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No Friend to This House [Pehme köide]

  • Formaat: Paperback / softback, 384 pages, kõrgus x laius: 197x130 mm
  • Ilmumisaeg: 18-Jun-2026
  • Kirjastus: Picador
  • ISBN-10: 1529061563
  • ISBN-13: 9781529061567
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  • Formaat: Paperback / softback, 384 pages, kõrgus x laius: 197x130 mm
  • Ilmumisaeg: 18-Jun-2026
  • Kirjastus: Picador
  • ISBN-10: 1529061563
  • ISBN-13: 9781529061567
Teised raamatud teemal:
* A Marie Claire Best Book of 2026 *Exiled daughter, abandoned wife, vengeful mother. But is that where the truth lies? This is the story of Medea as youve never heard it before.

Jason and his Argonauts set sail to find the Golden Fleece. The journey is filled with danger, and if Jason ever reaches the distant land he seeks, he faces almost certain death.

Medea priestess, witch, and daughter of the brutal king who jealously guards the fleece has the power to save Jason's life. Will she betray her family and her home?

Burning with desire for this stranger, as the gods intend, Medea chooses Jason over her kin. But their love is steeped in vengeance from the beginning, and no one not even those closest to them will be safe when their passion is spent . . .

Based on the classic tragedy by Euripides, this is Medea as youve never seen her before . . .

Praise for Natalie Haynes:

Witty, gripping, ruthless Margaret Atwood on Stone Blind

Fiercely feminist . . . A many-layered delight The Guardian on A Thousand Ships

Passionate and gripping Madeline Miller, author of Circe on The Children of Jocasta

No Friend to This House is an extraordinary reimagining of the myth of Medea from Natalie Haynes, the Sunday Times bestselling author of Stone Blind.

Arvustused

Its superb: sharp, funny, inventive, powerfully humane -- Katherine Rundell, bestselling author of Impossible Creatures Natalie Haynes is a once-in-a-generation storyteller, and No Friend to This House is her masterpiece. Haynes does not so much retell the myth of Medea as excavate it, layer by devastating layer, for truths both timeless and timely. This is a stunning novel that cuts to the bone -- Dr Amanda Foreman, author of Georgiana Haynes Medea is especially striking both fearless witch and desperate lover capturing all the facets and contradictions of the character in the ancient sources . . . Another masterpiece from Haynes -- Costanza Casati, author of Babylonia Witty, gripping, ruthless -- Margaret Atwood, bestselling author of The Testaments, on Stone Blind An exceptionally powerful retelling of Medusas story, an emotional gut punch of a novel . . . It is a dazzling achievement -- Elodie Harper, bestselling author of the Wolf Den trilogy, on Stone Blind Inventive and playful . . . [ and] very funny -- The Times on Stone Blind With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War -- Madeline Miller, bestselling author of Circe, on A Thousand Ships Absorbing and fiercely feminist . . . A many-layered delight -- The Guardian on A Thousand Ships A sparkling narrative . . . A Thousand Ships blows the dust off the classics -- The Washington Post on A Thousand Ships Haynes balances a fresh take on the material . . . giving new voice to the often-overlooked but fascinating Jocasta and Ismene -- Madeline Miller, bestselling author of Circe, on The Children of Jocasta A wonderful and inventive take on an ancient tale -- The Times on The Children of Jocasta Glorious, gripping and brutal . . . I loved it -- Victoria Derbyshire, journalist and broadcaster, on The Children of Jocasta

Natalie Haynes is a writer and broadcaster. She is the author of The Amber Fury, The Children of Jocasta, A Thousand Ships, which was shortlisted for the Womens Prize for Fiction in 2020, and Stone Blind, a Sunday Times bestseller. Her non-fiction includes Pandoras Jar, a bestseller in both the UK and the US, and Divine Might. She has written and performed ten series of her BBC Radio 4 show, Natalie Haynes Stand Up for the Classics. In 2015, she was awarded the Classical Association Prize for her work in bringing Classics to a wider audience.