profound impact on the field. * Jennifer Monson, Professor of Dance, University of Illinois, Urbana Champaign *

Editor's Note vii
Introduction: In Search of the Natural Body 1(11)
1 Renewable Originality: Reaffirming The Natural Body Throughout The Twentieth Century
12(46)
Early Twentieth' Century Somatics and Its Conceptions of Nature
14(6)
Midcentury Somatics and Its Construction of the Universal Individual
20(8)
Displacing Aesthetics: Radical Inclusion in 1960s and 1970s Somatics
28(10)
Individuality and Subjectivity in 1980s Somatics
38(9)
Corporate Somatics: Recalibrating Critique for Commercialism
47(9)
Conclusion
56(2)
2 Contradictory Dissidence: Somatics And American Expansionism
58(42)
New York Somatics: Innovation and Professionalism
61(7)
New England Somatics: Artistic Respite
68(8)
British Somatics: The Political and Socially Signifying Body
76(7)
Dutch Somatics: The Body in Flux
83(8)
Australian Somatics: The New Frontier
91(6)
Conclusion
97(3)
3 Somatics Bodies On The Concert Stage: Processing, Inventing, And Displaying
100(38)
Processing: Choreographing Somatics Experience
102(12)
Inventing: Somatics Sources of Novel Movement
114(11)
Displaying: The Theatrical Effects of Somatics
125(10)
Conclusion: Nature, Artistic Rigor, and Economics
135(3)
Conclusion: Understanding the Focus on Authenticity 138(7)
Appendix: Brief Biographies of Some Key Somatics Practitioners 145(8)
Notes 153(58)
Bibliography 211(10)
Doran George Biography 221(2)
Index 223
Doran George was on the Faculty of World Arts and Cultures at UCLA.

Susan Leigh Foster is Distinguished Professor of World Arts and Cultures at UCLA.