Introduction |
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1 | (26) |
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Ten Tips to Make Your Shooting More Productive Right Out of the Box |
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2 | (2) |
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4 | (1) |
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5 | (1) |
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Adjust Your Auto off Timer setting |
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6 | (1) |
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Set Your JPEG Image Quality |
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7 | (2) |
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Turn Off the Auto ISO Setting |
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9 | (2) |
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Set Your Focus Point and Mode |
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11 | (2) |
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Set the Correct White Balance |
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13 | (2) |
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15 | (2) |
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Know How to Override Auto Focus |
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17 | (1) |
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18 | (5) |
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Hold Your Camera for Proper Shooting |
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23 | (2) |
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25 | (2) |
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27 | (32) |
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A Few Things to Know and Do Before You Begin Taking Pictures |
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28 | (2) |
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30 | (2) |
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Choosing the Right Memory Card |
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32 | (1) |
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Formatting Your Memory Card |
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32 | (2) |
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Updating the D5000's Firmware |
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34 | (2) |
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36 | (1) |
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Using the Right Format: RAW vs. JPEG |
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37 | (3) |
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40 | (6) |
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46 | (3) |
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Motion and Depth of Field |
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49 | (2) |
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51 | (6) |
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57 | (2) |
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59 | (24) |
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Get Shooting with the Automatic Camera Modes |
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60 | (2) |
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62 | (2) |
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64 | (1) |
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65 | (1) |
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66 | (1) |
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67 | (2) |
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69 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (5) |
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Why You May Never Want to Use the Auto Modes Again |
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78 | (2) |
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80 | (3) |
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83 | (28) |
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Taking Your Photography to the Next Level |
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84 | (2) |
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86 | (2) |
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88 | (3) |
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91 | (4) |
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A: Aperture Priority Mode |
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95 | (5) |
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100 | (3) |
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How I Shoot: A Closer Look at the Camera Settings I Use |
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103 | (4) |
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107 | (4) |
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111 | (30) |
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The Tricks to Shooting Sports and More |
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112 | (2) |
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114 | (2) |
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116 | (3) |
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Using Shutter Priority (S) Mode to Stop Motion |
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119 | (3) |
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Using Aperture Priority (A) Mode to Isolate Your Subject |
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122 | (1) |
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The ISO Sensitivity Auto Control Trick |
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123 | (2) |
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Keep Them in Focus with Continuous-Servo Focus and AF Focus Point Selection |
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125 | (2) |
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Stop and Go with 3D-Tracking AF |
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127 | (1) |
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Manual Focus for Anticipated Action |
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128 | (2) |
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Keeping Up with the Continuous Shooting Mode |
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130 | (2) |
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132 | (3) |
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135 | (3) |
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138 | (3) |
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141 | (34) |
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Settings and Features to Make Great Portraits |
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142 | (2) |
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144 | (2) |
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146 | (1) |
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Using Aperture Priority Mode |
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146 | (4) |
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Metering Modes for Portraits |
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150 | (1) |
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Using the AE-L (Auto Exposure Lock) Feature |
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151 | (1) |
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Focusing: The Eyes Have it |
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152 | (2) |
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Classic Black and White Portraits |
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154 | (3) |
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The Portrait Picture Control for Better Skin Tones |
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157 | (2) |
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Detect Faces with Live View |
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159 | (1) |
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Use Fill Flash for Reducing Shadows |
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160 | (3) |
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163 | (2) |
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Tips for Shooting Better Portraits |
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165 | (8) |
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173 | (2) |
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175 | (44) |
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Tips, Tools, and Techiques to Get the Most Out of Your Landscape Photography |
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176 | (2) |
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178 | (2) |
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Sharp and in Foucs: Using Tripods |
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180 | (2) |
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182 | (2) |
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184 | (1) |
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Selecting a white Balance |
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185 | (3) |
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Using the Landscape Picture Control |
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188 | (2) |
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Taming Bright Skies with Exposure Compensation |
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190 | (2) |
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Shooting Beautiful Black and White Landscapes |
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192 | (2) |
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194 | (2) |
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196 | (2) |
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198 | (2) |
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200 | (3) |
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Directing the Viewer: A Word About Composition |
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203 | (5) |
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Advanced Techniques to Explore |
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208 | (8) |
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216 | (3) |
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219 | (30) |
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Shooting When the Lights Get Low |
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220 | (2) |
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222 | (2) |
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Raising the ISO: The Simple Solution |
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224 | (2) |
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226 | (1) |
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Stabilizing the Situation |
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227 | (2) |
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229 | (3) |
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232 | (1) |
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233 | (4) |
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Compensating for the Flash Exposure |
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237 | (1) |
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238 | (2) |
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240 | (4) |
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244 | (1) |
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A Few Words about External Flash |
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244 | (1) |
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245 | (4) |
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249 | (20) |
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Improve Your Picture with Sound Compositional Elements |
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254 | (2) |
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256 | (1) |
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257 | (2) |
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259 | (1) |
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259 | (2) |
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261 | (1) |
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262 | (2) |
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264 | (1) |
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264 | (2) |
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266 | (3) |
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269 | (23) |
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Impress Your Family and Friends |
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270 | (2) |
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272 | (2) |
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Spot Meter for More Exposure Control |
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274 | (3) |
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277 | (2) |
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279 | (1) |
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280 | (3) |
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283 | (1) |
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284 | (2) |
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286 | (2) |
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288 | (1) |
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289 | (3) |
Index |
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292 | |