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Norton Scores: A Study Anthology Eleventh Edition [Pehme köide]

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Edited by (California State University, Long Beach), Notes by (California State University, Long Beach)
  • Formaat: Paperback / softback, 608 pages, kõrgus x laius x paksus: 236x180x23 mm, kaal: 848 g
  • Ilmumisaeg: 13-May-2011
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393912116
  • ISBN-13: 9780393912111
Teised raamatud teemal:
Norton Scores: A Study Anthology Eleventh EditionSuurem pilt
  • Formaat: Paperback / softback, 608 pages, kõrgus x laius x paksus: 236x180x23 mm, kaal: 848 g
  • Ilmumisaeg: 13-May-2011
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393912116
  • ISBN-13: 9780393912111
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780393912111.html
Textual notes by Roger Hickman.

This two-volume anthology reproduces all the works discussed in the full-length versions of the book and included on the 8-CD set of recordings.
Preface ix
How to Follow the Highlighted Scores xii
A Note on the Recordings xiv
A Note on the Performance Practice of Early Music xv
Medieval Music
1 Gregorian Chant (10th century), Kyrie
1(2)
2 Hildegard von Bingen (1098-1179), Alleluia, O virga mediatrix (Alleluia, O mediating branch)
3(5)
3 Notre Dame School (early 13th century), Organum, Gaude Maria virgo (Rejoice Mary, virgin), excerpt
8(2)
4 Raimbaut de Vaquieras (c. 1155-1207), Troubador dance song (estampie), Kalenda maya (The First of May)
10(4)
5 Anonymous (c. 1250), Round, Sumer is icumen in (Summer is come in)
14(5)
6 Guillaume de Machaut (c. 1300-1377), Rondeau, Puis qu'en oubli (Since I am forgotten)
19(2)
Renaissance Sacred Music
7 Guillaume Du Fay (c. 1397-1474), L'homme arme Mass (The Armed Man Mass), Kyrie
21(7)
8 Josquin des Prez (c. 1450-1521), Motet, Ave Maria . . . virgo serena (Hail Mary . . . gentle virgin)
28(9)
9 Giovanni Pierluigi da Palestrina (c. 1525-1594), Pope Marcellus Mass, Gloria
37(8)
Renaissance Secular Music
10 Josquin des Prez, Chanson, Mille regretz (A thousand regrets)
45(3)
11 Jacques Arcadelt (c. 1507-1568), Madrigal, Il bianco e dolce cigno (The white and sweet swan)
48(3)
12 John Farmer (c. 1570-1603), Madrigal, Fair Phyllis
51(5)
13 Tielman Susato (c. 1515-c. 1571), Three Dances
56(4)
14 Giovanni Gabrieli (c. 1557-1612), Instrumental canzona, Canzona septimi toni (Canzona in the seventh tone)
60(10)
Baroque Opera and Aria
15 Claudio Monteverdi (1567-1643), L'incoronazione di Poppea (The Coronation of Poppea), Act III, Scene 7
70(10)
16 Henry Purcell (1659-1695), Dido and Aeneas, Act III Prelude, Verse, and Chorus: "Come away, fellow sailors"
80(8)
Recitative and Aria: Dido's Lament
88(8)
17 Barbara Strozzi (1619-c. 1677), Aria, Amor dormiglione (Sleepyhead, Cupid!)
92(4)
Baroque Cantata and Oratorio
18 Johann Sebastian Bach (1685-1750), Cantata No. 140, Wachet auf (Sleepers, Awake)
First movement: Chorale fantasia
96(21)
Second movement: Recitative
117(1)
Third movement: Aria/Duet
118(8)
Fourth movement: Unison chorale
126(3)
Seventh movement: Chorale
129(6)
19 George Frideric Handel (1685-1759), Oratorio, Messiah, excerpts
Nos. 1 Overture
135(6)
Nos. 14-16 Recitative, "There were shepherds abiding in the field"
141(2)
No. 17 Chorus, "Glory to God"
143(5)
No. 18 Aria, "Rejoice greatly"
148(6)
No. 44 Chorus, "Hallelujah"
154(11)
Baroque Suite
20 Handel, Water Music, Suite in D major
Allegro
165(5)
Alla hornpipe
170(7)
21 Jean-Joseph Mouret (1682-1738), Rondeau, from Suite de symphonies
177(4)
Baroque Concerto
22 Antonio Vivaldi (1678-1741), La primavera, from Le quattro stagioni (Spring, from The Four Seasons)
First movement
181(11)
Second movement
192(4)
Third movement
196(15)
23 Bach, Brandenburg Concerto No. 2 in F major, First movement
211(21)
Baroque Sonata and Fugue
24 Arcangelo Corelli (1653-1713), Trio Sonata, Op. 3, No. 2
Third movement
232(1)
Fourth movement
233(3)
25 Domenico Scarlatti (1685-1757), Sonata in C major, K. 159 (La Caccia) (The Hunt)
236(4)
26 Bach, Contrapunctus 1, from Die Kunst der Fuge (The Art of Fugue)
240(5)
Classical Chamber Music
27 Franz Joseph Haydn (1732-1809), String Quartet in C major, Op. 76, No. 3 (Emperor), Second movement
245(7)
28 Wolfgang Amadeus Mozart (1756-1791), Eine kleine Nachtmusik (A Little Night Music), K. 525
First movement
252(7)
Second movement
259(5)
Third movement
264(1)
Fourth movement
265(10)
Classical Symphony
29 Mozart, Symphony No. 40 in G minor, K. 550, First movement
275(27)
30 Haydn, Symphony No. 100 in G major (Military), Second movement
302(24)
31 Ludwig van Beethoven (1770-1827), Symphony No. 5 in C minor, Op. 67
First movement
326(16)
Second movement
342(15)
Third movement
357(12)
Fourth movement
369(45)
Classical Concerto
32 Mozart, Piano Concerto in G major, K. 453
First movement
414(32)
Second movement
446(11)
Third movement
457(26)
33 Haydn, Trumpet Concerto in E-flat major, Third movement
483(17)
Classical Sonata
34 Mozart, Piano Sonata in A major, K. 331, Third movement
500(5)
35 Beethoven, Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 (Moonlight)
First movement
505(3)
Second movement
508(1)
Third movement
508(10)
Classical Choral Music and Opera
36 Mozart, Requiem
3 Dies irae
518(5)
4 Tuba mirum
523(5)
5 Rex tremendae
528(5)
37 Haydn, Die Schopfung (The Creation), Part I
No. 12 Recitative, "Und Gott sprach: Es sei'n Lichter"
533(1)
No. 13 Recitative, "In vollem Glanze"
534(2)
No. 14 Chorus and Trio, "Die Himmel erzahlen"
536(14)
38 Mozart, Don Giovanni, Act I, Scene 2
No. 3 Trio, "Ah! chi mi dice mai"
550(10)
No. 4 Aria, "Madamina!"
560(9)
Appendix A Reading a Musical Score 569(2)
Appendix B Instrument Names and Abbreviations 571(5)
Appendix C Glossary of Musical Terms Used in the Scores 576(9)
Appendix D Concordance Table for Recordings and Listening Guides 585(3)
Index of Forms and Genres 588
Kristine Forney is Professor Emerita on the music history faculty at California State University, Long Beach, which she first joined in 1978. She specializes in Renaissance music, is a performer and teacher of historical instruments, and is the author of numerous scholarly articles exploring diverse facets of Renaissance musical life and practices. She has taught music appreciation to thousands of undergraduate students and has been an author of The Enjoyment of Music since 1988. Roger Hickman, professor of music at California State University, Long Beach, has served as music director for the Los Angeles Classical Ballet, the Four Seasons Orchestra, and the Hollywood Classical Symphony, with whom he has toured internationally. Professor Hickman teaches courses in film music, music history, and music appreciation.