| Introduction |
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xi | |
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Chapter 1 The D3300 Top Ten List |
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1 | (26) |
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Ten Tips to Make Your Shooting More Productive Right Out of the Box |
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2 | (2) |
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4 | (1) |
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5 | (1) |
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2 Adjust Your Auto Off Timer Setting |
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6 | (1) |
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3 Set Your JPEG Image Quality |
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7 | (2) |
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4 Turn Off the Auto ISO Setting |
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9 | (2) |
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5 Set Your Focus Point and Mode |
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11 | (1) |
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6 Set the Correct White Balance |
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12 | (3) |
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15 | (2) |
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8 Know How to Override Autofocus |
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17 | (1) |
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18 | (5) |
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10 Hold Your Camera for Proper Shooting |
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23 | (2) |
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25 | (2) |
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Chapter 2 First Things First |
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27 | (22) |
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A Few Things to Know and Do Before You Begin Taking Pictures |
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28 | (2) |
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Choosing the Right Memory Card |
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30 | (1) |
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Formatting Your Memory Card |
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30 | (2) |
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Updating the D3300's Firmware |
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32 | (1) |
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33 | (2) |
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Using the Right Format: RAW vs. JPEG |
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35 | (3) |
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38 | (4) |
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42 | (3) |
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Motion and Depth of Field |
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45 | (2) |
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47 | (2) |
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49 | (22) |
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Get Shooting with the Automatic Camera Modes |
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50 | (2) |
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52 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (1) |
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59 | (1) |
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60 | (5) |
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65 | (1) |
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Why You May Never Want to Use the Auto Modes Again |
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66 | (2) |
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68 | (3) |
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Chapter 4 The Professional Modes |
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71 | (24) |
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Taking Your Photography to the Next Level Poring Over the Picture |
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72 | (2) |
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74 | (3) |
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77 | (4) |
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A: Aperture Priority Mode |
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81 | (5) |
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86 | (3) |
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How I Shoot: A Closer Look at the Camera Settings I Use |
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89 | (3) |
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92 | (3) |
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95 | (24) |
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The Tricks to Shooting Subjects in Motion |
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96 | (2) |
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98 | (3) |
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Using Shutter Priority (S) Mode to Stop Motion |
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101 | (3) |
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Using Aperture Priority (A) Mode to Isolate Your Subject |
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104 | (1) |
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Using Auto ISO the Right Way |
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105 | (2) |
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Keep Them in Focus with Continuous-Servo Focus and AF Focus Point Selection |
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107 | (2) |
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Stop and Go with 3D-Tracking AF |
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109 | (1) |
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Manual Focus for Anticipated Action |
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109 | (2) |
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Keeping Up with the Continuous Shooting Mode |
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111 | (1) |
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112 | (2) |
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114 | (3) |
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117 | (2) |
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119 | (26) |
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Settings and Features to Make Great Portraits |
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120 | (2) |
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Using Automatic Portrait Mode |
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122 | (1) |
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Using Aperture Priority Mode |
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122 | (2) |
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Metering Modes for Portraits |
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124 | (2) |
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Using the AE-L (Auto Exposure Lock) Feature |
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126 | (1) |
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Focusing: The Eyes Have It |
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127 | (2) |
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Classic Black and White Portraits |
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129 | (2) |
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The Portrait Picture Control for Better Skin Tones |
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131 | (1) |
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Detect Faces with Live View |
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131 | (1) |
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Use Fill Flash for Reducing Shadows |
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132 | (3) |
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135 | (1) |
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Tips for Shooting Better Portraits |
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136 | (7) |
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143 | (2) |
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Chapter 7 Landscape Photography |
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145 | (36) |
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Tips, Tools, and Techniques to Get the Most Out of Your Landscape Photography |
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146 | (2) |
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Sharp and In Focus: Using Tripods |
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148 | (2) |
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150 | (2) |
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Selecting a White Balance |
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152 | (2) |
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Using the Landscape Picture Control |
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154 | (2) |
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Taming Bright Skies with Exposure Compensation |
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156 | (2) |
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Shooting Beautiful Black and White Landscapes |
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158 | (2) |
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160 | (2) |
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162 | (2) |
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164 | (1) |
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165 | (3) |
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Directing the Viewer: A Word About Composition |
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168 | (3) |
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Advanced Techniques to Explore |
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171 | (8) |
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179 | (2) |
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181 | (26) |
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Shooting When the Lights Get Low |
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182 | (2) |
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Raising the ISO: The Simple Solution |
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184 | (2) |
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186 | (1) |
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Stabilizing the Situation |
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187 | (1) |
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188 | (3) |
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191 | (2) |
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193 | (3) |
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Compensating for the Flash Exposure |
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196 | (2) |
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198 | (2) |
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200 | (2) |
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202 | (1) |
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A Few Words About External Flash |
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203 | (1) |
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204 | (3) |
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Chapter 9 Creative Compositions |
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207 | (16) |
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Improve Your Pictures with Sound Compositional Elements |
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208 | (2) |
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210 | (2) |
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212 | (1) |
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213 | (1) |
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214 | (1) |
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214 | (2) |
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216 | (2) |
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218 | (1) |
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218 | (2) |
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220 | (1) |
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221 | (2) |
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Chapter 10 D3300 Video: Beyond The Basics |
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223 | (16) |
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It's All About the Lenses |
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228 | (1) |
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229 | (2) |
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Getting a Shallow Depth of Field |
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231 | (1) |
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Giving a Different Look to Your Videos |
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232 | (1) |
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233 | (2) |
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Watching and Editing Your Video |
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235 | (1) |
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236 | (1) |
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237 | (2) |
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Chapter 11 Advanced Techniques |
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239 | (18) |
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Impress Your Family and Friends |
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240 | (2) |
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Spot Metering for More Exposure Control |
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242 | (2) |
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Metering for Sunrise or Sunset |
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244 | (1) |
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245 | (3) |
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248 | (1) |
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249 | (1) |
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250 | (1) |
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251 | (2) |
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Customizing Your White Balance |
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253 | (2) |
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255 | (1) |
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256 | (1) |
| Index |
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257 | |
