| Preface |
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v | |
| Contributors |
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vi | |
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Illustration Acknowledgements |
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ix | |
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1 Glass Mosaic Tesserae from the 5th to 6th Century Baptistery of San Giovanni alle Fonti, Milan, Italy |
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1 | (10) |
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Analytical Investigations |
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2 Glass Tesserae from the Petra Church |
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11 | (14) |
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3 Studies in Middle Byzantine Glass Mosaics from Amorium |
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25 | (8) |
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4 Mosaic Tesserae from the Basilica of San Severo and Glass Production in Classe, Ravenna, Italy |
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33 | (9) |
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5 The Observation and Conservation of Mosaics in Ravenna in the 5th and 6th Centuries |
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42 | (11) |
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53 | (7) |
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The 6th-century Mosaics of Hagia Sophia and Late Antique Aesthetics |
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60 | (10) |
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Mosaics from the 5th and 6th Centuries in Ravenna and Porec |
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8 A Study of Glass Tesserae from Mosaics in the 70 Monasteries of Daphni and Hosios Loukas |
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70 | (6) |
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9 Notes on the Morphology of the Gold Glass Tesserae from Daphni Monastery |
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76 | (6) |
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10 Glass Producers in Late Antique and Byzantine Texts and Papyri |
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82 | (7) |
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11 On the Manufacture of Diatreta and Cage Cups from the Pharos Beaker to the Lycurgus Cup |
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89 | (14) |
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103 | (9) |
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13 Making Late Antique Gold Glass |
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112 | (9) |
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14 Gold Glass in Late Antiquity |
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121 | (10) |
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Scientific Analysis of the British Museum Collection |
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15 Late Antique Glass Pendants in the British Museum |
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131 | (47) |
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16 A Scientific Study of Late Antique Glass Pendants in the British Museum |
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178 | (11) |
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17 The Production and Uses of Glass in Byzantine Thessaloniki |
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189 | (10) |
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18 `To Beautify Small Things' |
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199 | (8) |
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Minutiae and Majesty in the Mosaics of Parentium |
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19 Experiencing the Light |
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207 | (10) |
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Byzantine Church Window Glass and the Aesthetics of Worship |
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20 New Light on the `Bright Ages' |
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217 | (12) |
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Experiments with Mosaics and Light in Medieval Rome |
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229 | (5) |
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Talking about the Mosaics at Porta Panagia in Thessaly, Greece |
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22 Borders of Experimentalism |
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234 | (8) |
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Glass in the Frame of the Genoa Mandylion |
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23 Viewing the Mosaics of the Monasteries of Hosios Loukas, Daphni and the Church of Santa Maria Assunta, Torcello |
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242 | (12) |
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24 The Abbot Philotheos, Founder of the Katholikon of Hosios Loukas |
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254 | (6) |
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25 Recording Byzantine Mosaics in 19th-century Greece |
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260 | (11) |
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The Case of the Byzantine Research Fund (BRF) Archive |
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26 The Christ Head at the Metropolitan Museum of Art, New York, the Apse in the Bode Museum, Berlin, and Other Fake Mosaics |
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271 | (20) |
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Irina Andreescu-Treadgold |
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27 Alexandria on the Barada |
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291 | (19) |
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The Mosaics of the Great Mosque in Damascus |
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310 | (19) |
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Some Preliminary Evidence from the Leverhulme Database |
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29 Early Islamic and Byzantine Silver Stain |
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329 | (9) |
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30 Victorian or Justinianic? Painter or Practitioner? In Situ or Reverse? |
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338 | (12) |
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The Mosaicing of Westminster Cathedral |
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| Glossary |
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350 | |
