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New Technologies and Renaissance Studies IV: The Changing Shape of Digital Early Modern Studies, Volume 12 [Pehme köide]

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"Contributors to this volume engage with digital scholarship in several ways: by creating digital projects, often in multidisciplinary, collaborative environments; by applying digital methodologies and tools to explore research questions; and by speculating about the potential directions that digital scholarship can take to tackle existing research areas that could benefit from new perspectives. Together, the essays demonstrate how various digital approaches--from network analysis to web mapping, VR and AR technologies, digital editions, databases, and archives--contribute in creative and effective ways to expand our knowledge of the past, to help ask and answer questions at a scale that was unimaginable before the digital turn, and to reshape early modern studies in the twenty-first century"--

A collection of essays engaging with digital scholarship and new technologies.

Contributors to this volume engage with digital scholarship in several ways: by creating digital projects, often in multidisciplinary, collaborative environments; by applying digital methodologies and tools to explore research questions; and by speculating about the potential directions that digital scholarship can take to tackle existing research areas that could benefit from new perspectives. Together, the chapters demonstrate how various digital approaches—from network analysis to web mapping, VR and AR technologies, digital editions, databases, and archives—are all contributing in creative and effective ways to expand our knowledge of the past, to help ask and answer questions at a scale that was unimaginable before the digital turn, and to reshape early modern studies in the twenty-first century. Editors Randa El Khatib and Caroline Winter are co-organizers of New Technologies and Renaissance Studies–Digital Humanities at RSA (NTRS–DH@RSA) 2020, the online conference upon which this volume is based.
Introduction: The Changing Shape of Digital Early Modern Studies
Randa El Khatib and Caroline Winter

Visualizing the Sidney Network: Using Network Analysis to Understand Womens
Place
Catherine Medici

Print Networks of Early Modern Astronomy in Galileos Library
Crystal Hall

The Republic of Tweets
Jessica Marie Otis

Opening Up the Scriptorium: The Theory and Ethics of Transcription Methods
from the Handwritten Page to the Web Page
Sarah Banschbach Valles and Sarah J. Sprouse

New Solutions for Old Problems: Digital Publication, the Linguistic Study of
Medieval Vernacular Texts, and the EDV Project
Nadia Cannata

Moving Images and Text on Leonardos Codices: The Evolution of Drawing a
Digital Edition
Giuditta Cirnigliaro

FRIDA: A Multilevel Digital Atlas for the Ephemeral Renaissance, La
Serenissima Venice, 14501550
Francesca Bortoletti, Giuseppe Gerbino, Paolo Ciuccarelli, Beatrice Gobbo,
and Tommaso Elli

Dear Galileo: Letters as Data on Astronomy
Caterina Agostini

Penelope Rich: Mapping the Mobility of a Sixteenth-Century Aristocratic
Woman
Gerit Quealy

GEA: Invisible Sienese Women Made Visible
Elena Brizio and Luis Meneses

Beyond a Digital Catalog: Rethinking Musical and Cartographic Sources through
Digital Humanities
Angela Fiore and Sara Belotti

Interacting with Big Historical Data of the Dutch Golden Age: Golden Agents
and Virtual Interiors
Charles van den Heuvel

Northeye (Re)Constructed: Augmented Reality of an Abandoned Medieval Village
Steven Bednarski, T. C. Nicholas Graham, Robin Harrap, Zack MacDonald, and
Andrew Moore

The Place of Reading in VR: Pedagogy, Spensers Kilcolman Castle, and
Amoretti 65
Thomas Herron

Designing an Educational Game for Shakespeares Hamlet
John Misak and Kevin LaGrandeur

Does the kunstkammer Need a Digital Future?
Andrea M. Gáldy

Contributors
Randa El Khatib is a postdoctoral fellow in the Department of Arts, Culture, and Media at the University of Toronto Scarborough. She is currently the codirector of the Digital Humanities Summer Institute, alongside Ray Siemens and Alyssa Arbuckle, and serves as the coeditor of Early Modern Digital Review, alongside Darren Freebury-Jones and Isabella Magni. Caroline Winter is a postdoctoral fellow in open social scholarship at the University of Victorias Electronic Textual Cultures Lab.