A reference work on 19th-century art in Europe and America. This volume also examines the varied facets of architecture and design from 1790 to 1851, and from mid-century leading into the early twentieth century. It includes sections on challenges to academic painting in Russia and on the Vienna Secession.
| Introduction: Critical Art and History |
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7 | (11) |
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Classicism and Romanticism |
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Patriotism and Virtue: David to the Young Ingres |
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18 | (37) |
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Classicism in Crisis: Gros to Delacroix |
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55 | (27) |
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The Tensions of Enlightenment: Goya |
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82 | (20) |
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Visionary History Painting: Blake and His Contemporaries |
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102 | (17) |
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Nature and History in English romantic Landscape Painting |
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119 | (24) |
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Landscape Art and Romantic Nationalism in Germany and America |
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143 | (17) |
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Architecture Unshackled, 1790-1851 |
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160 | (20) |
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Old World, New World: The Encounter of Cultures on the American Frontier |
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180 | (19) |
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Black and White in America |
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199 | (25) |
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The Generation of 1830 and the Crisis in the Public Sphere |
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224 | (18) |
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The Rhetoric of Realism: Courbet and the Origins of the Avant-Garde |
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242 | (23) |
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Photography, Modernity, and Art |
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265 | (28) |
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The Decline of History Painting: Germany, Italy, and France |
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293 | (17) |
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Architecture and Design in the Age of Industry |
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310 | (22) |
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Manet and the Impressionists |
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332 | (17) |
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Issues of Gender in Cassatt and Eakins |
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349 | (19) |
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Mass Culture and Utopia: Seurat and Neoimpressionism |
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368 | (14) |
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The Appeal of Modern Art: Toulouse-Lautrec |
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382 | (8) |
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Abstraction and Populism: Van Gogh |
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390 | (16) |
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Symbolism and the Dialectics of Retreat |
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406 | (34) |
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The Failure and Success of Cezanne |
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440 | (14) |
| Chronology |
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454 | (11) |
| Select Bibliopgraphy |
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465 | (4) |
| List of Illustratiions |
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469 | (6) |
| Index |
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475 | |
Stephen F. Eisenmann teaches art history at Northwestern University. Thomas Crow is Professor of Art History at the Institute of Fine Arts, New York University. Brian Lukacher is Associate Professor of Art History at Vassar College. Linda Nochlin is Lila Wallace Professor of Modern Art at the Institute of Fine Arts at New York University. David Llewellyn Phillips is Senior Lecturer in Visual Theory at the University of East London. Frances K. Pohl is Professor of Art History at Pomona College, California.
