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Norton Scores: A Study Anthology Eleventh Edition [Pehme köide]

Edited by (California State University, Long Beach), Notes by (California State University, Long Beach)
  • Formaat: Paperback / softback, 608 pages, kõrgus x laius x paksus: 234x180x41 mm, kaal: 1480 g
  • Ilmumisaeg: 13-May-2011
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393912124
  • ISBN-13: 9780393912128
Teised raamatud teemal:
  • Formaat: Paperback / softback, 608 pages, kõrgus x laius x paksus: 234x180x41 mm, kaal: 1480 g
  • Ilmumisaeg: 13-May-2011
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393912124
  • ISBN-13: 9780393912128
Teised raamatud teemal:
Textual notes by Roger Hickman.

This two-volume anthology reproduces all the works discussed in the full-length versions of the book and included on the 8-CD set of recordings.
Preface xi
How to Follow the Highlighted Scores xiv
A Note on the Recordings xvii
Romantic Song
1 Erlkonig (Elfking), D. 328
1(8)
Franz Schubert
2 Dichterliebe (A Poet's Love), No. 1: "Im wunderschonen Monat Mai" ("In the lovely month of May")
9(3)
Robert Schumann
3 Jeanie with the Light Brown Hair, Parlor song
12(6)
Stephen Foster
Romantic Piano Music and Chamber Music
4 Mazurka in B-flat minor, Op. 24, No. 4
18(5)
Frederic Francois Chopin
5 La campanella (The Little Bell), from Transcendental Etudes after Paganini, No. 3
23(10)
Franz Liszt
6 September: At the River, from Das Jahr (The Year)
33(7)
Fanny Mendelssohn Hensel
7 Le banjo (The Banjo), Fantasie grotesque
40(14)
Louis Moreau Gottschalk
8 Piano Trio in G minor, Third movement
54(5)
Clara Schumann
Romantic Program Music
9 Symphonie fantastique Fourth movement, Marche au supplice (March to the Scaffold)
59(76)
Hector Berlioz
Fifth movement, Songe d'une nuit du sabbat (Dream of a Witches' Sabbath)
80(55)
10 Vltava (The Moldau), from Ma vlast (My Country)
135(65)
Bedrich Smetana
11 Peer Gynt Suite, No.
1. Op. 46
Edvard Grieg
Morning Mood
200(14)
In the Hall of the Mountain King
214(17)
Romantic Symphony and Concerto
12 Symphony No. 3 in F major. Third movement
231(18)
Johannes Brahms
13 Symphony No. 9 in E minor (From the New World), First movement
249(53)
Antonin Dvorak
14 Violin Concerto in E minor. Op.
64. First movement
302(50)
Felix Mendelssohn
Romantic Stage Works
15 Rigoletto, Act III Aria, "La donna e mobile" ("Woman is fickle")
352(25)
Giuseppe Verdi
Quartet, "Un di, se ben rammentomi" ("One day, if I remember right")
357(20)
16 Die Walkure. Act III
Richard Wagner
Opening, The Ride of the Valkyries
377(16)
Finale, closing section
393(7)
17 Carmen, Act I
Georges Bizet
No.
4. Chorus, "La cloche a sonne" ("The bell has rung")
400(11)
No.
5. Habanera, "L'amour est un oiseau rebelle" ("Love is a rebellious bird")
411(12)
18 Requiem, Libera me, excerpt
423(15)
Verdi
19 The Nutcracker, Three Dances
Peter Ilyich Tchaikovsky
March
438(24)
Dance of the Sugar Plum Fairy
462(9)
Russian Dance (Trepak)
471(15)
20 Madama Butterfly, Act II, "Un bel di" ("One fine day")
486(6)
Giacomo Puccini
Post-Romanticism, Impressionism, and Post-Impressionism
21 Das Lied von der Erde (The Song of the Earth), Third movement. Von der Jugend (Of Youth)
492(12)
Gustav Mahler
22 Prelude a "L'apres-midi d'un faune" (Prelude to "The Afternoon of a Faun")
504(32)
Claude Debussy
23 Don Quichotte a Dulcinee (Don Quixote to Dulcinea)
Maurice Ravel
No.
1. Chanson romanesque (Romanesque Song)
536(6)
No.
3. Chanson a boire (Drinking Song)
542(10)
Early Twentieth-Century Modernists
24 Le sacre du printemps (The Rite of Spring), Part I
Igor Stravinsky
Introduction (closing)
552(1)
Danses des adolescentes (Dance of the Youths and Maidens)
553(19)
Jeu du rapt (Game of Abduction)
572(12)
25 Pierrot lunaire, Op. 21
Arnold Schoenberg
No.
18. Der Mondfleck (The Moonfleck)
584(6)
No.
21. O alter Duft aus Marchenzeit (O Scent of Fabled Yesteryear)
590(5)
26 Wozzeck, Act III
Alban Berg
Scene 4
595(14)
Interlude
609(5)
Scene 5
614(7)
27 Symphony, Op. 21, Second movement
621(9)
Anton Webern
European National Schools
28 Concerto for Orchestra, Fourth movement, Interrupted Intermezzo
630(12)
Bela Bartok
29 Lieutenant Kije Suite, No. 4, Troika
642(24)
Sergei Prokofiev
30 Carmina burana, O fortuna
666(9)
Carl Orff
31 Quatuor pour la fin du temps (Quartet for the End of Time), Second movement, Vocalise, pour l'Ange qui annonce la fin du Temps (Vocalise, for the Angel who announces the End of Time)
675(9)
Olivier Messiaen
American Nationalism
32 Country Band March
684(26)
Charles Ives
33 Piano Prelude No. 6
710(4)
Ruth Crawford
34 Appalachian Spring Suite
Aaron Copland
Scene 1
714(4)
Scene 7
718(15)
35 Homenaje a Federico Garcia Lorca (Homage to Federico Garcia Lorca), Third movement, Son
733(17)
Silvestre Revueltas
Ragtime, Blues, and Jazz
36 Maple Leaf Rag
750(4)
Scott Joplin
37 Billie's Blues
754(5)
Billie Holiday
38 Take the A Train
759(31)
Billy Strayhorn
Duke Ellington
39 A Night in Tunisia
790(2)
Dizzy Gillespie
Charlie Parker
Musical Theater
40 Summertime, from Porgy and Bess
792(5)
George Gershwin
41 West Side Story
Leonard Bernstein
Mambo
797(23)
Tonight Quintet
820(17)
Post-World War II to the Present
42 Sonatas and Interludes, Sonata V
837(3)
John Cage
43 Notations IV, opening
840(4)
Pierre Boulez
44 Madrigals, Book II, Caballito negro (Little Black Horse)
844(4)
George Crumb
45 Desordre (Disorder), from Etudes pour Piano, Book I
848(6)
Gyorgy Ligeti
46 China Dreams, Prelude
854(17)
Bright Sheng
47 Hyperstring Trilogy: Begin Again Again...excerpts
871(15)
Tod Machover
48 blue cathedral, excerpt
886(32)
Jennifer Higdon
49 Mr. Tambourine Man: Seven Poems of Bob Dylan, Prelude
918(29)
John Corigliano
50 Cantate Domino canticum novum (O sing to the Lord a new song)
947(13)
Arvo Part
51 Doctor Atomic
John Adams
Act I, Aria, "Batter my heart"
960(23)
Act III, Chorus, "At the sight of this"
983(22)
Appendix A Reading a Musical Score 1005(2)
Appendix B Instrument Names and Abbreviations 1007(6)
Appendix C Glossary of Musical Terms Used in the Scores 1013(12)
Appendix D Concordance Table for Recordings and Listening Guides 1025(4)
Index of Forms and Genres 1029
Kristine Forney is Professor Emerita on the music history faculty at California State University, Long Beach, which she first joined in 1978. She specializes in Renaissance music, is a performer and teacher of historical instruments, and is the author of numerous scholarly articles exploring diverse facets of Renaissance musical life and practices. She has taught music appreciation to thousands of undergraduate students and has been an author of The Enjoyment of Music since 1988. Roger Hickman, professor of music at California State University, Long Beach, has served as music director for the Los Angeles Classical Ballet, the Four Seasons Orchestra, and the Hollywood Classical Symphony, with whom he has toured internationally. Professor Hickman teaches courses in film music, music history, and music appreciation.